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Cindy Marty

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $1,092,529,168 worldwide aggregate box office (rank #78)
Best-known technical roles: We're the Millers (Sound Designer), We're the Millers (Sound Effects Editor), Austin Powers in Goldmember (Sound Effects Editor), Central Intelligence (Sound Effects Editor), Charlie's Angels: Full Throttle (Sound Effects Editor)
Most productive collaborators: Rawson Marshall Thurber, Toby Emmerich, Ed Helms, Richard Brener, Marcus Viscidi

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary

Box Office
Box Office
Box Office
In Technical RolesSound Effects Editor5$658,075,625$434,453,543$1,092,529,168
Sound Editor3$240,299,120$94,700,000$334,999,120
Sound Designer1$150,394,119$117,422,157$267,816,276

Latest Ranking on Selected Box Office Record Lists

All Technical Credits

Box Office
Box Office
Box Office
6/17/2016 Central Intelligence Sound Effects Editor $127,440,871 $89,755,940 $217,196,811
8/7/2013 We're the Millers Sound Designer,
Effects Editor 
$150,394,119 $117,422,157 $267,816,276
6/27/2003 Charlie's Angels: Full Throttle Sound Effects Editor $100,814,328 $126,385,672 $227,200,000
7/25/2002 Austin Powers in Goldmember Sound Effects Editor $213,117,789 $83,220,874 $296,338,663
7/29/1998 The Parent Trap Sound Effects Editor $66,308,518 $17,668,900 $83,977,418
6/3/1994 Renaissance Man Sound Editor $24,172,899 $0 $24,172,899
8/7/1992 Unforgiven Sound Editor $101,157,447 $58,000,000 $159,157,447
6/3/1988 Big Sound Editor $114,968,774 $36,700,000 $151,668,774
Movies: 8Totals:$898,374,745$529,153,543$1,427,528,288