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Ingrid Goes West (2017)

Ingrid Goes West
Theatrical Performance
Domestic Box Office $438,685Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


Ingrid Thorburn is an unhinged social media stalker with a history of confusing “likes” for meaningful relationships. Taylor Sloane is an instagram-famous “influencer” whose perfectly curated, boho-chic lifestyle becomes Ingrid’s latest obsession. When Ingrid moves to L.A. and manages to insinuate herself into the social media star’s life, their relationship quickly goes from #BFF to #WTF.


Latest Ranking on Cumulative Box Office Lists

Movie Details

Domestic Releases: August 11th, 2017 (Limited) by Neon
MPAA Rating: R for language throughout, drug use, some sexual content and disturbing behavior.
(Rating bulletin 2478 (Cert #51081), 5/31/2017)
Running Time: 97 minutes
Comparisons: vs. Good Time
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Keywords: Internet, Social Media, Mental Illness, Obsessive Love, Celebrity Worship
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Star Thrower Entertainment, 141 Entertainment, Mighty Engine
Production Countries: United States

Ranking on other Records and Milestones

Days In
Theater Average Opening Weekend Limited Release 78 $45,100 Aug 11, 2017 3
Theater Average Limited Release 91 $45,100 Aug 11, 2017 3
Top 2017 Theater Average Limited Release 2 $45,100 Aug 11, 2017 3


   Ingrid Thorburn
   Taylor Sloane
   Dan Pinto
   Nicky Sloane
   Ezra O’Keefe
   Harley Chung
Meredith Hagner    Charlotte
Charlie Wright    Chuck
Hannah Pearl Utt    Nicole
Angelica Amor    Cindy

Production and Technical Credits

Screenwriter    David Branson Smith
Screenwriter    Matt Spicer
Producer    Jared Ian Goldman
Producer    Tim White
Producer    Trevor White
Producer    Adam Mirels
Producer    Robert Mirels
Producer    Aubrey Plaza
Executive Producer    Mary Solomon
Executive Producer    Rick Rickertsen
Executive Producer    Allan Mandelbaum
Line Producer    Joel Sadilek
Director of Photography    Bryce Fortner
Production Designer    Susie Mancini
Editor    Jack Price
Costume Designer    Natalie O'Brien
Music Supervisor    Maggie Phillips
Composer    Nick Thorburn
Composer    Jonathan Sadoff
Casting Director    Justine Arteta
Casting Director    Kim Davis-Wagner

Weekend Estimates: Hitman’s Bodyguard Tops Chart with Solid $21.6 Million

August 20th, 2017

The Hitman’s Bodyguard

We’re at that point in the year when we’ll take what we can get at the box office, and The Hitman’s Bodyguard will deliver according to that lowered metric this weekend with about $21.6 million, according to Lionsgate’s Sunday morning projection. That’s in line with to a little ahead of expectations, but a B+ CinemaScore and mediocre reviews suggest it won’t have substantial legs. For Ryan Reynolds, the opening is ahead of this year’s Life, which debuted with $12.5 million, and well clear of 2015’s Self/Less ($5.4 million). Samuel L. Jackson, meanwhile, appears in such a mess of movies it’s hard to say how this compares to any one of them. More...

Theater Averages: Ingrid Westward Trip nets $45,100

August 16th, 2017

Ingrid Goes West

Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release. More...

Weekend Estimates: Annabelle to the Rescue

August 13th, 2017

Annabelle: Creation

After a series of lackluster weekends at the box office, Annabelle: Creation is doing its bit to clear away the end-of-Summertime blues with a $35 million opening this weekend. That’s right in line with the $37 million Annabelle opened with three years ago, which is an impressive performance for a horror franchise. It’s also the best opening for a horror movie since Split’s $40 million start back in January. The first film in the franchise fell away quite rapidly, and ended up with $84 million in total, so a final total of over $100 million is far from assured, but with a production budget of only $15 million, and probably not much more than $20 million in marketing, this should be a highly profitable movie for Warner Bros., especially since the franchise is popular globally. More...

Limited and VOD Releases: Take a Trip to the Theaters

August 11th, 2017

The Trip to Spain

There are a number of limited releases coming out this week that are earning good reviews and / or strong buzz. Of these, The Trip to Spain is the one I want to see the most. It also has a good chance to earn more than $2 million in theaters, as its two predecessors did the same. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/08/11 32 $135,301   3 $45,100   $135,301 3
2017/08/18 - $265,567 +96% 26 $10,214   $438,685 10

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/08/11 - $48,822   3 $16,274   $48,822 1
2017/08/12 - $51,907 +6% 3 $17,302   $100,729 2
2017/08/13 - $34,572 -33% 3 $11,524   $135,301 3
2017/08/14 - $10,090 -71% 3 $3,363   $145,391 4
2017/08/15 - $10,642 +5% 3 $3,547   $156,033 5
2017/08/16 - $10,018 -6% 3 $3,339   $166,051 6
2017/08/17 - $7,067 -29% 3 $2,356   $173,118 7
2017/08/18 - $122,933 +1,640% 26 $4,728   $296,051 8
2017/08/19 - $89,146 -27% 26 $3,429   $385,197 9
2017/08/20 - $53,488 -40% 26 $2,057   $438,685 10

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/08/11 34 $173,118   3 $57,706   $173,118 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at