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Risen (2016)

Risen poster
Theatrical Performance
Domestic Box Office $36,880,033Details
International Box Office $9,284,462Details
Worldwide Box Office $46,164,495
Home Market Performance
Domestic DVD Sales $5,087,830 Details
Domestic Blu-ray Sales $3,432,530 Details
Total Domestic Video Sales $8,520,360
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In the year 33AD an agnostic Roman Centurion is charged by Pontius Pilate to locate the now missing body of Jesus of Nazareth. Along the Centurion’s mission, his doubts of such a supernatural occurrence peel away as he encounters the Apostles while piecing together the mysterious events that unfolded after the crucifixion.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$20,000,000
Domestic Releases: February 19th, 2016 (Wide) by Sony Pictures
International Releases: February 18th, 2016 (Wide) (Aruba)
February 18th, 2016 (Wide) (Curacao)
February 18th, 2016 (Wide) (Iraq)
February 18th, 2016 (Wide) (Lebanon)
February 19th, 2016 (Wide) (Australia)
... Show all releases
Video Release: May 17th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for Biblical violence including some disturbing images.
(Rating bulletin 2396, 10/21/2015)
Running Time: 107 minutes
Comparisons: vs. The Young Messiah
Create your own comparison chart…
Keywords: Religious, Ancient Rome, Faith-Based
Source:Based on Religious Text
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Companies: Columbia Pictures, LD Entertainment, Affirm Films, Liddell Entertainment, Patrick Aiello
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 13th Weekend at the Domestic Box Office 2,525 $9,865 May 13, 2016 87
Biggest 12th Weekend at the Domestic Box Office 2,303 $29,985 May 6, 2016 80
Biggest 11th Weekend at the Domestic Box Office 2,357 $44,795 Apr 29, 2016 73
Biggest 10th Weekend at the Domestic Box Office 3,670 $10,021 Apr 22, 2016 66
Biggest 9th Weekend at the Domestic Box Office 3,763 $17,216 Apr 15, 2016 59
Biggest 8th Weekend at the Domestic Box Office 3,105 $69,169 Apr 8, 2016 52
Biggest 7th Weekend at the Domestic Box Office 2,332 $239,016 Apr 1, 2016 45
Biggest 6th Weekend at the Domestic Box Office 1,674 $935,025 Mar 25, 2016 38
Biggest 5th Weekend at the Domestic Box Office 2,068 $1,145,157 Mar 18, 2016 31
Biggest 4th Weekend at the Domestic Box Office 1,950 $2,282,208 Mar 11, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 1,848 $3,906,484 Mar 4, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 1,658 $6,815,021 Feb 26, 2016 10
Biggest February Weekend at the Domestic Box Office 207 $11,801,271 Feb 19, 2016 3
Biggest Opening Weekend at the Domestic Box Office 1,552 $11,801,271 Feb 19, 2016 3
Widest Opening Weekend 964 2,915 Feb 19, 2016 3

Cast

   Clavius
Tom Felton    Lucius
Peter Firth    Pontius Pilate
Cliff Curtis    Yeshua
Maria Botto    Mary Magdalene
Luis Callejo    Joses
Antonio Gil    Joseph of Arimathea
Richard Atwill    Polybius
Stewart Scudamore    Peter
Andy Gatherhood    Quintus
Stephen Hagan    Bartholomew
Mish Boyko    John
Jan Cornet    Thomas/Dydimus
Joe Manjon    Simon the Canaanite
Pepe Lorente    Thaddeus
Stavros Demetraki    Philip
Selva Rasalingham    James
Manu Fullola    Matthew
Mario Tardon    Andrew
Stephen Greif    Caiaphas
Alex Maruny    Pilate's Orderly
Paco Manzanedo    Centurion
Tomas Pozzi    Inn Keeper
Karim Saleh    Zealot Leader
Jacob Yakob    Soldier at Tomb/Niche Soldier
John Mula    Holy Man
Yuric Allison    Tomb Priest
Victor Trapani    Nicodemus
Frida Cauchi    Mother Mary
Mario De La Rosa    Thief #1
Justo Usin    Thief #2
Mark Killeen    Centurion 2 (Golgotha)
Ramiro Alonso    Leper #1
James Shilaimon    Leper #2
Kenneth Spiteri    Bitter Man
Claudio Carta    Cart Driver
Clare Agius    Cemetery Woman
Graham Charles    Charnel Pit Guard
Kevin Naudi    ID Soldier
Margaret Jackman    Miriam
Beppe Abela    Suspect #1
Manolo Caro    Suspect #2
Alberto Ayala    James the Just

Production and Technical Credits

Director   
Screenwriter    Paul Aiello
Screenwriter    Kevin Reynolds
Based on a Story by    Paul Aiello
Producer    Patrick Aiello
Producer    Mickey Liddell
Producer    Pete Shilaimon
Executive Producer    Robert Huberman
Executive Producer    Scott Holroyd
Director of Photography    Lorenzo Senatore
Production Designer    Stefano Maria Ortolani
Production Designer    Chris Cornwell
Editor    Steven Mirkovich
Costume Designer    Onelio Millenotti
Costume Designer    Giovanni Casalnuovo
Visual Effects Supervisor    Rafa Solorzano
Composer    Roque Banos
Casting Director    John Hubbard
Casting Director    Ros Hubbard
Co-Producer    Calle Cruzada
Additional Casting-Spain Casting    Camilla Valentine Isola
Stunt Coordinator-Spain    Cesar Solar
Unit Production Manager    Robert Huberman
Unit Production Manager-Malta    Simon Sansone
Unit Production Manager-Spain    Carlos Ruiz Boceta
First Assistant Director    Javier Chinchilla
Second Assistant Director-Malta    Robert Bonello
Second Assistant Director-Spain    Carlos Santana Miras
Second Assistant Director-Spain    Oscar Manero Crego
Supervising Art Director    Saverio Sammali
Art Director-Malta    Eugenio Ulissi
Art Director-Malta    Ino Bonello
Set Decorator    Alessandra Querzola
Sound Mixer    Jorge Adrados
Costume Supervisor-Malta    Ernest Camilleri
Make-up and Hair Designer    Susana Sanchez
Casting Associate    Martin Ware
Casting Associate-Malta    Edward Said
Special Effects Supervisor    Stefano Corridori
Script Supervisor    Andra Baruica
Script Supervisor-Malta    Jelena Grisina
Post-Production Supervisor    Douglas Wilkinson
Supervising Sound Editor    John Laing
Sound Effects Editor    Tom Bjelic
Sound Effects Editor    Alex Bullick
Sound Effects Editor    Mike Mancuso
Dialogue Editor    Dermain Finlayson
Dialogue Editor    Dale Lennon
Dialogue Editor    Marc Gingras
Dialogue Editor    Mark Dejczakiwskyj
Re-recording Mixer    Christian Cooke
Re-recording Mixer    Mark Zsifkovits
Score Mixer    Stephen Lipson
Music Editor    Maarten Hofmeijer

Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it. More...

Thursday Night Previews: New Releases Start in the Black

April 1st, 2016

Meet the Blacks

God's Not Dead 2 started its box office run with $400,000 during its Thursday previews. This is a little lower than Risen ($425,000) and The Young Messiah ($475,000), but faith-based films are unpredictable enough that we can't use this result to make any clear predictions going forward. Perhaps predictions were a little generous and $11 million is more likely. We will know by this time tomorrow. More...

Weekend Estimates: Batman v Superman hits March record $170 milion

March 27th, 2016

Batman v Superman: Dawn of Justice

Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them. More...

Weekend Estimates: Zootopia Romps to $50 Million Second Weekend

March 13th, 2016

Zootopia

Zootopia is headed to another big win at the box office this weekend, with a modest 33% decline from last weekend keeping it well ahead of a pack of new releases. Its $50 million gross this time around takes it to $142.6 million in total domestically. With $288.7 million in the bank internationally, including over $100 million in China by the end of the weekend, Disney looks to have struck gold again. A sequel, theme park tie-ins and merchandizing seem likely, although Disney has so much of that going on already, what with Star Wars, Marvel, its Princess lines, and Pixar, that this might actually be more of a niche for them. (A half-billion-dollar-and-counting niche. Nice work if you can get it.) More...

Thursday Night Previews: Cloverfield gets Lucky During Its Previews

March 11th, 2016

10 Cloverfield Lane

10 Cloverfield Lane had the best results during its Thursday previews with $1.8 million in 2,500 theaters. This is the same as Insidious: Chapter 3 managed last year during its previews. That film opened with $22.69 million over the full weekend, which is a good target for 10 Cloverfield Lane to aim for. With amazing reviews, $25 million is within reach. We will know more tomorrow when we get Friday's estimates. More...

Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race

March 10th, 2016

10 Cloverfield Lane

There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either. More...

Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million

February 29th, 2016

Deadpool

As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace. More...

Weekend Wrap-Up: Deadpool Cruises to $56.47 million Win

February 23rd, 2016

Deadpool

Deadpool held onto first place with $56.47 million over the weekend, while the best new release, Risen, was well back in third place with $11.80 million. It's not surprising the overall box office fell this weekend when compared to the last weekend. The overall box office fell 41% to $142 million, which is barely more than what Deadpool alone earned last weekend. This was still 19% more than this weekend last year, when Fifty Shades of Grey fell 74%. 2016's year-to-date lead roughly doubled to 3.5% at $1.63 billion to $1.57 billion. More...

Weekend Estimates: Deadpool Continues to Dominate with $55 Million Weekend

February 21st, 2016

Deadpool

After a $132 million opening, Deadpool wasn’t under much threat at the top of the chart this weekend, so a fairly sharp 58% decline to $55 million this weekend still leaves it dominant in movie theaters. That softness might be a slight concern going forwards, but for now Fox is reveling in having a February hit that has already grossed close to $500 million worldwide (Sunday’s official estimate is $491.9 million), and having Kung Fu Panda 3 hold on to second place with $12.5 million in its fourth weekend for a domestic total of $117 million. That left the three new wide releases fighting for places lower down the chart, although their performance was by no means all doom and gloom. More...

Thursday Night Previews: Bewitching Results

February 19th, 2016

The Witch

The Witch had the fastest start on Thursday, with $630,000 from preview shows. This is almost identical to what Krampus earned late last year and that film earned $16 million during its opening weekend. Granted, Krampus was the only wide release that weekend and didn’t have to deal with any film as big as Deadpool. That said, this is still a good result for the film and it suggests it will top predictions, especially if moviegoers like it as much as critics did. Additionally, A24 said the advertising budget was “nominal” and that it was focused on the planned VOD / home market release in three months. It could break even by this time next week. More...

Weekend Predictions: Deadpool Looks to Outrace the New Releases

February 19th, 2016

Race

The box office doesn't look good this week, not when compared to last weekend. Last weekend Deadpool broke many records, from biggest February weekend, to more obscure records like biggest R-rated super hero movie. Worse still, there are three wide releases this weekend, but combined they still won't match Deadpool's sophomore stint. They won't even come close. Race and Risen should be in a close race for third place, while The Witch will likely just finish in the top five. This weekend last year, Fifty Shades of Grey remained in first place, despite dropping 74% to $22.26 million. Deadpool should crush that number. However, last year, there were also 6 movies that earned $10 million or more. This year, there might be only be two $10 million movies. More...

Contest: Race to the Top

February 12th, 2016

Race

There are three wide releases next week. Of those three, I think it is safe to say The Witch has the weakest box office potential. However, there could be a close race between Race and Risen. Furthermore, both films lend themselves to contest names. (Race to the Top vs. Rise to the Top.) However, faith-based films tend to be too unpredictable, so we are going with Race as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Race.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/02/19 3 $11,801,271   2,915 $4,048   $11,801,271 3
2016/02/26 4 $6,815,021 -42% 2,915 $2,338   $22,518,768 10
2016/03/04 6 $3,906,484 -43% 2,507 $1,558   $28,672,407 17
2016/03/11 10 $2,282,208 -42% 2,095 $1,089   $32,427,969 24
2016/03/18 11 $1,145,157 -50% 1,205 $950   $34,471,827 31
2016/03/25 10 $935,025 -18% 634 $1,475   $36,029,172 38
2016/04/01 25 $239,016 -74% 425 $562   $36,516,693 45
2016/04/08 37 $69,169 -71% 161 $430   $36,682,693 52
2016/04/15 55 $17,216 -75% 57 $302   $36,732,506 59
2016/04/22 61 $10,021 -42% 41 $244   $36,749,336 66
2016/04/29 45 $44,795 +347% 101 $444   $36,800,798 73
2016/05/06 45 $29,985 -33% 85 $353   $36,851,451 80
2016/05/13 62 $9,865 -67% 33 $299   $36,874,745 87

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/02/19 2 $4,017,630   2,915 $1,378   $4,017,630 1
2016/02/20 3 $4,459,733 +11% 2,915 $1,530   $8,477,363 2
2016/02/21 3 $3,323,908 -25% 2,915 $1,140   $11,801,271 3
2016/02/22 2 $908,711 -73% 2,915 $312   $12,709,982 4
2016/02/23 2 $1,317,007 +45% 2,915 $452   $14,026,989 5
2016/02/24 2 $836,212 -37% 2,915 $287   $14,863,201 6
2016/02/25 2 $840,546 +1% 2,915 $288   $15,703,747 7
2016/02/26 5 $1,943,266 +131% 2,915 $667   $17,647,013 8
2016/02/27 4 $2,907,341 +50% 2,915 $997   $20,554,354 9
2016/02/28 4 $1,964,414 -32% 2,915 $674   $22,518,768 10
2016/02/29 5 $505,575 -74% 2,915 $173   $23,024,343 11
2016/03/01 3 $716,513 +42% 2,915 $246   $23,740,856 12
2016/03/02 3 $520,519 -27% 2,915 $179   $24,261,375 13
2016/03/03 3 $504,548 -3% 2,915 $173   $24,765,923 14
2016/03/04 6 $1,071,861 +112% 2,507 $428   $25,837,784 15
2016/03/05 7 $1,625,173 +52% 2,507 $648   $27,462,957 16
2016/03/06 6 $1,209,450 -26% 2,507 $482   $28,672,407 17
2016/03/07 6 $333,605 -72% 2,507 $133   $29,006,012 18
2016/03/08 6 $460,514 +38% 2,507 $184   $29,466,526 19
2016/03/09 6 $352,431 -23% 2,507 $141   $29,818,957 20
2016/03/10 6 $326,804 -7% 2,507 $130   $30,145,761 21
2016/03/11 10 $632,381 +94% 2,095 $302   $30,778,142 22
2016/03/12 11 $933,228 +48% 2,095 $445   $31,711,370 23
2016/03/13 10 $716,599 -23% 2,095 $342   $32,427,969 24
2016/03/14 10 $222,588 -69% 2,095 $106   $32,650,557 25
2016/03/15 11 $294,176 +32% 2,095 $140   $32,944,733 26
2016/03/16 11 $202,509 -31% 1,815 $112   $33,147,242 27
2016/03/17 11 $179,428 -11% 1,815 $99   $33,326,670 28
2016/03/18 12 $291,245 +62% 1,205 $242   $33,617,915 29
2016/03/19 12 $462,577 +59% 1,205 $384   $34,080,492 30
2016/03/20 10 $391,335 -15% 1,205 $325   $34,471,827 31
2016/03/21 10 $142,233 -64% 1,205 $118   $34,614,060 32
2016/03/22 11 $173,892 +22% 1,205 $144   $34,787,952 33
2016/03/23 9 $164,469 -5% 1,205 $136   $34,952,421 34
2016/03/24 8 $141,726 -14% 1,205 $118   $35,094,147 35
2016/03/25 10 $312,493 +120% 634 $493   $35,406,640 36
2016/03/26 13 $317,733 +2% 634 $501   $35,724,373 37
2016/03/27 10 $304,799 -4% 634 $481   $36,029,172 38
2016/03/28 15 $81,556 -73% 634 $129   $36,110,728 39
2016/03/29 15 $64,750 -21% 634 $102   $36,175,478 40
2016/03/30 15 $53,534 -17% 634 $84   $36,229,012 41
2016/03/31 - $48,665 -9% 634 $77   $36,277,677 42
2016/04/01 - $69,771 +43% 425 $164   $36,347,448 43
2016/04/02 - $94,367 +35% 425 $222   $36,441,815 44
2016/04/03 - $74,878 -21% 425 $176   $36,516,693 45
2016/04/04 - $24,379 -67% 425 $57   $36,541,072 46
2016/04/05 - $24,813 +2% 425 $58   $36,565,885 47
2016/04/06 - $24,763 n/c 425 $58   $36,590,648 48
2016/04/07 - $22,876 -8% 425 $54   $36,613,524 49
2016/04/15 - $5,368   57 $94   $36,720,658 57
2016/04/16 - $6,406 +19% 57 $112   $36,727,064 58
2016/04/17 - $5,442 -15% 57 $95   $36,732,506 59

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/02/19 2 $15,703,747   2,915 $5,387   $15,703,747 7
2016/02/26 4 $9,062,176 -42% 2,915 $3,109   $24,765,923 14
2016/03/04 6 $5,379,838 -41% 2,507 $2,146   $30,145,761 21
2016/03/11 11 $3,180,909 -41% 1,815 $1,753   $33,326,670 28
2016/03/18 10 $1,767,477 -44% 1,205 $1,467   $35,094,147 35
2016/03/25 13 $1,183,530 -33% 634 $1,867   $36,277,677 42
2016/04/01 23 $335,847 -72% 425 $790   $36,613,524 49
2016/04/08 37 $101,766 -70% 425 $239   $36,715,290 56
2016/04/15 59 $24,025 -76% 57 $421   $36,739,315 63
2016/04/22 61 $16,688 -31% 41 $407   $36,756,003 70
2016/04/29 45 $65,463 +292% 101 $648   $36,821,466 77
2016/05/06 49 $43,414 -34% 85 $511   $36,864,880 84
2016/05/13 65 $15,153 -65% 33 $459   $36,880,033 91

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/24/2016 $104,910 48 48 69 $139,345 4/5/2016
Aruba 2/18/2016 $3,891 3 3 6 $10,393 3/8/2016
Australia 2/19/2016 $95,022 44 47 271 $514,195 6/9/2016
Belgium 4/6/2016 $2,379 1 1 1 $2,379 6/9/2016
Bolivia 3/17/2016 $21,680 11 12 23 $42,420 3/29/2016
Brazil 3/17/2016 $390,612 254 254 549 $818,345 6/9/2016
Central America 3/10/2016 $147,431 112 112 219 $346,790 5/6/2016
Chile 3/24/2016 $20,927 18 18 24 $28,922 4/19/2016
Colombia 3/17/2016 $110,415 142 142 144 $264,420 4/5/2016
Curacao 2/18/2016 $2,063 2 2 5 $5,752 3/8/2016
Denmark 5/19/2016 $638 1 1 3 $14,547 6/8/2016
Dominican Republic 3/10/2016 $17,867 25 25 50 $23,572 3/29/2016
East Africa 2/26/2016 $0 0 1 1 $5,659 3/8/2016
Ecuador 3/11/2016 $27,572 27 27 71 $107,782 4/5/2016
France 5/4/2016 $210,324 80 85 492 $813,074 6/28/2016
Germany 3/17/2016 $41,756 110 110 246 $194,477 6/9/2016
Ghana 2/26/2016 $1,261 3 3 5 $2,749 3/22/2016
Greece 5/1/2016 $8,214 35 35 44 $33,704 6/9/2016
Iraq 2/18/2016 $5,423 5 5 10 $12,096 3/15/2016
Italy 3/17/2016 $230,469 205 205 278 $357,521 6/9/2016
Jamaica 3/2/2016 $11,402 5 5 6 $16,732 3/15/2016
Japan 5/28/2016 $27,769 9 9 35 $175,985 6/28/2016
Kenya 3/18/2016 $5,708 13 13 14 $16,626 4/5/2016
Lebanon 2/18/2016 $63,933 10 10 33 $183,250 4/5/2016
Mexico 3/18/2016 $308,778 301 301 704 $828,567 6/9/2016
Netherlands 3/24/2016 $60,086 47 47 179 $160,399 6/9/2016
New Zealand 3/18/2016 $29,786 23 25 96 $162,237 6/21/2016
Nigeria 2/26/2016 $15,655 22 22 65 $35,403 4/5/2016
Norway 3/18/2016 $78,666 72 72 148 $341,790 6/8/2016
Peru 3/24/2016 $142,223 80 80 82 $213,202 4/12/2016
Philippines 3/2/2016 $25,841 27 27 31 $43,051 4/5/2016
Poland 3/4/2016 $63,462 102 104 312 $238,547 4/5/2016
Portugal 3/24/2016 $34,245 19 19 50 $91,443 6/9/2016
Romania 4/22/2016 $34,660 51 51 111 $81,138 5/24/2016
Singapore 3/17/2016 $78,093 10 11 35 $212,641 6/9/2016
Slovakia 3/24/2016 $27,858 62 62 104 $72,177 6/9/2016
South Africa 3/18/2016 $0 0 25 33 $166,913 6/9/2016
South Korea 3/17/2016 $179,722 120 136 609 $1,063,151 11/28/2016
Spain 3/23/2016 $297,131 161 171 504 $869,592 6/9/2016
Suriname 3/24/2016 $539 1 1 1 $539 3/29/2016
Thailand 3/24/2016 $17,697 12 12 22 $42,831 6/9/2016
Trinidad 3/2/2016 $25,705 15 15 37 $44,057 3/29/2016
Ukraine 4/14/2016 $47,386 176 176 363 $110,576 5/13/2016
United Kingdom 3/18/2016 $101,464 162 162 260 $315,966 6/9/2016
Uruguay 3/17/2016 $9,982 8 8 16 $22,981 4/12/2016
Venezuela 3/11/2016 $7,376 26 26 58 $36,526 6/9/2016
 
International Total$9,284,462 11/28/2016

Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/29/20162146,018 146,018$2,209,252$2,209,2522
6/5/2016469,941-52% 215,959$1,195,292$3,404,5443
6/12/2016621,664-69% 237,623$389,085$3,793,6294
6/19/20161720,218-7% 257,841$363,115$4,156,7455

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/29/2016293,365 93,365$1,865,429$1,865,4292
6/5/2016638,415-59% 131,780$766,764$2,632,1933
6/12/2016912,639-67% 144,419$252,274$2,884,4674

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.