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Box Office Records > International > All Movies > Production Methods > Top Multiple Production Methods International

All Time International Box Office for Multiple Production Methods Movies


See also: Top Multiple Production Methods Domestic - Top Multiple Production Methods Worldwide

Other International Production Methods records: Top Live Action International - Top Animation/Live Action International - Top Digital Animation International - Top Hand Animation International - Top Stop-Motion Animation International - Top Rotoscoping International

This chart contains the top 100 Multiple Production Methods movies based on the cumulative international box office.

See our Multiple Production Methods Theatrical Market Charts for more overviews regarding the domestic theatrical box office performance of Multiple Production Methods movies.

Rank Released Movie International
Box Office
Domestic
Box Office
Worldwide
Box Office
1 2017 Wukong $103,611,355 $0 $103,611,355
2 2017 Er Dai Yao Jing $45,370,000 $0 $45,370,000
3 2012 Movie 43 $22,324,294 $8,840,453 $31,164,747
4 2011 Plastic Planet $13,565,535 $3,164 $13,568,699
5 2017 Fan Zhuan Ren Sheng $9,870,000 $0 $9,870,000
6 2017 Meow $6,080,967 $0 $6,080,967
7 2017 Goodbye Christopher Robin $5,519,581 $1,735,251 $7,254,832
8 2016 Die Vampirschwestern 3 $2,474,160 $0 $2,474,160
9 2016 Secret Cinema 2016 $1,852,781 $0 $1,852,781
10 2017 Il Ragazzo Invisibile - Seconda Generazione $1,600,921 $0 $1,600,921
11 2017 Tera Intezaar $295,700 $0 $295,700
12 2017 Doctor Who: Twice Upon A Time $119,789 $0 $119,789
13 2017 Algo Muy Gordo $24,551 $0 $24,551
14 2016 LittleScreen December $19,231 $0 $19,231
15 2016 LittleScreen November $18,214 $0 $18,214
16 2017 2017 Oscar Shorts $2,393 $2,835,355 $2,837,748
17 2017 Cinebasura: la pelicula $1,653 $0 $1,653

The International Market is defined as all territories excluding the United States, Canada, Puerto Rico and Guam.

This table is updated daily to reflect the latest studio reports.

Note: This chart is not adjusted for inflation.

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