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24 Hours to Live (2017)

24 Hours to Live
Theatrical Performance
Domestic Box Office $0Details
International Box Office $3,389,369Details
Worldwide Box Office $3,389,369
Home Market Performance
Est. Domestic DVD Sales $837,529 Details
Est. Domestic Blu-ray Sales $568,789 Details
Total Est. Domestic Video Sales $1,406,318
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After a mercenary dies in a brutal firefight, a new regenerative surgery gives him a second chance at life and another shot at redemption.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 5,001-5,100) 5,076 $3,389,369
All Time Worldwide Box Office (Rank 8,701-8,800) 8,721 $3,389,369
All Time International Box Office for R Movies (Rank 1,401-1,500) 1,482 $3,389,369
All Time Worldwide Box Office for R Movies (Rank 2,501-2,600) 2,586 $3,389,369

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 1st, 2017 (Limited) by Saban Films
International Releases: November 3rd, 2017 (Wide) (Russia (CIS))
December 1st, 2017 (Wide), released as Yarını Yok (Turkey)
December 8th, 2017 (Wide), released as 24 valandos gyventi (Lithuania)
December 8th, 2017 (Wide), released as 24 Horas Para Viver (Portugal)
January 19th, 2018 (Wide) (France)
... Show all releases
Video Release: December 1st, 2017 by Lionsgate Home Entertainment
MPAA Rating: R strong bloody violence throughout, language and some drug use
(Rating bulletin 2468 (Cert #50980), 3/22/2017)
Running Time: 93 minutes
Comparisons: Create your own comparison chart…
Keywords: Redemption, South Africa, Interpol, Revenge, Early / Simultaneous Video on Demand release
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Saban Films, Fundamental Films, Thunder Road Film
Production Countries: United States

Leading Cast

   Travis Conrad

Supporting Cast

Xu Summer Qing*    Lin
Paul Anderson    Jim Morrow
Liam Cunningham    Wetzler
Rutger Hauer    Frank
Tyrone Keogh    Keith Zera
Nathalie Boltt    Doctor Helen
Jeremy Yong    Christopher Bisset
Susan Ling Young    Vicky Liu
Hakeem Kae-Kazim    Amahle

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Zach Dean    Screenwriter
Jim McClain    Screenwriter
Ron Mita    Screenwriter
Mark Gao    Producer
Gregory Ouanhon    Producer
Basil Iwanyk    Producer
Gary Glushon    Executive Producer
John Fuhrman    Executive Producer
Jon Kuyper    Executive Producer
Kent Kubena    Executive Producer
Taylor Zea    Co-Music By
Ben Nott    Cinematographer
Colin Gibson    Production Designer
Elliot Greenberg    Editor
Tyler Bates    Composer
Laura Katz    Music Supervisor
Kate Carin    Costume Designer

Home Market Releases for February 6th, 2018

February 7th, 2018

Duckman: The Complete Series

There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases. More...

Limited and VOD Releases: Avoid Disasters and See a Limited Release this Week

December 1st, 2017

The Shape of Water

It’s an incredibly busy week with about 30 films coming out. However, the vast majority of them have too few reviews to be worth talking about. In fact, there would have been more entries in the secondary VOD than the main list, except I bent the rules a little. There are still some releases that are certainly worth checking out, including The Disaster Artist, The Other Side of Hope, A Bad Idea Gone Wrong, and The Shape of Water. If I were to pick just one, it would easily be The Shape of Water. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
China 1/26/2018 $1,200,000 23692 23692 23692 $1,500,000 2/7/2018
France 1/19/2018 $673,466 0 0 0 $1,021,364 6/12/2018
Lithuania 12/8/2017 $3,097 29 29 29 $3,097 12/14/2017
Mexico 5/4/2018 $387,050 0 0 0 $387,050 5/7/2018
Netherlands 1/19/2018 $95,884 39 39 103 $277,070 2/5/2018
Portugal 12/8/2017 $37,664 20 20 51 $71,556 1/22/2018
Russia (CIS) 11/3/2017 $75,296 194 194 194 $75,296 11/9/2017
Turkey 12/1/2017 $29,710 61 61 80 $53,936 12/13/2017
 
International Total$3,389,369 6/12/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/11/2018634,077 34,077$446,409$446,40911
2/18/20182315,110-56% 49,187$195,826$642,23412

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/11/20181220,358 20,358$304,555$304,55511

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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