United Kingdom Box Office for The King (2018)

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The King
Theatrical Performance (US$)
United Kingdom Box Office $14,319Details
Worldwide Box Office $273,610Details
Home Market Performance
North America DVD Sales $7,967 Details
North America Blu-ray Sales $5,282 Details
Total North America Video Sales $13,249
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

United Kingdom Releases: August 24th, 2018 (Limited)
Video Release: October 2nd, 2018 by Oscilloscope Video
MPAA Rating: R for language, some disturbing images and brief drug use.
(Rating bulletin 2521 (Cert #51542), 4/4/2018)
Running Time: 107 minutes
Keywords: Rock 'n' Roll, Rockumentary, On Tour, 1960s, Political
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Countries: Germany, United States
Languages: English

Theater Averages: Kingdom Crowned Leader of Theater Average Chart

June 27th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom led the way on the theater average chart with an average of $33,078, putting it ahead of Incredibles 2’s sophomore stint score of $18,219. The King was the best of the new limited releases, with an average of $14,525 in two theaters. Finally, 2001: A Space Odyssey returned to the $10,000 club with an average of $12,989. The 4K Ultra HD Combo Pack is coming out in October. More...

Weekend Estimates: Fallen Starts Out on Top

June 24th, 2018

Jurassic World: Fallen Kingdom

Sequels usually start faster but fall quicker, when compared to their predecessor. However, no one expected Jurassic World: Fallen Kingdom to follow suit. In fact, many thought it would collapse. That wasn’t the case, as Fallen Kingdom opened with $150 million over the weekend. Granted, this is nearly 30% lower than Jurassic World’s opening weekend, but it could have been much worse. On the downside, its reviews are almost exactly 50% positive, which suggests weak legs. It did earn an A minus from CinemaScore, so audiences did like the film more than critics did, so we have mixed signals about what the movie will do going forward. Internationally, the film added $106.7 million over the weekend for a three-week total of $561.5 million. This includes a $12.3 million debut in Mexico. More...

Limited and VOD Releases: Never Easy for Limited Releases

June 22nd, 2018

Never Steady, Never Still

It is a slow week for limited releases and none of the films have a real shot at becoming a box office hit. Marlina the Murderer in Four Acts is earning the best reviews of the week, but it is a foreign-language film, so its box office chances are weak. Never Steady, Never Still is the film I’m most interested in. Its reviews are solid and it is also a Canadian movie. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/08/24 - $14,319   10 $1,432   $14,319 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 6/22/2018 $29,050 2 45 156 $259,291
United Kingdom 8/24/2018 $14,319 10 10 10 $14,319 8/29/2018
 
Worldwide Total$273,610 8/29/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Alec Baldwin    Himself
Chuck D.    Himself
Rosanne Cash    Herself
Van Jones    Himself
Ethan Hawke    Himself
Emmylou Harris    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Eugene Jarecki    Director
Christopher St. John    Producer
David Kuhn    Producer
Steven Soderbergh    Executive Producer
Barbara Biemann    Executive Producer
Errol Morris    Executive Producer
Rosanne Cash    Executive Producer