South Korea Box Office for Reprisal (2018)

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Reprisal
Theatrical Performance (US$)
South Korea Box Office $75,509Details
Worldwide Box Office $180,437Details
Home Market Performance
North America DVD Sales $953,882 Details
North America Blu-ray Sales $191,808 Details
Total North America Video Sales $1,145,690
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Jacob, a bank manager haunted by a violent heist that took the life of a coworker, teams up with his ex-cop neighbor, James, to bring down the assailant. While the two men work together to figure out the thief’s next move, Gabriel, the highly-trained criminal, is one step ahead. When Gabriel kidnaps Jacob’s wife and daughter, Jacob barrels down a path of bloodshed that initiates an explosive counterattack and brings all three men to the breaking point.

Metrics

Movie Details

South Korea Releases: December 4th, 2018 (Wide)
Video Release: August 31st, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for violence and language.
(Rating bulletin 2526 (Cert #51482), 5/9/2018)
Running Time: 89 minutes
Keywords: Early / Simultaneous Video-on-Demand release, Revenge, Ex-cop, Bank Robbery, Heist, Kidnap
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Emmett Furla Oasis Films, Kind Hearts Entertainment, Lionsgate Premiere, Grindstone Entertainment Group, Checkluck Films
Production Countries: United States
Languages: English

Home Market Releases for October 16th, 2018

October 16th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp is coming out on DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack this week and it is scaring away most of the competition. Fortunately, it is also an amazing movie and a Contender for Pick of the Week. It isn’t the only contender, as both Mamoru Hosoda Movie Collection (Blu-ray) and Whitney (DVD or Blu-ray) were in the race. However, in the end, I went with Ant-Man and the Wasp. More...

Limited and VOD Releases: Don’t Wait for Tomorrow to see a Limited Release

August 31st, 2018

Inventing Tomorrow

It is a very busy week for limited releases, at least in terms of secondary VOD titles. There are only eight entries in the main list, and a couple of those didn’t have enough reviews, but I included anyway, because all of their reviews are currently positive. Inventing Tomorrow and Pick of the Litter are among a handful of documentaries that are worth checking out, as is Let the Corpses Tan. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/22 - $3,193   1 $3,193   $3,194 12
2019/04/12 25 $4,972   1 $4,972   $20,553 19
2019/04/19 27 $12,584 +153% 5 $2,517   $38,394 20
2019/04/26 23 $6,457 -49% 3 $2,152   $53,704 21
2019/05/03 - $3,127 -52% 2 $1,564   $64,551 22
2019/05/10 - $1,033 -67% 1 $1,033   $71,239 23
2019/05/17 - $1,800 +74% 1 $1,800   $75,509 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 8/31/2018 $0 0 0 0 $0
Portugal 10/12/2018 $26,073 19 19 41 $60,298 11/8/2018
South Korea 12/4/2018 $0 0 5 14 $75,509 5/23/2019
Turkey 8/30/2018 $18,171 140 140 165 $44,630 2/26/2019
 
Worldwide Total$180,437 5/23/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Frank Grillo   
Bruce Willis   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian A. Miller    Director
Bryce Hammons    Screenwriter
Randall Emmett    Producer
George Furla    Producer
Mark Stewart    Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Robert Jones    Executive Producer
Wayne Marc Godfrey    Executive Producer
Ted Fox    Executive Producer
Vance Owen    Executive Producer
Henry Winterstern    Executive Producer
Delphine Perrier    Executive Producer
Arianne Fraser    Executive Producer
Dean Cundey    Director of Photography
Nate Jones    Production Designer
Paul Harb    Editor
Rachel Stringfellow    Costume Designer
Tim Sullivan    Co-Producer
Ryan Black    Co-Executive Producer
William B. Steakley    Line Producer
Mike Burns    Music Supervisor
Anthony Callie    Co-Producer
Giona Ostinelli    Composer
Sonya Belousova    Composer