Randall Wallace

Best known as a Screenwriter based on credits in that role in 5 films, with $721,779,840 worldwide aggregate box office (rank #398)
Best-known technical roles: Pearl Harbor (Screenwriter), Pearl Harbor (Executive Producer), Heaven is for Real (Director), Heaven is for Real (Screenwriter), Secretariat (Director)
Most productive collaborators: Greg Kinnear, Ben Affleck, Michael Bay, Josh Hartnett, Kelly Reilly
Born: July 28, 1949 (74 years old)
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter5$425,014,317$296,765,523$721,779,840
Director4$286,173,975$46,742,259$332,916,234
Producer3$135,088,365$36,538,066$171,626,431
Executive Producer2$198,911,100$250,743,312$449,654,412
Song Writer1$78,120,196$36,538,066$114,658,262
Composer1$29,817$0$29,817

Latest Ranking on Selected Box Office Record Lists


2016 Preview: November

November 1st, 2016

Doctor Strange

October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory. More...

2014 Preview: April

April 1st, 2014

Captian America: The Winter Soldier poster

March was stronger than expected when compared to 2013 with four films earning $100 million or more, led by Divergent. (Not all of them have gotten there yet, but they are certain to reach that milestone before they are done their box office runs.) It wasn't a blow-out victory, on the other hand, as a few weekends the ticket sales were lower in 2014 than they were during the same weekend in 2013. April looks really strong with Captain America: The Winter Soldier leading the way. This film should top $200 million over the weekend, while it isn't the only film that should crack the century mark, as Rio 2 is also on track for $100 million. This is great news, as no film last April reached $100 million. Granted, 42 came close and Oblivion wasn't far behind, but The Winter Soldier should earn more than those two films earned combined giving 2014 a comfortable lead over 2013 over the full month. More...

All Acting Credits



All Technical Credits



Register with The Numbers for free to customize this chart.

Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Apr 16, 2014Heaven is for Real Director
Screenwriter
$91,386,097$9,527,459$100,913,556
Jun 7, 2013Dirty Wars Executive Producer $371,245$43,314$414,559
Mar 1, 2013A Fierce Green Fire Composer $29,817$29,817
Oct 8, 2010Secretariat Director $59,699,513$676,734$60,376,247
Mar 1, 2002We Were Soldiers Director
Screenwriter
Producer
Song Writer
$78,120,196$36,538,066$114,658,262
May 25, 2001Pearl Harbor Screenwriter
Executive Producer
$198,539,855$250,699,998$449,239,853
Mar 13, 1998The Man in the Iron Mask Director
Written by
Producer
$56,968,169$56,968,169
 
Averages $69,302,127$59,497,114$111,800,066
Totals 7 $485,114,892$297,485,571$782,600,463


Director Credits


Register with The Numbers for free to customize this chart.

Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Apr 16, 2014Heaven is for Real $22,522,2213,048$91,386,097$100,913,55690.6%
Oct 8, 2010Secretariat $12,694,7703,108$59,699,513$60,376,24798.9%
Mar 1, 2002We Were Soldiers $20,212,5433,143$78,120,196$114,658,26268.1%
Mar 13, 1998The Man in the Iron Mask $17,271,4503,101$56,968,169$56,968,169100.0%
 
Averages $18,175,2463,100$71,543,494$83,229,05989.4%
Totals 4 $286,173,975$332,916,234


Producer Credits


Register with The Numbers for free to customize this chart.

Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Mar 1, 2002We Were Soldiers $20,212,5433,143$78,120,196$114,658,26268.1%
Mar 13, 1998The Man in the Iron Mask $17,271,4503,101$56,968,169$56,968,169100.0%
 
Averages $18,741,9973,122$67,544,183$85,813,21684.1%
Totals 2 $135,088,365$171,626,431


Writer Credits


Register with The Numbers for free to customize this chart.

Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Apr 16, 2014Heaven is for Real $22,522,2213,048$91,386,097$100,913,55690.6%
Mar 1, 2002We Were Soldiers $20,212,5433,143$78,120,196$114,658,26268.1%
May 25, 2001Pearl Harbor $59,078,9123,255$198,539,855$449,239,85344.2%
Mar 13, 1998The Man in the Iron Mask $17,271,4503,101$56,968,169$56,968,169100.0%
 
Averages $29,771,2823,137$106,253,579$180,444,96075.7%
Totals 4 $425,014,317$721,779,840