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Only the Brave (2017)

Only the Brave
Theatrical Performance
Domestic Box Office $18,340,051Details
International Box Office $3,300,674Details
Worldwide Box Office $21,640,725
Home Market Performance
Est. Domestic DVD Sales $3,287,832 Details
Est. Domestic Blu-ray Sales $2,611,396 Details
Total Est. Domestic Video Sales $5,899,228
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Based on the true story of the Granite Mountain Hotshots, this is the story of one unit of local firefighters that through hope, determination, sacrifice, and the drive to protect families, communities, and our country become one of the most elite firefighting teams in the country. As most of us run from danger, they run toward it—they watch over our lives, our homes, everything we hold dear, as they forge a unique brotherhood that comes into focus with one fateful fire.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,601-3,700) 3,641 $18,340,051
All Time International Box Office (Rank 4,901-5,000) 4,999 $3,300,674
All Time Worldwide Box Office (Rank 4,301-4,400) 4,369 $21,640,725

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$38,000,000
Domestic Releases: October 20th, 2017 (Wide) by Sony Pictures
International Releases: October 20th, 2017 (Wide), released as Tramdantys ugnį (Lithuania)
November 10th, 2017 (Wide), released as Only The Brave (Australia)
November 10th, 2017 (Wide) (New Zealand)
November 10th, 2017 (Wide) (Russia (CIS))
November 10th, 2017 (Wide) (United Kingdom)
... Show all releases
Video Release: December 29th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for thematic content, some sexual references, language and drug material.
(Rating bulletin 2474 (Cert #51037), 5/3/2017)
Running Time: 134 minutes
Comparisons: vs. Deepwater Horizon
Create your own comparison chart…
Keywords: Disaster, Firefighter, Arizona, Death of a Colleague, 2010s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Columbia Pictures, Summit Entertainment, Black Label Media, di Bonaventura Pictures, Conde Nast, Relevant Entertainment
Production Countries: United States

Lead Ensemble Members

   Eric Marsh
   Brendan McDonough (Donut)
   Duane Steinbrink
   Jesse Steed
   Christopher MacKenzie
   Amanda Marsh

Supporting Cast

Andie MacDowell    Marvel Steinbrink
Geoff Stults    Travis Turbyfill
Alex Russell    Andrew Ashcraft
Thad Luckinbill    Scott Norris
Ben Hardy    Wade Parker
Scott Haze    Clayton Whitted
Jake Picking    Anthony Rose
Scott Foxx    Travis Carter
Dylan Kenin    Robert Caldwell
Ryan Busch    Dustin DeFord
Kenny Miller*    Sean Misner
Ryan Jason Cook    William Warneke
Brandon Bunch    Garret Zuppiger
Matthew Van Wettering    Joe Thurston
Michael L. McNulty    Kevin Woyjeck
Nicholas Jenks    John Percin, Jr.
Sam Quinn    Grant McKee
Natalie Hall    Natalie Johnson
Howard Ferguson Jr    Brian Ferguson
Rachel Singer    Brendan’s Mother
Ralph Alderman    Evaluator Hayes
Forrest Fyre    Mayor Worthington
Josh Hopkins    California Hot Shot Supervisor
Jenny Gabrielle    Desiree Steed
Nicholas Liam King    Caden Steed
Orion Pontes    Cambria Steed
Brytnee Ratledge    Juliann Ashcraft
Barbie Robertson    Marsena Thurston
Jade Kammerman    Stephanie Turbyfill
Pell James    Claire Caldwell
Staci Robbins    Hot Shot Mom #1
Lauren Myers    Nurse #1
Raleigh Cain    Nurse #2 Nora
Mike Menchel    Old Bald Man
Kevin Wiggins    Yarnell Commander
Lora Martinez-Cunningham*    Dr. Ochoa
John Trejo    Chiricahua IC
Travis Armstrong    Deputy Sturgill Banks
Austin Dennis    Dusty
Jermaine Washington    Bouncer #1
Keith Jardine    Bouncer #2
Andres Segura    Male Nurse
Colin Jones    California Hot Shot Captain
Matt Nolan    Medic in Helicopter
Casey Messer    Local Hottie #1
Sarah Minnich    Local Hottie #2
Duane Steinbrink    Rusty Pistols #1
Donn Pease    Rusty Pistols #2
Jim Dunham    Rusty Pistols #3
Bob Wood    Rusty Pistols #4

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Ken Nolan    Screenwriter
Eric Warren Singer    Screenwriter
Sean Flynn    Story based on the GQ article “No Exit” by
Lorenzo di Bonaventura    Producer
Thad Luckinbill    Producer
Trent Luckinbill    Producer
Mike Menchel    Producer
Dawn Ostroff    Producer
Erik Howsam    Producer
Molly Smith    Producer
Jeremy Steckler    Producer
Ellen H. Schwartz    Executive Producer
Claudio Miranda    Director of Photography
Kevin Kavanaugh    Production Designer
Billy Fox    Editor
Louise Mingenbach    Costume Designer
Joseph Trapanese    Composer
Jonathan Watkins    Music Supervisor
Ronna Kress    Casting Director
Eric Barba    Visual Effects Supervisor
Bruce Franklin    Co-Producer
Jon Schumacher    Co-Producer
Ellen H. Schwartz    Unit Production Manager
Bruce Franklin    First Assistant Director
Conte Mark Matal*    Second Assistant Director
Dione Wood    Visual Effects Producer
Keith Woulard    Stunt Coordinator
Emma McGill    Associate Producer
Sarah F. Sprague    Production Supervisor
Judi Townsend    Script Supervisor
David Meyer    Art Director
Marisa Frantz    Art Director
Ricardo Guillermo    Set Designer
Meg Everist    Set Decorator
David Brownlow    Sound Mixer
Mark A. Peterson    Costume Supervisor
John Caglione, Jr.    Make up
Corey Welk    Make up
Lori McCoy-Bell    Hairstylist
Janessa M. Bouldin    Hairstylist
Reyna Robinson    Hairstylist
S. Todd Christensen    Supervising Location Manager
Mike Meinardus    Special Effects Supervisor
Keith Woulard    Second Unit Director
Brad Arensman    Post-Production Supervisor
Jamie Clarke    First Assistant Editor
Al Nelson    Supervising Sound Editor
Bjorn Ole Schroeder    Supervising Sound Editor
Al Nelson    Sound Designer
David Parker    Re-recording Mixer
Lora Hirschberg    Re-recording Mixer
Frank Eulner    Sound Effects Editor
Scott Guitteau    Sound Effects Editor
Blake Collins    Foley Mixer
Joseph Trapanese    Score Producer
Bryan Lawson    Score Producer
Greg Hayes    Score Mixer
Bryan Lawson    Music Editor
Laurence Anslow    Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 6th, 2018

February 7th, 2018

Duckman: The Complete Series

There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases. More...

Home Market Releases for January 23rd, 2018

January 22nd, 2018

Jane

It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month. More...

Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million

October 31st, 2017

Jigsaw

It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case. More...

Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office

October 27th, 2017

Jigsaw

Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend. More...

Weekend Predictions: Can Jigsaw Still Fit at the Box Office?

October 26th, 2017

Jigsaw

There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno. More...

Weekend Wrap-Up: By earning $21.23 million, Boo 2 is the only Non-Disaster Film of the Weekend

October 24th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017. More...

Weekend Estimates: Boo Too Much for the Competition

October 22nd, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run. More...

Friday Estimates: Boo 2 Scares Up $7.47 Million, Other New Releases are just Scared

October 21st, 2017

Tyler Perry’s Boo 2: A Madea Halloween

As expected, Tyler Perry’s Boo 2: A Madea Halloween led the way on Friday with $7.37 million. Granted, its reviews are terrible, as its Tomatometer Score has fallen into the single-digit range. On the other hand, it earned a A minus from CinemaScore, which is the same score its predecessor earned. If this film has the same legs as the original did, then it will earn $22.4 million during the opening weekend. However, it is a sequel, so it will likely miss that mark with about $22 million. That’s approximately 10% below our prediction, so I’m happy with that result. It is also likely more than the film cost to make, so Lionsgate should also be happy. More...

Thursday Night Previews: Boo 2 Misses Boo’s Debut with $760,000

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Tyler Perry’s Boo 2: A Madea Halloween earned $760,000 during its previews last night, which is lower than the $855,000 the first Boo! managed last year. Its early reviews are lower than the original’s reviews were, so that will also likely mean lower legs. This will make it difficult to match our $25 million prediction, but it should come relatively close. More...

Weekend Predictions: Will Moviegoers Want to View Boo 2?

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

Only the Brave Trailer

September 13th, 2017

Action movie starring Josh Brolin, Miles Teller, and Jeff Bridges opens October 20 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/20 5 $6,002,665   2,577 $2,329   $6,002,665 1
2017/10/27 7 $3,502,095 -42% 2,577 $1,359   $11,992,152 2
2017/11/03 9 $1,920,075 -45% 2,073 $926   $15,300,542 3
2017/11/10 13 $936,889 -51% 1,207 $776   $17,060,805 4
2017/11/17 18 $242,406 -74% 363 $668   $17,655,285 5
2017/11/24 31 $95,814 -60% 134 $715   $17,856,353 6
2017/12/01 39 $54,370 -43% 116 $469   $17,947,426 7
2017/12/08 38 $45,494 -16% 100 $455   $18,020,827 8
2017/12/15 39 $18,955 -58% 60 $316   $18,062,909 9
2017/12/22 35 $22,064 +16% 86 $257   $18,096,822 10
2017/12/29 38 $42,358 +92% 86 $493   $18,181,288 11
2018/01/05 38 $37,116 -12% 69 $538   $18,255,680 12
2018/01/12 44 $23,346 -37% 54 $432   $18,295,185 13
2018/01/19 47 $15,506 -34% 43 $361   $18,324,258 14
2018/01/26 56 $9,437 -39% 26 $363   $18,340,051 15

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/10/20 4 $2,128,564   2,577 $826   $2,128,564 1
2017/10/21 6 $2,330,155 +9% 2,577 $904   $4,458,719 2
2017/10/22 6 $1,543,946 -34% 2,577 $599   $6,002,665 3
2017/10/23 5 $601,503 -61% 2,577 $233   $6,604,168 4
2017/10/24 6 $857,194 +43% 2,577 $333   $7,461,362 5
2017/10/25 5 $525,875 -39% 2,577 $204   $7,987,237 6
2017/10/26 5 $502,820 -4% 2,577 $195   $8,490,057 7
2017/10/27 8 $1,058,201 +110% 2,577 $411   $9,548,258 8
2017/10/28 7 $1,459,035 +38% 2,577 $566   $11,007,293 9
2017/10/29 7 $984,859 -32% 2,577 $382   $11,992,152 10
2017/10/30 8 $332,657 -66% 2,577 $129   $12,324,809 11
2017/10/31 6 $485,689 +46% 2,577 $188   $12,810,498 12
2017/11/01 8 $284,341 -41% 2,577 $110   $13,094,839 13
2017/11/02 7 $285,628 n/c 2,577 $111   $13,380,467 14
2017/11/03 9 $560,391 +96% 2,073 $270   $13,940,858 15
2017/11/04 9 $826,193 +47% 2,073 $399   $14,767,051 16
2017/11/05 9 $533,491 -35% 2,073 $257   $15,300,542 17
2017/11/06 9 $180,347 -66% 2,073 $87   $15,480,889 18
2017/11/07 8 $274,722 +52% 2,073 $133   $15,755,611 19
2017/11/08 7 $190,674 -31% 2,073 $92   $15,946,285 20
2017/11/09 8 $177,631 -7% 2,073 $86   $16,123,916 21
2017/11/10 12 $314,093 +77% 1,207 $260   $16,438,009 22
2017/11/11 12 $389,368 +24% 1,207 $323   $16,827,377 23
2017/11/12 12 $233,428 -40% 1,207 $193   $17,060,805 24
2017/11/13 10 $90,946 -61% 1,207 $75   $17,151,751 25
2017/11/14 11 $113,162 +24% 1,207 $94   $17,264,913 26
2017/11/15 10 $85,921 -24% 1,207 $71   $17,350,834 27
2017/11/16 11 $62,045 -28% 1,207 $51   $17,412,879 28
2017/11/17 - $73,842 +19% 363 $203   $17,486,721 29
2017/11/18 - $102,925 +39% 363 $284   $17,589,646 30
2017/11/19 - $65,639 -36% 363 $181   $17,655,285 31
2017/11/22 - $17,598   134 $131   $17,742,089 34
2017/11/23 - $18,450 +5% 134 $138   $17,760,539 35
2017/11/24 - $37,007 +101% 134 $276   $17,797,546 36
2017/11/25 - $36,926 n/c 134 $276   $17,834,472 37
2017/11/26 - $21,881 -41% 134 $163   $17,856,353 38
2017/11/27 - $7,730 -65% 134 $58   $17,864,083 39
2017/11/28 - $10,991 +42% 134 $82   $17,875,074 40
2017/11/29 - $8,787 -20% 134 $66   $17,883,861 41
2017/11/30 - $9,195 +5% 134 $69   $17,893,056 42
2017/12/01 - $15,836 +72% 116 $137   $17,908,892 43
2017/12/02 - $24,056 +52% 116 $207   $17,932,948 44
2017/12/03 - $14,478 -40% 116 $125   $17,947,426 45
2017/12/04 - $6,014 -58% 116 $52   $17,953,440 46
2017/12/05 - $7,590 +26% 116 $65   $17,961,030 47
2017/12/06 - $6,990 -8% 116 $60   $17,968,020 48
2017/12/07 - $7,313 +5% 116 $63   $17,975,333 49
2017/12/08 - $12,821 +75% 100 $128   $17,988,154 50
2017/12/09 - $21,284 +66% 100 $213   $18,009,438 51
2017/12/10 - $11,389 -46% 100 $114   $18,020,827 52
2017/12/11 - $5,501 -52% 100 $55   $18,026,328 53
2017/12/12 - $6,315 +15% 100 $63   $18,032,643 54
2017/12/13 - $6,280 -1% 100 $63   $18,038,923 55
2017/12/14 - $5,031 -20% 100 $50   $18,043,954 56
2017/12/15 - $5,943 +18% 60 $99   $18,049,897 57
2017/12/16 - $7,367 +24% 60 $123   $18,057,264 58
2017/12/17 - $5,645 -23% 60 $94   $18,062,909 59
2017/12/18 - $2,609 -54% 60 $43   $18,065,518 60
2017/12/19 - $3,806 +46% 60 $63   $18,069,324 61
2017/12/20 - $2,743 -28% 55 $50   $18,072,067 62
2017/12/21 - $2,691 -2% 55 $49   $18,074,758 63
2017/12/22 - $8,091 +201% 86 $94   $18,082,849 64
2017/12/23 - $9,980 +23% 86 $116   $18,092,829 65
2017/12/24 - $3,993 -60% 86 $46   $18,096,822 66
2017/12/25 - $9,790 +145% 86 $114   $18,106,612 67
2017/12/26 - $10,773 +10% 86 $125   $18,117,385 68
2017/12/27 - $9,975 -7% 86 $116   $18,127,360 69
2017/12/28 - $11,570 +16% 86 $135   $18,138,930 70
2017/12/29 - $14,615 +26% 86 $170   $18,153,545 71
2017/12/30 - $17,978 +23% 86 $209   $18,171,523 72
2017/12/31 - $9,765 -46% 86 $114   $18,181,288 73
2018/01/01 - $13,740 +41% 86 $160   $18,195,028 74
2018/01/02 - $8,736 -36% 86 $102   $18,203,764 75
2018/01/03 - $6,751 -23% 86 $79   $18,210,515 76
2018/01/04 - $8,049 +19% 86 $94   $18,218,564 77
2018/01/05 - $11,194 +39% 69 $162   $18,229,758 78
2018/01/06 - $15,898 +42% 69 $230   $18,245,656 79
2018/01/07 - $10,024 -37% 69 $145   $18,255,680 80
2018/01/12 - $6,082   54 $113   $18,277,921 85
2018/01/13 - $9,661 +59% 54 $179   $18,287,582 86
2018/01/14 - $7,603 -21% 54 $141   $18,295,185 87
2018/01/15 - $5,155 -32% 54 $95   $18,300,340 88
2018/01/19 - $4,059   43 $94   $18,312,811 92
2018/01/20 - $7,424 +83% 43 $173   $18,320,235 93
2018/01/21 - $4,023 -46% 43 $94   $18,324,258 94
2018/01/22 - $1,420 -65% 43 $33   $18,325,678 95
2018/01/23 - $1,899 +34% 43 $44   $18,327,577 96
2018/01/24 - $1,465 -23% 43 $34   $18,329,042 97
2018/01/25 - $1,572 +7% 43 $37   $18,330,614 98
2018/01/26 - $2,503 +59% 26 $96   $18,333,117 99
2018/01/27 - $4,435 +77% 26 $171   $18,337,552 100
2018/01/28 - $2,499 -44% 26 $96   $18,340,051 101

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/20 5 $8,490,057   2,577 $3,295   $8,490,057 1
2017/10/27 7 $4,890,410 -42% 2,577 $1,898   $13,380,467 2
2017/11/03 9 $2,743,449 -44% 2,073 $1,323   $16,123,916 3
2017/11/10 12 $1,288,963 -53% 1,207 $1,068   $17,412,879 4
2017/11/17 21 $347,660 -73% 134 $2,594   $17,760,539 5
2017/11/24 30 $132,517 -62% 134 $989   $17,893,056 6
2017/12/01 39 $82,277 -38% 116 $709   $17,975,333 7
2017/12/08 38 $68,621 -17% 100 $686   $18,043,954 8
2017/12/15 41 $30,804 -55% 55 $560   $18,074,758 9
2017/12/22 36 $64,172 +108% 86 $746   $18,138,930 10
2017/12/29 37 $79,634 +24% 86 $926   $18,218,564 11
2018/01/05 37 $53,275 -33% 69 $772   $18,271,839 12
2018/01/12 44 $36,913 -31% 54 $684   $18,308,752 13
2018/01/19 49 $21,862 -41% 43 $508   $18,330,614 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/10/2017 $782 1 171 407 $401,624 1/22/2018
Austria 5/4/2018 $23,187 28 28 84 $63,289 5/24/2018
China 12/8/2017 $870,000 11661 11661 11661 $1,190,000 12/18/2017
Germany 5/3/2018 $227,957 171 171 435 $342,626 5/24/2018
Lithuania 10/20/2017 $0 0 5 5 $7,821 11/2/2017
New Zealand 11/10/2017 $22,179 45 45 157 $61,347 12/27/2017
Portugal 11/24/2017 $66,493 57 57 144 $159,378 12/28/2017
Russia (CIS) 11/10/2017 $126,296 615 615 1230 $224,042 11/22/2017
South Korea 1/3/2018 $0 0 301 337 $363,806 4/12/2018
Switzerland (German Speaking) 5/3/2018 $50,819 43 43 83 $119,996 5/24/2018
Turkey 12/8/2017 $13,869 50 50 50 $13,869 12/13/2017
United Kingdom 11/10/2017 $352,876 332 332 332 $352,876 11/15/2017
 
International Total$3,300,674 5/24/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/11/2018390,079 90,079$1,655,652$1,655,6527
2/18/2018447,926-47% 138,005$860,751$2,516,4038
2/25/20181529,415-39% 167,420$528,293$3,044,6969
3/4/2018246,736-77% 174,156$120,979$3,165,67510

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/11/2018371,212 71,212$1,421,397$1,421,3977
2/18/2018827,316-62% 98,528$545,219$1,966,6168
2/25/20181217,762-35% 116,290$354,537$2,321,1539

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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