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Steven Soderbergh

Best known as a Director based on credits in that role in 28 films, with $2,193,953,665 worldwide aggregate box office (rank #38)
Best-Known Technical Roles: Magic Mike (Director), Ocean's Eleven (Director), Ocean's Thirteen (Director), Ocean's Twelve (Director), Magic Mike XXL (Executive Producer)
Best-Known Acting Roles: Interviewed on television (Waking Life), Himsefl (Side by Side), Vault-Bombing Thief (Ocean's Eleven)
Most productive collaborators: George Clooney, Channing Tatum, Matt Damon, Gregory Jacobs, Reid Carolin

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits
  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
As an ActorCameo1$183,417,150$267,311,379$450,728,529
Inverviewee1$58,825$8,229$67,054
(Unclassified)1$2,892,011$0$2,892,011
In Technical RolesDirector28$1,038,969,411$1,154,984,254$2,193,953,665
Executive Producer9$331,942,303$283,179,162$615,121,465
Screenwriter3$15,408,286$1,347,437$16,755,723
Producer1$0$0$0

Contest: Lucky Hit

August 11th, 2017

The Hitman’s Bodyguard

There are two wide releases next weekend and it is a bit of a coin toss to determine which one will open in first place. At the moment, Logan Lucky’s early reviews are 100% positive. However, the director, Steven Soderbergh is trying a new release strategy and I don’t know how well that will work. On the other hand, The Hitman’s Bodyguard only has one review and it is 6 out of 10. I suspect a lot of its reviews will be in that range. That said, it is a more traditional release and has louder buzz due to a more aggressive ad campaign. It came down to a coin toss and The Hitman’s Bodyguard won, so it is the the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for The Hitman’s Bodyguard.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Ash vs. Evil Dead: Season Two on Blu-ray Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Ash vs. Evil Dead: Season Two on Blu-ray Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, consisting of a randomly selected previously reviewed TV on DVD release.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

2017 Preview: August

August 1st, 2017

Annabelle Creation

July is over and we should all be happy about that. Granted, there were some positive results we can talk about. Spider-Man: Homecoming is a huge hit and Despicable Me 3 will pull in a sizable profit before it reaches the home market. There were also a couple of other $100 million hits and a midlevel hit or two; however, overall, 2017 wasn’t able to compete with 2016 and the box office finally lost its lead over last year. 2017 started the summer about $200 million ahead of 2016, but will finish July about $100 million behind last year’s pace. August doesn’t look any better. There are a couple of films that have a reasonable shot at $100 million, The Dark Tower and Annabelle: Creation, as well as a few that should be solid midlevel hits. However, last year we had Sausage Party and Don’t Breathe, both of which nearly hit $100 million, then we had midlevel hits like Pete’s Dragon, Kubo and the Two Strings, and War Dogs. I don’t know if 2017 will be able to compete with that. ... Now some of you are thinking I forgot about Suicide Squad. Trust me, I will never forget that movie. I ignored it to make a point. Even without Suicide Squad, I don’t think 2017 will make up the deficit it has with 2016. With Suicide Squad, it is going to be a disaster. I want to be optimistic, but there’s no evidence to suggest I should be. More...

Logan Lucky Trailer

July 7th, 2017

Comedy starring Channing Tatum, Adam Driver, and Riley Keough, directed by Steven Soderbergh opens August 18 ... Full Movie Details. More...

Weekend Wrap-Up: Storm Doesn't Slow Down Thief's Start

February 12th, 2013

It was a great week at the box office, all things considered, with Identity Thief crushing expectations and all of the holdovers matching theirs. Only Side Effects struggled at the box office. This helped the overall box office climb 18% from last week to $104 million. This was 47% lower than the same weekend last year; however, this weekend last year was Valentine's weekend, which is one of the biggest non-holiday weekends of the year, so the comparison isn't fair. As I predicted last week, the lead 2013 had built up has evaporated and it is now 1.2% lower than 2012 at $1.05 billion to $1.06 billion. Since Valentine's Day is this Thursday, we should make up the difference quickly. More...

Weekend Predictions: Will Side Effects Steal the Win from Identity Thief

February 7th, 2013

There are two wide releases this week, Identity Thief and Side Effects. One of these films is earning amazing reviews and one of them is the overwhelming favorite to win the box office race. Identity Thief looks like it is going to finish in first place and it's only real competition is from last year. Last year the box office was led by a one-two punch of The Vow and Safe House, both of which earned more than $40 million. No movie is going to do that this year, so 2013 is going to lose big this week. More...

2013 Preview: February

February 1st, 2013

For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part. More...

Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
8/17/2012 Side by Side Himsefl  $58,825 $8,229 $67,054
12/7/2001 Ocean's Eleven Vault-Bombing Thief  $183,417,150 $267,311,379 $450,728,529
10/19/2001 Waking Life Interviewed on television  $2,892,011 $0 $2,892,011
Movies: 3Totals:$186,367,986$267,319,608$453,687,594
  Averages:$62,122,662$89,106,536$151,229,198
Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
6/8/2018 Ocean’s 8 Producer $0 $0 $0
8/18/2017 Logan Lucky Director $0 $0 $0
7/1/2015 Magic Mike XXL Executive Producer $66,013,057 $57,696,403 $123,709,460
10/24/2014 CitizenFour Executive Producer $2,800,870 $3,370,674 $6,171,544
9/17/2013 Behind the Candelabra Director $0 $2,568,300 $2,568,300
2/8/2013 Side Effects Director $32,172,757 $34,569,381 $66,742,138
6/29/2012 Magic Mike Director $113,721,571 $56,828,182 $170,549,753
1/20/2012 Haywire Director $18,942,396 $17,432,304 $36,374,700
9/9/2011 Contagion Director $75,658,097 $61,893,497 $137,551,594
9/18/2009 The Informant! Director $33,316,821 $8,454,347 $41,771,168
5/22/2009 The Girlfriend Experience Director $695,840 $310,000 $1,005,840
1/9/2009 Che, Part 1: The Argentine Director $1,733,532 $0 $1,733,532
1/9/2009 Che, Part 2: Guerrilla Director $0 $0 $0
10/5/2007 Michael Clayton Executive Producer $49,033,882 $43,953,769 $92,987,651
6/8/2007 Ocean's Thirteen Director $117,144,465 $194,600,000 $311,744,465
12/15/2006 The Good German Director $1,308,696 $0 $1,308,696
7/7/2006 A Scanner Darkly Executive Producer $5,501,616 $1,903,468 $7,405,084
1/27/2006 Bubble Director $145,382 $0 $145,382
12/25/2005 Rumor Has It Executive Producer $42,996,140 $45,937,422 $88,933,562
11/23/2005 Syriana Executive Producer $50,824,620 $41,866,339 $92,690,959
10/7/2005 Good Night, and Good Luck Executive Producer $31,501,218 $25,085,683 $56,586,901
4/8/2005 Eros Written by (Equilibr…,
Director (Equilibrium) 
$188,248 $1,347,437 $1,535,685
12/10/2004 Ocean's Twelve Director $125,531,634 $237,457,442 $362,989,076
12/31/2002 Confessions of a Dangerous Mind Executive Producer $16,007,718 $17,006,087 $33,013,805
11/27/2002 Solaris Screenwriter,
Director 
$14,970,038 $0 $14,970,038
8/2/2002 Full Frontal Director $2,512,846 $925,958 $3,438,804
5/24/2002 Insomnia Executive Producer $67,263,182 $46,359,317 $113,622,499
12/7/2001 Ocean's Eleven Director $183,417,150 $267,311,379 $450,728,529
12/27/2000 Traffic Director $124,107,476 $84,192,524 $208,300,000
3/17/2000 Erin Brockovich Director $125,548,685 $132,256,558 $257,805,243
10/8/1999 The Limey Director $3,193,102 $2,836,945 $6,030,047
6/26/1998 Out of Sight Director $37,562,568 $40,000,000 $77,562,568
4/9/1997 Schizopolis Director,
Screenwriter 
$250,000 $0 $250,000
11/3/1996 Gray's Anatomy Director $5,000 $0 $5,000
4/28/1995 Underneath Director $536,023 $0 $536,023
9/1/1993 King of the Hill Director $465,417 $0 $465,417
11/15/1991 Kafka Director $1,100,000 $0 $1,100,000
8/4/1989 Sex, Lies, and Videotape Director $24,741,667 $12,000,000 $36,741,667
Movies: 38Totals:$1,370,911,714$1,438,163,416$2,809,075,130
  Averages:$36,076,624$37,846,406$73,923,030