|In Technical Roles||Screenwriter||10||$709,599,003||$643,133,793||$1,352,732,796|
|Best known as a Screenwriter based on credits in that role in 10 films, with $1,352,732,796 worldwide aggregate box office (rank #101)|
|Best-Known Technical Roles: The Hunger Games (Screenwriter), Captain Phillips (Screenwriter), Maze Runner: The Scorch Trials (Art Director), Flightplan (Screenwriter), State of Play (Screenwriter)|
|Most productive collaborators: Jennifer Lawrence, Gary Ross, Josh Hutcherson, Liam Hemsworth, Suzanne Collins|
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
February 25th, 2014
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, ending with Best Adapted Screenplay. This race is about as uncompetitive as it can be with nearly all analysts agreeing on the likely winner.
February 1st, 2014
WGAs handed out their awards on Saturday and depending on who you talk to, there were a couple of major upsets. There was certainly at least one upset, but the other awards are less surprising.
January 16th, 2014
The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises.
January 5th, 2014
WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year.
October 1st, 2013
October is an awkward month. It sits between the dumping ground that is September and November, the unofficial start of Awards Season / holiday blockbuster season. For the most part, September was stronger than average for the month and there's reason to be optimistic going forward. After all, box office success tends to feed on itself, as does box office struggles. That said, there are not a lot of sure hits over the coming four weeks. Of the nine or ten films opening wide this month, only Gravity has a better than 50/50 chance at $100 million. Captain Phillips could have a shot at the century mark, but only if it becomes a serious Awards Season player. Its early reviews suggest that could be a possibility. Last October, there were two films to reach the $100 million mark, Taken 2 and Argo. On the other hand, pretty much everything else that opened that month crashed and burned. While this October doesn't have as strong a top end, it will hopefully have much better depth.
|12/31/2017||Devil in the White City||Screenwriter||$0||$0||$0|
|12/31/2017||The Silent Wife||Screenwriter||$0||$0||$0|
|11/20/2015||Secret in Their Eyes||Screenwriter,|
|9/18/2015||Maze Runner: The Scorch Trials||Art Director||$81,697,192||$229,000,000||$310,697,192|
|3/23/2012||The Hunger Games||Screenwriter||$408,010,692||$269,912,687||$677,923,379|
|4/17/2009||State of Play||Screenwriter||$37,017,955||$51,814,255||$88,832,210|