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The Pruitt-Igoe Myth (2012)

The Pruitt-Igoe Myth poster
Theatrical Performance
Domestic Box Office $44,883Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, “the poor man's penthouse.” Two decades later, it ended in rubble—its razing an iconic event that the architectural theorist Charles Jencks famously called “the death of modernism.” The footage and images of its implosion have helped to perpetuate a myth of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. This documentary seeks to set the historical record straight. To examine the interests involved in Pruitt-Igoe’s creation. To re-evaluate the rumors and the stigma. To implode the myth.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,001-12,100) 12,054 $44,883
All Time Worldwide Box Office (Rank 15,501-15,600) 15,599 $44,883
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,801-4,900) 4,811 $44,883

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 20th, 2012 (Limited) by First Run Features
Video Release: May 15th, 2012 by First Run Home
MPAA Rating: Not Rated
Running Time: 83 minutes
Comparisons: Create your own comparison chart…
Keywords: African-American, Poverty, Discrimination, Bigotry, Political
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Unicorn Stencil, Missouri History Museum
Production Countries: United States

Cast

Jason Henry    Narrator
Sylvester Brown    Himself
Robert Fishman    Himself
Joseph Heathcott    Himself
Brian King    Himself
Joyce Lander    Herself
Ruby Russell    Herself
Valerie Sills    Herself
Jacquelyn Williams    Herself

Production and Technical Credits

Director   
Producer    Chad Freidrichs
Producer    Jaime Freidrichs
Producer    Paul Fehler
Producer    Brian Woodman
Screenwriter    Chad Freidrichs
Screenwriter    Jaime Freidrichs
Composer    Benjamin Balcom

Per Theater Chart: Pina Dances to the Top

January 25th, 2012

There were only three films this past weekend to reach the $10,000 mark on the per theater average, and none of them were new releases. Pina finally expanded playing in ten theaters, while it climbed to the top of the per theater average with $13,667. It should hit its first major milestone soon. A Separation doubled its theater count and saw its per theater average grow to $12,986. It too should reach its first milestone sooner rather than later. The final member of the $10,000 club was We Need to Talk About Kevin with an average of $10,530 in seven theaters. The best new release of the week was Crazy Horse with $7,963 in its lone theater. However, it was a Wednesday release and if you include its first two days of release, it earned $12,336. If it were a Friday release, it likely would have reached the $10,000 market. More...

Limited Releases are in Full Bloom

January 20th, 2012

Among the number of limited releases coming out this week, there are a surprisingly high number of films earning overwhelmingly positive reviews: Carol Channing: Larger Than Life, Coriolanus, Crazy Horse, and The Pruitt Igoe Myth. Unfortunately, three of those four films are documentaries and those rarely earn any measure of mainstream success. I don't think there's enough buzz behind Coriolanus to make up the difference. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2012/01/20 73 $4,721   1 $4,721   $4,721 1
2012/01/27 67 $7,153 +52% 1 $7,153   $17,567 2
2012/02/03 68 $5,069 -29% 1 $5,069   $26,806 3
2012/02/10 94 $851 -83% 2 $426   $32,115 4
2012/03/02 110 $141   1 $141   $32,482 7
2012/03/09 95 $2,472 +1,653% 1 $2,472   $34,954 8
2012/03/16 103 $715 -71% 1 $715   $38,795 9
2012/04/06 78 $1,598   2 $799   $41,145 12
2012/04/13 108 $108 -93% 1 $108   $42,405 13
2012/04/20 108 $294 +172% 1 $294   $42,764 14
2012/04/27 99 $1,919 +553% 5 $384   $44,683 15

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2012/01/20 66 $10,414   1 $10,414   $10,414 1
2012/01/27 60 $11,323 +9% 1 $11,323   $21,737 2
2012/02/03 67 $9,527 -16% 2 $4,764   $31,264 3
2012/02/10 87 $1,077 -89% 2 $539   $32,341 4
2012/03/02 107 $141   1 $141   $32,482 7
2012/03/09 95 $4,464 +3,066% 1 $4,464   $38,080 8
2012/03/16 98 $1,467 -67% 2 $734   $39,547 9
2012/04/06 92 $2,750   2 $1,375   $42,297 12
2012/04/13 106 $173 -94% 2 $87   $42,470 13
2012/04/20 109 $294 +70% 1 $294   $42,764 14
2012/04/27 92 $2,119 +621% 6 $353   $44,883 15

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.