My Little Pony: The Movie (2017)

My Little Pony
Theatrical Performance
Domestic Box Office $21,885,107Details
International Box Office $39,409,537Details
Worldwide Box Office $61,294,644
Home Market Performance
Est. Domestic DVD Sales $5,954,799 Details
Est. Domestic Blu-ray Sales $3,960,224 Details
Total Est. Domestic Video Sales $9,915,023
Further financial details...

Synopsis

A dark force threatens Ponyville, and the Mane 6—Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Fluttershy, and Rarity— embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to save their home.

Metrics

Opening Weekend:$8,885,899 (40.6% of total gross)
Legs:2.46 (domestic box office/biggest weekend)
Domestic Share:35.7% (domestic box office/worldwide)
Production Budget:$6,500,000 (worldwide box office is 9.4 times production budget)
Theater counts:2,528 opening theaters/2,528 max. theaters, 4.4 weeks average run per theater
Infl. Adj. Dom. BO $26,301,163

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 6th, 2017 (Wide) by Lionsgate
International Releases: September 29th, 2017 (Special Engagement), released as Mano mažasis ponis (Lithuania)
October 5th, 2017 (Wide) (Israel)
October 6th, 2017 (Wide) (Argentina)
October 6th, 2017 (Wide) (Brazil)
October 6th, 2017 (Special Engagement), released as My Little Pony Film (Czech Republic)
... Show all releases
Video Release: December 19th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG for mild action.
(Rating bulletin 2487 (Cert #51120), 8/2/2017)
Running Time: 99 minutes
Comparisons: vs. The Lego Ninjago Movie
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Dragon, Monster, Military Coup, Pirates, Mermaids, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Allspark Pictures, DHX Media
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day) 103 $8,885,899 Oct 6, 2017 3
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 166 $11,219,081 Oct 6, 2017 3
Columbus Day (All Movies, 4-Day, Fri-Mon) 86 $10,290,940 Oct 6, 2017 3
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 104 $12,993,045 Oct 6, 2017 3
Columbus Day (Opening, 3-Day) 54 $8,885,899 Oct 6, 2017 3
Columbus Day (Opening, 3-Day, Inflation Adjusted) 73 $11,219,081 Oct 6, 2017 3
Columbus Day (Opening, 4-Day, Fri-Mon) 42 $10,290,940 Oct 6, 2017 3
Columbus Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 48 $12,993,045 Oct 6, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 6, 2017 4 $8,885,899   2,528 $3,515   $8,885,899 1
Oct 13, 2017 9 $4,111,877 -54% 2,528 $1,627   $15,625,311 2
Oct 20, 2017 15 $2,027,064 -51% 2,301 $881   $18,556,663 3
Oct 27, 2017 19 $1,027,701 -49% 1,682 $611   $20,051,709 4
Nov 3, 2017 20 $602,945 -41% 785 $768   $20,861,496 5
Nov 10, 2017 19 $508,815 -16% 592 $859   $21,520,056 6
Nov 17, 2017 28 $128,709 -75% 299 $430   $21,732,671 7
Nov 24, 2017 40 $37,511 -71% 119 $315   $21,818,587 8
Dec 1, 2017 41 $43,700 +16% 180 $243   $21,870,730 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 6, 2017 3 $2,971,940     2,528 $1,176   $2,971,940 1
Oct 7, 2017 6 $3,447,324 +16%   2,528 $1,364   $6,419,264 2
Oct 8, 2017 6 $2,466,635 -28%   2,528 $976   $8,885,899 3
Oct 9, 2017 6 $1,405,041 -43%   2,528 $556   $10,290,940 4
Oct 10, 2017 8 $554,344 -61%   2,528 $219   $10,845,284 5
Oct 11, 2017 8 $333,724 -40%   2,528 $132   $11,179,008 6
Oct 12, 2017 8 $334,426 n/c   2,528 $132   $11,513,434 7
Oct 13, 2017 10 $954,655 +185% -68% 2,528 $378   $12,468,089 8
Oct 14, 2017 9 $1,873,744 +96% -46% 2,528 $741   $14,341,833 9
Oct 15, 2017 9 $1,283,478 -32% -48% 2,528 $508   $15,625,311 10
Oct 16, 2017 11 $232,249 -82% -83% 2,528 $92   $15,857,560 11
Oct 17, 2017 10 $272,705 +17% -51% 2,528 $108   $16,130,265 12
Oct 18, 2017 10 $189,294 -31% -43% 2,528 $75   $16,319,559 13
Oct 19, 2017 10 $210,040 +11% -37% 2,528 $83   $16,529,599 14
Oct 20, 2017 15 $443,781 +111% -54% 2,301 $193   $16,973,380 15
Oct 21, 2017 13 $897,539 +102% -52% 2,301 $390   $17,870,919 16
Oct 22, 2017 13 $685,744 -24% -47% 2,301 $298   $18,556,663 17
Oct 23, 2017 - $122,237 -82% -47% 2,301 $53   $18,678,900 18
Oct 24, 2017 15 $140,667 +15% -48% 2,301 $61   $18,819,567 19
Oct 25, 2017 15 $102,004 -27% -46% 2,301 $44   $18,921,571 20
Oct 26, 2017 - $102,437 n/c -51% 2,301 $45   $19,024,008 21
Oct 27, 2017 - $186,885 +82% -58% 1,682 $111   $19,210,893 22
Oct 28, 2017 - $445,776 +139% -50% 1,682 $265   $19,656,669 23
Oct 29, 2017 - $395,040 -11% -42% 1,682 $235   $20,051,709 24
Oct 30, 2017 - $69,911 -82% -43% 1,682 $42   $20,121,620 25
Oct 31, 2017 - $44,027 -37% -69% 1,682 $26   $20,165,647 26
Nov 1, 2017 - $48,815 +11% -52% 1,682 $29   $20,214,462 27
Nov 2, 2017 - $44,089 -10% -57% 1,682 $26   $20,258,551 28
Nov 3, 2017 - $85,175 +93% -54% 785 $109   $20,343,726 29
Nov 4, 2017 - $278,816 +227% -37% 785 $355   $20,622,542 30
Nov 5, 2017 - $238,954 -14% -40% 785 $304   $20,861,496 31
Nov 6, 2017 - $33,150 -86% -53% 785 $42   $20,894,646 32
Nov 7, 2017 - $54,226 +64% +23% 785 $69   $20,948,872 33
Nov 8, 2017 - $27,765 -49% -43% 785 $35   $20,976,637 34
Nov 9, 2017 - $34,604 +25% -22% 785 $44   $21,011,241 35
Nov 10, 2017 - $144,797 +318% +70% 592 $245   $21,156,038 36
Nov 11, 2017 - $209,262 +45% -25% 592 $353   $21,365,300 37
Nov 12, 2017 - $154,756 -26% -35% 592 $261   $21,520,056 38
Nov 13, 2017 - $31,259 -80% -6% 592 $53   $21,551,315 39
Nov 14, 2017 - $19,664 -37% -64% 592 $33   $21,570,979 40
Nov 15, 2017 - $17,073 -13% -39% 592 $29   $21,588,052 41
Nov 16, 2017 - $15,910 -7% -54% 592 $27   $21,603,962 42
Nov 17, 2017 - $21,858 +37% -85% 299 $73   $21,625,820 43
Nov 18, 2017 - $60,749 +178% -71% 299 $203   $21,686,569 44
Nov 19, 2017 - $46,102 -24% -70% 299 $154   $21,732,671 45
Nov 20, 2017 - $18,122 -61% -42% 299 $61   $21,750,793 46
Nov 21, 2017 - $16,956 -6% -14% 299 $57   $21,767,749 47
Nov 22, 2017 - $10,121 -40% -41% 140 $72   $21,777,870 48
Nov 23, 2017 - $3,206 -68% -80% 140 $23   $21,781,076 49
Nov 24, 2017 - $11,784 +268% -46% 119 $99   $21,792,860 50
Nov 25, 2017 - $15,446 +31% -75% 119 $130   $21,808,306 51
Nov 26, 2017 - $10,281 -33% -78% 119 $86   $21,818,587 52
Nov 27, 2017 - $2,791 -73% -85% 119 $23   $21,821,378 53
Nov 28, 2017 - $1,738 -38% -90% 119 $15   $21,823,116 54
Nov 29, 2017 - $1,901 +9% -81% 119 $16   $21,825,017 55
Nov 30, 2017 - $2,013 +6% -37% 119 $17   $21,827,030 56
Dec 1, 2017 - $8,273 +311% -30% 180 $46   $21,835,303 57
Dec 2, 2017 - $19,879 +140% +29% 180 $110   $21,855,182 58
Dec 3, 2017 - $15,548 -22% +51% 180 $86   $21,870,730 59
Dec 4, 2017 - $2,645 -83% -5% 180 $15   $21,873,375 60
Dec 5, 2017 - $4,769 +80% +174% 180 $26   $21,878,144 61
Dec 6, 2017 - $3,165 -34% +66% 180 $18   $21,881,309 62
Dec 7, 2017 - $3,798 +20% +89% 180 $21   $21,885,107 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 6, 2017 6 $11,513,434   2,528 $4,554   $11,513,434 1
Oct 13, 2017 9 $5,016,165 -56% 2,528 $1,984   $16,529,599 2
Oct 20, 2017 15 $2,494,409 -50% 2,301 $1,084   $19,024,008 3
Oct 27, 2017 21 $1,234,543 -51% 1,682 $734   $20,258,551 4
Nov 3, 2017 21 $752,690 -39% 785 $959   $21,011,241 5
Nov 10, 2017 22 $592,721 -21% 592 $1,001   $21,603,962 6
Nov 17, 2017 35 $177,114 -70% 140 $1,265   $21,781,076 7
Nov 24, 2017 41 $45,954 -74% 119 $386   $21,827,030 8
Dec 1, 2017 45 $58,077 +26% 180 $323   $21,885,107 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/6/2017 $169,623 0 0 0 $436,228 1/1/2019
Australia 10/27/2017 $104,606 157 213 1,053 $1,007,456 1/18/2018
Belgium 10/25/2017 $0 0 0 0 $409,446 2/6/2018
Brazil 10/6/2017 $220,646 0 0 0 $555,835 6/26/2018
Bulgaria 10/13/2017 $20,151 0 0 0 $86,079 2/26/2019
China 2/2/2018 $12,894 0 17,020 32,015 $7,360,380 8/10/2018
Czech Republic 10/20/2017 $8,689 17 126 466 $325,838 1/1/2019
Finland 10/13/2017 $205,000 0 0 0 $205,000 10/16/2017
France 10/20/2017 $477,752 0 0 0 $1,835,271 9/23/2018
Germany 10/6/2017 $676,000 0 0 0 $2,394,306 6/29/2018
Hong Kong 12/15/2017 $134,037 37 37 37 $421,802 10/28/2018
India 11/10/2017 $15,444 0 0 0 $65,132 10/3/2018
Indonesia 10/6/2017 $90,377 0 0 0 $234,698 1/1/2019
Israel 10/5/2017 $0 0 1 1 $385,358 1/1/2019
Italy 12/6/2017 $180,456 0 94 95 $236,447 9/12/2018
Lithuania 10/6/2017 $3,841 6 146 261 $117,287 6/4/2019
Mexico 10/6/2017 $466,071 0 0 0 $1,214,656 10/12/2018
Netherlands 10/13/2017 $60,271 97 97 473 $454,516 11/3/2018
New Zealand 10/27/2017 $24,818 34 60 289 $140,095 12/18/2017
Norway 10/13/2017 $213,000 0 0 0 $213,000 10/16/2017
Poland 10/6/2017 $411,000 0 0 0 $1,674,782 1/1/2019
Portugal 12/15/2017 $9,504 47 47 111 $30,902 2/13/2018
Russia (CIS) 10/13/2017 $1,370,649 1,193 1,299 2,962 $2,325,901 1/1/2019
Slovakia 10/13/2017 $10,310 16 63 246 $225,268 12/6/2017
Spain 12/8/2017 $168,119 252 252 506 $270,929 9/12/2018
Sweden 10/20/2017 $0 0 0 0 $902,088 2/13/2018
Taiwan 10/6/2017 $12,085 0 0 0 $195,024 10/28/2018
Turkey 10/6/2017 $207,531 243 250 710 $544,093 2/26/2019
United Kingdom 10/20/2017 $1,207,331 531 555 2,795 $4,997,408 4/19/2018
 
Rest of World $10,144,312
 
International Total$39,409,537 6/4/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 2018258,230 58,230$871,121$871,1214
Jan 21, 2018333,981-42% 92,211$508,356$1,379,4775
Jan 28, 2018721,341-37% 113,552$319,261$1,698,7386
Feb 4, 2018926,293+23% 139,845$393,343$2,092,0817
Feb 11, 20181919,127-27% 158,972$286,140$2,378,2218
Feb 18, 20181721,266+11% 180,238$318,139$2,696,3609
Mar 18, 2018278,426 208,730$126,053$3,122,47613
Mar 25, 2018298,129-4% 216,859$121,529$3,244,00514

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 2018359,890 59,890$1,195,405$1,195,4054
Jan 21, 2018622,352-63% 82,242$446,136$1,641,5415
Jan 28, 20181513,453-40% 95,695$268,522$1,910,0636
Feb 4, 20181113,695+2% 109,390$273,350$2,183,4137
Feb 11, 20181810,048-27% 119,438$200,567$2,383,9808
Feb 18, 20181911,973+19% 131,411$238,986$2,622,9669
Apr 1, 20182011,359 162,653$226,722$3,246,55615

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Emily Blunt    Tempest Shadow
Kristin Chenoweth    Princess Skystar
Liev Schreiber    Storm King
Michael Peña    Grubber
Sia Furler    Songbird Serenade
Taye Diggs    Capper
Uzo Aduba    Queen Novo
Zoe Saldana    Captain Celaeno

Supporting Cast

Andrea Libman    Pinkie Pie/Fluttershy
Tabitha St. Germain    Rarity
Tara Strong    Twilight Sparkle
Cathy Weseluck    Spike
Ashleigh Ball    Applejack/Rainbow Dash
Nicole Oliver    Princess Celestia/Little Spittle/Klugetown Featured Voice
Adam Bengis    Code Red
Michelle Creber    Applebloom
Brian Dobson    Verko/Additional Voice
Max Martini    Boyle
Britt McKillip    Princess Cadance
Peter New    Big Mac/Klugetown Featured Voice
Mark Oliver    First Mate Mullet
Sam Vincent    Party Favor/Canterlot Featured Voice
Michael Dobson    Canterlot Featured Voice/Klugetown Featured Voice
Andrew McNee    Canterlot Featured Voice/Klugetown Featured Voice
Tegan Moss    Canterlot Featured Voice
Sabrina Pitre    Canterlot Featured Voice
Rhona Rees    Canterlot Featured Voice
Richard Ian Cox    Klugetown Featured Voice
Alistair Abell    Additional Voice
Caitlyn Bairstow    Additional Voice
Julia Benson    Additional Voice
Christine Chatelain    Additional Voice
Rondel Reynoldson    Additional Voice
Jason Simpson    Additional Voice
Sarah Troyer    Additional Voice
Siobhan Williams    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jayson Thiessen    Director
Meghan McCarthy    Screenwriter
Rita Hsiao    Screenwriter
Michael Vogel    Screenwriter
Joe Ballarini    Screenwriter
Brian Goldner    Producer
Stephen Davis    Producer
Marcia Gwendolyn Jones    Producer
Haven Alexander    Producer
Josh Feldman    Executive Producer
Meghan McCarthy    Executive Producer
Kirsten Newlands    Executive Producer
Sarah Wall    Executive Producer
Michael Vogel    Co-Executive Producer
Anthony Di Ninno    Director of Photography
Rebecca Dart    Art Director
Braden Oberson    Editor
Daniel Ingram    Composer
Meghan McCarthy    Story by
Joe Ballarini    Story by
Doron Meir    Head of Story
Nadine Westerbarkey    Animation Director
Michel Gagne    Visual Effects Designer
Jonathan Shore    Post-Production Supervisor
Christopher Daniel Lasko    Supervising Film Editor
Arlyn Bantog    Associate Producer
Masaki Jeffrey    Character CG Supervisor
Kent McCormick    Production Manager
Tini Wider    Production Manager
Adam Arsenault    Animation Supervisor
Melanie Daigle    Animation Supervisor
Irving Sevilla Garcia    Animation Supervisor
Deborah Copeland    Animation Supervisor
Diogo Viegas    Animation Supervisor
Maite Garcia    Animation Supervisor
Daniela Lopes Fischer    Animation Supervisor
Flavia Bias Guttler    Animation Supervisor
Mariana Isabel Villegas Flores    Animation Supervisor
Joseph Magee    Music Producer
Paul Shatto    Music Editor
Kelly Cole    Sound Supervisor
Bill Mellow    Sound Supervisor
James Fonnyadt    Sound Designer
Ovi Nedelcu    Story Artist
Steve Lumley    Story Artist
Kevin Munroe    Story Artist
Larry Leker    Story Artist
Nicole Wang    Story Artist
David Dick    Story Artist
Chris Johnston    Story Artist
Aynsley King    Story Artist
Thalia Tomlinson    Story Artist
Jocelan Thiessen    Story Artist
Patricia Atchison    Story Artist
Ken Mackenzie    First Assistant Editor
Ryan Jobling    Assistant Editor
Jennifer Prokop    Additional Editor
Greg Canning    Additional Editor
Paolo Kalalo    Additional Editor
Matt Boismier    Character Design Supervisor
Angela An    Character Designer
Michaela Martin    Character Designer
Jaqueline Anderson    Character Designer
Katharine Henry    Character Designer
Maahir Pandie    Character Designer
Bevin Brand    Character Designer
Nicola Catena    Character Designer
Nicole Martel    Character Designer
Elizabeth Chen    Character Designer
Matt Mozgiel    Character Designer
Courtney Pearson    Character Designer
Eric Emard    Character Designer
Amy Yuxin He    Character Designer
Caleb Chan    Additional Music
Trevor Hoffmann    Additional Music
Gregorio Gomez    Sound Effects Editor
Jay Cheetham    Sound Effects Editor
Kelly Cole    Re-recording Mixer
Bill Mellow    Re-recording Mixer
Mark Paterson    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for January 9th, 2018

January 9th, 2018

It

Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, because It comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, its reviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics, Inherit the Wind and Young Mr. Lincoln. All three are worth picking up, but I’m giving the title to It, because of its wider appeal. More...

Home Market Releases for December 19th, 2017

December 19th, 2017

The Tragically Hip: A National Celebration

By this time next week, Christmas will be over. This resulted in a short list, but not a bad week. Dunkirk is the biggest new release of the week and it is award-worthy and a contender for Pick of the Week. It isn’t the only contender, The Amicus Collection, Stronger, A Town Called Panic: The Collection, and others are too. As for the best of the best, I went with The Tragically Hip: A National Celebration on DVD or Blu-ray. More...

Weekend Wrap-Up: Death Day Made the Box Office Happy with $26.04 million

October 17th, 2017

Happy Death Day

Happy Death Day led the weekend, as expected, but did so with a surprisingly strong $26.04 million. The only other truly wide release of the week was The Foreigner, which also beat expectations, albeit by a smaller margin. The overall box office still fell from last weekend, down 4.2% to $100 million. This is 1.4% higher than the same weekend last year. On the one hand, this is not enough to compensate for inflation. On the other hand, at this point, any win is worth celebrating. Year-to-date, 2017 is still behind 2016 by a large margin, but at least it was able to close the gap by a little bit at $410 million / 4.7% at $8.34 billion to $8.75 billion. More...

Weekend Wrap-Up: Blade Runner Tops Chart with $32.75 million, but is it Enough?

October 10th, 2017

Blade Runner 2049

October started on a soft note with none of the new releases meeting expectations over the weekend. Blade Runner 2049 led the way with $32.75 million, which would have been fine, had the movie not cost $155 million to make. (That’s $185 million on the screen, $155 million cost for the studio, after you take into account tax breaks, etc.) Neither The Mountain Between Us, nor My Little Pony: The Movie made much of an impact at the box office, but at least neither of them bombed. The biggest news was It hitting $300 million. Overall, the box office did climb compared to last weekend, growing 16% to $105 million. This is just 1.2% higher than the same weekend last year, but at this point, a win is a win. Year-to-date, 2017 is 5.1% or $440 million behind 2016 at $8.19 billion to $8.64 billion. We really needed a big win this weekend to put a dent in that number. Unless November and December are really big months, 2017 has already lost the year-over-year competition. More...

Weekend Estimates: Blade Runner Stumbles Out the Gate

October 8th, 2017

Blade Runner 2049

After It smashed the September weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel to Blade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record, Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex. More...

Friday Estimates: What Happened? Blade Runner Struggles with $12.7 million

October 7th, 2017

Blade Runner 2049

I was bullish about Blade Runner 2049’s chances for a number of reasons. It was setting October records for pre-sales on a number of sites. Its reviews were over 90% positive. Its previews were a little stronger than expected, so everything was looking up. Then Friday happened. The film only pulled in $12.7 million on Friday, which is well below expectations. This is not a case of critics loved it, but the audiences didn’t, as it scored an A minus from CinemaScore. Perhaps not enough of the target audience even remembers the original Blade Runner and that’s why this movie is struggling. A lot of people thought it had a shot at $50 million this weekend but now $35 million is likely out of reach. $33 million is more likely at this point. More...

Thursday Night Previews: Blade Runs up a $4 million Tab

October 6th, 2017

Blade Runner 2049

Blade Runner 2049 pulled in $4 million in previews on Thursday night. Unfortunately, there’s not a lot of comparisons we can make here. The record holder for October is Gravity, but it opened in 2013, before previews were a major thing, so we can’t compare its $1.4 million in previews. Even The Martian’s $2.5 million previews isn’t a great comparison. We can say this is a good omen and a $50 million opening is a little more likely than it was yesterday. The reviews and its word-of-mouth should certainly help out, but it likely won’t be enough to break any records. More...

Weekend Predictions: Can Blade Runner Sprint to the Finish?

October 5th, 2017

Blade Runner 2049

September ended on a slow note, but it looks like October will open fast. Blade Runner 2049 has been setting October pre-order records for a few sites, but it will also need strong walk-up sales in order to actually break the October weekend record, currently held by Gravity, with $55 million. I don’t think that’s likely, but at this point I would be shocked if it didn’t land in the top ten weekends for the month. The Mountain Between Us looks more and more like busted Oscar-bait. Its reviews have fallen from just over 70% positive to under 50% positive. As I started writing this, My Little Pony: The Movie still had no reviews, which is almost worse than bad reviews. (Reviews are starting to trickle in.) Finally there’s Victoria and Abdul, which is expanding. It isn’t expanding wide, or even semi-wide; however, it should still earn a spot in the top ten. This weekend last year, The Girl on the Train opened with $24.54 million. Blade Runner 2049 could earn twice that. If 2017 does win in the year-over-year comparison, then it will be on the back of Blade Runner 2049. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

My Little Pony: The Movie Trailer

August 9th, 2017

Animated adventure opens October 6 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A dark force threatens Ponyville, and the Mane 6—Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Fluttershy, and Rarity— embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to save their home.

Metrics

Opening Weekend:$8,885,899 (40.6% of total gross)
Legs:2.46 (domestic box office/biggest weekend)
Domestic Share:35.7% (domestic box office/worldwide)
Production Budget:$6,500,000 (worldwide box office is 9.4 times production budget)
Theater counts:2,528 opening theaters/2,528 max. theaters, 4.4 weeks average run per theater
Infl. Adj. Dom. BO $26,301,163

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 6th, 2017 (Wide) by Lionsgate
International Releases: September 29th, 2017 (Special Engagement), released as Mano mažasis ponis (Lithuania)
October 5th, 2017 (Wide) (Israel)
October 6th, 2017 (Wide) (Argentina)
October 6th, 2017 (Wide) (Brazil)
October 6th, 2017 (Special Engagement), released as My Little Pony Film (Czech Republic)
... Show all releases
Video Release: December 19th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG for mild action.
(Rating bulletin 2487 (Cert #51120), 8/2/2017)
Running Time: 99 minutes
Comparisons: vs. The Lego Ninjago Movie
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Dragon, Monster, Military Coup, Pirates, Mermaids, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Allspark Pictures, DHX Media
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day) 103 $8,885,899 Oct 6, 2017 3
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 166 $11,219,081 Oct 6, 2017 3
Columbus Day (All Movies, 4-Day, Fri-Mon) 86 $10,290,940 Oct 6, 2017 3
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 104 $12,993,045 Oct 6, 2017 3
Columbus Day (Opening, 3-Day) 54 $8,885,899 Oct 6, 2017 3
Columbus Day (Opening, 3-Day, Inflation Adjusted) 73 $11,219,081 Oct 6, 2017 3
Columbus Day (Opening, 4-Day, Fri-Mon) 42 $10,290,940 Oct 6, 2017 3
Columbus Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 48 $12,993,045 Oct 6, 2017 3

Lead Ensemble Members

Emily Blunt    Tempest Shadow
Kristin Chenoweth    Princess Skystar
Liev Schreiber    Storm King
Michael Peña    Grubber
Sia Furler    Songbird Serenade
Taye Diggs    Capper
Uzo Aduba    Queen Novo
Zoe Saldana    Captain Celaeno

Supporting Cast

Andrea Libman    Pinkie Pie/Fluttershy
Tabitha St. Germain    Rarity
Tara Strong    Twilight Sparkle
Cathy Weseluck    Spike
Ashleigh Ball    Applejack/Rainbow Dash
Nicole Oliver    Princess Celestia/Little Spittle/Klugetown Featured Voice
Adam Bengis    Code Red
Michelle Creber    Applebloom
Brian Dobson    Verko/Additional Voice
Max Martini    Boyle
Britt McKillip    Princess Cadance
Peter New    Big Mac/Klugetown Featured Voice
Mark Oliver    First Mate Mullet
Sam Vincent    Party Favor/Canterlot Featured Voice
Michael Dobson    Canterlot Featured Voice/Klugetown Featured Voice
Andrew McNee    Canterlot Featured Voice/Klugetown Featured Voice
Tegan Moss    Canterlot Featured Voice
Sabrina Pitre    Canterlot Featured Voice
Rhona Rees    Canterlot Featured Voice
Richard Ian Cox    Klugetown Featured Voice
Alistair Abell    Additional Voice
Caitlyn Bairstow    Additional Voice
Julia Benson    Additional Voice
Christine Chatelain    Additional Voice
Rondel Reynoldson    Additional Voice
Jason Simpson    Additional Voice
Sarah Troyer    Additional Voice
Siobhan Williams    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jayson Thiessen    Director
Meghan McCarthy    Screenwriter
Rita Hsiao    Screenwriter
Michael Vogel    Screenwriter
Joe Ballarini    Screenwriter
Brian Goldner    Producer
Stephen Davis    Producer
Marcia Gwendolyn Jones    Producer
Haven Alexander    Producer
Josh Feldman    Executive Producer
Meghan McCarthy    Executive Producer
Kirsten Newlands    Executive Producer
Sarah Wall    Executive Producer
Michael Vogel    Co-Executive Producer
Anthony Di Ninno    Director of Photography
Rebecca Dart    Art Director
Braden Oberson    Editor
Daniel Ingram    Composer
Meghan McCarthy    Story by
Joe Ballarini    Story by
Doron Meir    Head of Story
Nadine Westerbarkey    Animation Director
Michel Gagne    Visual Effects Designer
Jonathan Shore    Post-Production Supervisor
Christopher Daniel Lasko    Supervising Film Editor
Arlyn Bantog    Associate Producer
Masaki Jeffrey    Character CG Supervisor
Kent McCormick    Production Manager
Tini Wider    Production Manager
Adam Arsenault    Animation Supervisor
Melanie Daigle    Animation Supervisor
Irving Sevilla Garcia    Animation Supervisor
Deborah Copeland    Animation Supervisor
Diogo Viegas    Animation Supervisor
Maite Garcia    Animation Supervisor
Daniela Lopes Fischer    Animation Supervisor
Flavia Bias Guttler    Animation Supervisor
Mariana Isabel Villegas Flores    Animation Supervisor
Joseph Magee    Music Producer
Paul Shatto    Music Editor
Kelly Cole    Sound Supervisor
Bill Mellow    Sound Supervisor
James Fonnyadt    Sound Designer
Ovi Nedelcu    Story Artist
Steve Lumley    Story Artist
Kevin Munroe    Story Artist
Larry Leker    Story Artist
Nicole Wang    Story Artist
David Dick    Story Artist
Chris Johnston    Story Artist
Aynsley King    Story Artist
Thalia Tomlinson    Story Artist
Jocelan Thiessen    Story Artist
Patricia Atchison    Story Artist
Ken Mackenzie    First Assistant Editor
Ryan Jobling    Assistant Editor
Jennifer Prokop    Additional Editor
Greg Canning    Additional Editor
Paolo Kalalo    Additional Editor
Matt Boismier    Character Design Supervisor
Angela An    Character Designer
Michaela Martin    Character Designer
Jaqueline Anderson    Character Designer
Katharine Henry    Character Designer
Maahir Pandie    Character Designer
Bevin Brand    Character Designer
Nicola Catena    Character Designer
Nicole Martel    Character Designer
Elizabeth Chen    Character Designer
Matt Mozgiel    Character Designer
Courtney Pearson    Character Designer
Eric Emard    Character Designer
Amy Yuxin He    Character Designer
Caleb Chan    Additional Music
Trevor Hoffmann    Additional Music
Gregorio Gomez    Sound Effects Editor
Jay Cheetham    Sound Effects Editor
Kelly Cole    Re-recording Mixer
Bill Mellow    Re-recording Mixer
Mark Paterson    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for January 9th, 2018

January 9th, 2018

It

Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, because It comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, its reviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics, Inherit the Wind and Young Mr. Lincoln. All three are worth picking up, but I’m giving the title to It, because of its wider appeal. More...

Home Market Releases for December 19th, 2017

December 19th, 2017

The Tragically Hip: A National Celebration

By this time next week, Christmas will be over. This resulted in a short list, but not a bad week. Dunkirk is the biggest new release of the week and it is award-worthy and a contender for Pick of the Week. It isn’t the only contender, The Amicus Collection, Stronger, A Town Called Panic: The Collection, and others are too. As for the best of the best, I went with The Tragically Hip: A National Celebration on DVD or Blu-ray. More...

Weekend Wrap-Up: Death Day Made the Box Office Happy with $26.04 million

October 17th, 2017

Happy Death Day

Happy Death Day led the weekend, as expected, but did so with a surprisingly strong $26.04 million. The only other truly wide release of the week was The Foreigner, which also beat expectations, albeit by a smaller margin. The overall box office still fell from last weekend, down 4.2% to $100 million. This is 1.4% higher than the same weekend last year. On the one hand, this is not enough to compensate for inflation. On the other hand, at this point, any win is worth celebrating. Year-to-date, 2017 is still behind 2016 by a large margin, but at least it was able to close the gap by a little bit at $410 million / 4.7% at $8.34 billion to $8.75 billion. More...

Weekend Wrap-Up: Blade Runner Tops Chart with $32.75 million, but is it Enough?

October 10th, 2017

Blade Runner 2049

October started on a soft note with none of the new releases meeting expectations over the weekend. Blade Runner 2049 led the way with $32.75 million, which would have been fine, had the movie not cost $155 million to make. (That’s $185 million on the screen, $155 million cost for the studio, after you take into account tax breaks, etc.) Neither The Mountain Between Us, nor My Little Pony: The Movie made much of an impact at the box office, but at least neither of them bombed. The biggest news was It hitting $300 million. Overall, the box office did climb compared to last weekend, growing 16% to $105 million. This is just 1.2% higher than the same weekend last year, but at this point, a win is a win. Year-to-date, 2017 is 5.1% or $440 million behind 2016 at $8.19 billion to $8.64 billion. We really needed a big win this weekend to put a dent in that number. Unless November and December are really big months, 2017 has already lost the year-over-year competition. More...

Weekend Estimates: Blade Runner Stumbles Out the Gate

October 8th, 2017

Blade Runner 2049

After It smashed the September weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel to Blade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record, Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex. More...

Friday Estimates: What Happened? Blade Runner Struggles with $12.7 million

October 7th, 2017

Blade Runner 2049

I was bullish about Blade Runner 2049’s chances for a number of reasons. It was setting October records for pre-sales on a number of sites. Its reviews were over 90% positive. Its previews were a little stronger than expected, so everything was looking up. Then Friday happened. The film only pulled in $12.7 million on Friday, which is well below expectations. This is not a case of critics loved it, but the audiences didn’t, as it scored an A minus from CinemaScore. Perhaps not enough of the target audience even remembers the original Blade Runner and that’s why this movie is struggling. A lot of people thought it had a shot at $50 million this weekend but now $35 million is likely out of reach. $33 million is more likely at this point. More...

Thursday Night Previews: Blade Runs up a $4 million Tab

October 6th, 2017

Blade Runner 2049

Blade Runner 2049 pulled in $4 million in previews on Thursday night. Unfortunately, there’s not a lot of comparisons we can make here. The record holder for October is Gravity, but it opened in 2013, before previews were a major thing, so we can’t compare its $1.4 million in previews. Even The Martian’s $2.5 million previews isn’t a great comparison. We can say this is a good omen and a $50 million opening is a little more likely than it was yesterday. The reviews and its word-of-mouth should certainly help out, but it likely won’t be enough to break any records. More...

Weekend Predictions: Can Blade Runner Sprint to the Finish?

October 5th, 2017

Blade Runner 2049

September ended on a slow note, but it looks like October will open fast. Blade Runner 2049 has been setting October pre-order records for a few sites, but it will also need strong walk-up sales in order to actually break the October weekend record, currently held by Gravity, with $55 million. I don’t think that’s likely, but at this point I would be shocked if it didn’t land in the top ten weekends for the month. The Mountain Between Us looks more and more like busted Oscar-bait. Its reviews have fallen from just over 70% positive to under 50% positive. As I started writing this, My Little Pony: The Movie still had no reviews, which is almost worse than bad reviews. (Reviews are starting to trickle in.) Finally there’s Victoria and Abdul, which is expanding. It isn’t expanding wide, or even semi-wide; however, it should still earn a spot in the top ten. This weekend last year, The Girl on the Train opened with $24.54 million. Blade Runner 2049 could earn twice that. If 2017 does win in the year-over-year comparison, then it will be on the back of Blade Runner 2049. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

My Little Pony: The Movie Trailer

August 9th, 2017

Animated adventure opens October 6 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 6, 2017 4 $8,885,899   2,528 $3,515   $8,885,899 1
Oct 13, 2017 9 $4,111,877 -54% 2,528 $1,627   $15,625,311 2
Oct 20, 2017 15 $2,027,064 -51% 2,301 $881   $18,556,663 3
Oct 27, 2017 19 $1,027,701 -49% 1,682 $611   $20,051,709 4
Nov 3, 2017 20 $602,945 -41% 785 $768   $20,861,496 5
Nov 10, 2017 19 $508,815 -16% 592 $859   $21,520,056 6
Nov 17, 2017 28 $128,709 -75% 299 $430   $21,732,671 7
Nov 24, 2017 40 $37,511 -71% 119 $315   $21,818,587 8
Dec 1, 2017 41 $43,700 +16% 180 $243   $21,870,730 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 6, 2017 3 $2,971,940     2,528 $1,176   $2,971,940 1
Oct 7, 2017 6 $3,447,324 +16%   2,528 $1,364   $6,419,264 2
Oct 8, 2017 6 $2,466,635 -28%   2,528 $976   $8,885,899 3
Oct 9, 2017 6 $1,405,041 -43%   2,528 $556   $10,290,940 4
Oct 10, 2017 8 $554,344 -61%   2,528 $219   $10,845,284 5
Oct 11, 2017 8 $333,724 -40%   2,528 $132   $11,179,008 6
Oct 12, 2017 8 $334,426 n/c   2,528 $132   $11,513,434 7
Oct 13, 2017 10 $954,655 +185% -68% 2,528 $378   $12,468,089 8
Oct 14, 2017 9 $1,873,744 +96% -46% 2,528 $741   $14,341,833 9
Oct 15, 2017 9 $1,283,478 -32% -48% 2,528 $508   $15,625,311 10
Oct 16, 2017 11 $232,249 -82% -83% 2,528 $92   $15,857,560 11
Oct 17, 2017 10 $272,705 +17% -51% 2,528 $108   $16,130,265 12
Oct 18, 2017 10 $189,294 -31% -43% 2,528 $75   $16,319,559 13
Oct 19, 2017 10 $210,040 +11% -37% 2,528 $83   $16,529,599 14
Oct 20, 2017 15 $443,781 +111% -54% 2,301 $193   $16,973,380 15
Oct 21, 2017 13 $897,539 +102% -52% 2,301 $390   $17,870,919 16
Oct 22, 2017 13 $685,744 -24% -47% 2,301 $298   $18,556,663 17
Oct 23, 2017 - $122,237 -82% -47% 2,301 $53   $18,678,900 18
Oct 24, 2017 15 $140,667 +15% -48% 2,301 $61   $18,819,567 19
Oct 25, 2017 15 $102,004 -27% -46% 2,301 $44   $18,921,571 20
Oct 26, 2017 - $102,437 n/c -51% 2,301 $45   $19,024,008 21
Oct 27, 2017 - $186,885 +82% -58% 1,682 $111   $19,210,893 22
Oct 28, 2017 - $445,776 +139% -50% 1,682 $265   $19,656,669 23
Oct 29, 2017 - $395,040 -11% -42% 1,682 $235   $20,051,709 24
Oct 30, 2017 - $69,911 -82% -43% 1,682 $42   $20,121,620 25
Oct 31, 2017 - $44,027 -37% -69% 1,682 $26   $20,165,647 26
Nov 1, 2017 - $48,815 +11% -52% 1,682 $29   $20,214,462 27
Nov 2, 2017 - $44,089 -10% -57% 1,682 $26   $20,258,551 28
Nov 3, 2017 - $85,175 +93% -54% 785 $109   $20,343,726 29
Nov 4, 2017 - $278,816 +227% -37% 785 $355   $20,622,542 30
Nov 5, 2017 - $238,954 -14% -40% 785 $304   $20,861,496 31
Nov 6, 2017 - $33,150 -86% -53% 785 $42   $20,894,646 32
Nov 7, 2017 - $54,226 +64% +23% 785 $69   $20,948,872 33
Nov 8, 2017 - $27,765 -49% -43% 785 $35   $20,976,637 34
Nov 9, 2017 - $34,604 +25% -22% 785 $44   $21,011,241 35
Nov 10, 2017 - $144,797 +318% +70% 592 $245   $21,156,038 36
Nov 11, 2017 - $209,262 +45% -25% 592 $353   $21,365,300 37
Nov 12, 2017 - $154,756 -26% -35% 592 $261   $21,520,056 38
Nov 13, 2017 - $31,259 -80% -6% 592 $53   $21,551,315 39
Nov 14, 2017 - $19,664 -37% -64% 592 $33   $21,570,979 40
Nov 15, 2017 - $17,073 -13% -39% 592 $29   $21,588,052 41
Nov 16, 2017 - $15,910 -7% -54% 592 $27   $21,603,962 42
Nov 17, 2017 - $21,858 +37% -85% 299 $73   $21,625,820 43
Nov 18, 2017 - $60,749 +178% -71% 299 $203   $21,686,569 44
Nov 19, 2017 - $46,102 -24% -70% 299 $154   $21,732,671 45
Nov 20, 2017 - $18,122 -61% -42% 299 $61   $21,750,793 46
Nov 21, 2017 - $16,956 -6% -14% 299 $57   $21,767,749 47
Nov 22, 2017 - $10,121 -40% -41% 140 $72   $21,777,870 48
Nov 23, 2017 - $3,206 -68% -80% 140 $23   $21,781,076 49
Nov 24, 2017 - $11,784 +268% -46% 119 $99   $21,792,860 50
Nov 25, 2017 - $15,446 +31% -75% 119 $130   $21,808,306 51
Nov 26, 2017 - $10,281 -33% -78% 119 $86   $21,818,587 52
Nov 27, 2017 - $2,791 -73% -85% 119 $23   $21,821,378 53
Nov 28, 2017 - $1,738 -38% -90% 119 $15   $21,823,116 54
Nov 29, 2017 - $1,901 +9% -81% 119 $16   $21,825,017 55
Nov 30, 2017 - $2,013 +6% -37% 119 $17   $21,827,030 56
Dec 1, 2017 - $8,273 +311% -30% 180 $46   $21,835,303 57
Dec 2, 2017 - $19,879 +140% +29% 180 $110   $21,855,182 58
Dec 3, 2017 - $15,548 -22% +51% 180 $86   $21,870,730 59
Dec 4, 2017 - $2,645 -83% -5% 180 $15   $21,873,375 60
Dec 5, 2017 - $4,769 +80% +174% 180 $26   $21,878,144 61
Dec 6, 2017 - $3,165 -34% +66% 180 $18   $21,881,309 62
Dec 7, 2017 - $3,798 +20% +89% 180 $21   $21,885,107 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 6, 2017 6 $11,513,434   2,528 $4,554   $11,513,434 1
Oct 13, 2017 9 $5,016,165 -56% 2,528 $1,984   $16,529,599 2
Oct 20, 2017 15 $2,494,409 -50% 2,301 $1,084   $19,024,008 3
Oct 27, 2017 21 $1,234,543 -51% 1,682 $734   $20,258,551 4
Nov 3, 2017 21 $752,690 -39% 785 $959   $21,011,241 5
Nov 10, 2017 22 $592,721 -21% 592 $1,001   $21,603,962 6
Nov 17, 2017 35 $177,114 -70% 140 $1,265   $21,781,076 7
Nov 24, 2017 41 $45,954 -74% 119 $386   $21,827,030 8
Dec 1, 2017 45 $58,077 +26% 180 $323   $21,885,107 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/6/2017 $169,623 0 0 0 $436,228 1/1/2019
Australia 10/27/2017 $104,606 157 213 1,053 $1,007,456 1/18/2018
Belgium 10/25/2017 $0 0 0 0 $409,446 2/6/2018
Brazil 10/6/2017 $220,646 0 0 0 $555,835 6/26/2018
Bulgaria 10/13/2017 $20,151 0 0 0 $86,079 2/26/2019
China 2/2/2018 $12,894 0 17,020 32,015 $7,360,380 8/10/2018
Czech Republic 10/20/2017 $8,689 17 126 466 $325,838 1/1/2019
Finland 10/13/2017 $205,000 0 0 0 $205,000 10/16/2017
France 10/20/2017 $477,752 0 0 0 $1,835,271 9/23/2018
Germany 10/6/2017 $676,000 0 0 0 $2,394,306 6/29/2018
Hong Kong 12/15/2017 $134,037 37 37 37 $421,802 10/28/2018
India 11/10/2017 $15,444 0 0 0 $65,132 10/3/2018
Indonesia 10/6/2017 $90,377 0 0 0 $234,698 1/1/2019
Israel 10/5/2017 $0 0 1 1 $385,358 1/1/2019
Italy 12/6/2017 $180,456 0 94 95 $236,447 9/12/2018
Lithuania 10/6/2017 $3,841 6 146 261 $117,287 6/4/2019
Mexico 10/6/2017 $466,071 0 0 0 $1,214,656 10/12/2018
Netherlands 10/13/2017 $60,271 97 97 473 $454,516 11/3/2018
New Zealand 10/27/2017 $24,818 34 60 289 $140,095 12/18/2017
Norway 10/13/2017 $213,000 0 0 0 $213,000 10/16/2017
Poland 10/6/2017 $411,000 0 0 0 $1,674,782 1/1/2019
Portugal 12/15/2017 $9,504 47 47 111 $30,902 2/13/2018
Russia (CIS) 10/13/2017 $1,370,649 1,193 1,299 2,962 $2,325,901 1/1/2019
Slovakia 10/13/2017 $10,310 16 63 246 $225,268 12/6/2017
Spain 12/8/2017 $168,119 252 252 506 $270,929 9/12/2018
Sweden 10/20/2017 $0 0 0 0 $902,088 2/13/2018
Taiwan 10/6/2017 $12,085 0 0 0 $195,024 10/28/2018
Turkey 10/6/2017 $207,531 243 250 710 $544,093 2/26/2019
United Kingdom 10/20/2017 $1,207,331 531 555 2,795 $4,997,408 4/19/2018
 
Rest of World $10,144,312
 
International Total$39,409,537 6/4/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 2018258,230 58,230$871,121$871,1214
Jan 21, 2018333,981-42% 92,211$508,356$1,379,4775
Jan 28, 2018721,341-37% 113,552$319,261$1,698,7386
Feb 4, 2018926,293+23% 139,845$393,343$2,092,0817
Feb 11, 20181919,127-27% 158,972$286,140$2,378,2218
Feb 18, 20181721,266+11% 180,238$318,139$2,696,3609
Mar 18, 2018278,426 208,730$126,053$3,122,47613
Mar 25, 2018298,129-4% 216,859$121,529$3,244,00514

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 2018359,890 59,890$1,195,405$1,195,4054
Jan 21, 2018622,352-63% 82,242$446,136$1,641,5415
Jan 28, 20181513,453-40% 95,695$268,522$1,910,0636
Feb 4, 20181113,695+2% 109,390$273,350$2,183,4137
Feb 11, 20181810,048-27% 119,438$200,567$2,383,9808
Feb 18, 20181911,973+19% 131,411$238,986$2,622,9669
Apr 1, 20182011,359 162,653$226,722$3,246,55615

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.