Eleanor Catton

Best known as a Screenwriter based on a credit in that role in 1 film, with $27,365,788 worldwide aggregate box office (rank #3,332)
Best-known technical roles: Emma. (Screenwriter)
Most productive collaborators: Anya Taylor-Joy, Autumn de Wilde, Johnny Flynn, Tim Bevan, Bill Nighy
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter1$10,055,355$17,310,433$27,365,788

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,801-3,900) 3,867 $10,055,355
Top Grossing Screenwriter at the International Box Office (Rank 2,601-2,700) 2,692 $17,310,433
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,301-3,400) 3,332 $27,365,788

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


Featured Blu-ray and DVD Review: Emma.

May 18th, 2020

Emma.

Emma. is the latest adaptation of the Jane Austen novel of the same name. It was previously adapted a number of times, arguably most famously as Clueless back in 1995. The film earned excellent reviews and opened well in limited release, but it struggled when it tried to expand and was all but gone from theaters the weekend after. However, it also opened just as the Covid-19 pandemic became a serious threat in the United States and its box office numbers were obviously negatively impacted by those events. Is it worth checking out for fans of period pieces? Or would it have struggled even under better circumstances? More...

2020 Preview: February

February 1st, 2020

Birds of Prey

We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Feb 21, 2020Emma. Screenwriter $10,055,355$17,310,433$27,365,788
 
Averages $10,055,355$17,310,433$27,365,788
Totals 1 $10,055,355$17,310,433$27,365,788

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,801-3,900) 3,867 $10,055,355
Top Grossing Screenwriter at the International Box Office (Rank 2,601-2,700) 2,692 $17,310,433
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,301-3,400) 3,332 $27,365,788