Curt Sobel

Best known as a Music Editor based on credits in that role in 11 films, with $531,729,801 worldwide aggregate box office (rank #151)
Best-known technical roles: Ray (Music Editor), Ray (Music Supervisor), Hope Floats (Music Editor), Detroit (Music Editor), Get on Up (Music Editor)
Most productive collaborators: William Goldenberg, Aunjanue Ellis, Jamie Foxx, Taylor Hackford, Curtis Armstrong
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesMusic Editor11$368,777,527$162,952,274$531,729,801
Music Supervisor2$92,853,994$58,047,600$150,901,594

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Mar 23, 2018Paul, Apostle of Christ Music Supervisor $17,547,999$8,530,501$26,078,500
Jul 28, 2017Detroit Supervising Music Editor $16,790,139$9,243,424$26,033,563
Dec 25, 2016Live by Night Music Editor $10,378,555$11,395,877$21,774,432
Aug 1, 2014Get on Up Supervising Music Editor $30,569,935$2,769,933$33,339,868
Dec 18, 2009Nine Supervising Music Editor $19,676,965$37,307,254$56,984,219
Oct 29, 2004Ray Music Editor
Music Supervisor
$75,305,995$49,517,099$124,823,094
Nov 5, 1999The Insider Supervising $28,965,197$31,300,000$60,265,197
May 29, 1998Hope Floats Music Editor $60,110,313$21,418,687$81,529,000
Mar 26, 1986The Money Pit Music Editor $37,499,651$37,499,651
Dec 4, 1985Young Sherlock Holmes Music Editor $19,739,000$19,739,000
Oct 26, 1984Firstborn Music Editor $6,200,000$6,200,000
Aug 5, 1983Risky Business Music Editor $63,541,777$63,541,777
 
Averages $32,193,794$21,435,347$46,484,025
Totals 12 $386,325,526$171,482,775$557,808,301