Russia (CIS) Box Office for СТРАЖИ АРКТИКИ (2019)

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Arctic Dogs
Theatrical Performance (US$)
Russia (CIS) Box Office $717,502Details
Worldwide Box Office $11,285,154Details
Home Market Performance
North America DVD Sales $786,574 Details
North America Blu-ray Sales $666,359 Details
Total North America Video Sales $1,452,933
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Swifty the Arctic fox works in the mailroom of the Arctic Blast Delivery Service but dreams of one day becoming a Top Dog. To prove himself worthy of the Top Dog role, Swifty secretly commandeers one of the sleds and delivers a mysterious package to a mysterious location. He stumbles upon a secret fortress where he comes face to face with Doc Walrus, a blubbery evil genius who walks around on mechanical legs and commands a loyal army of oddly polite puffin henchmen. Swifty soon discovers Doc Walrus’ plan to melt the polar ice caps and flood the world in order to reign as supreme leader. Now, Swifty has to enlist the help of his friends: PB, an introverted polar bear, Lemmy, a scatterbrained albatross, Sal and Weez, two conspiracy theorist otters and Jade Fox, a tough as nails mechanic. This ragtag group of Arctic misfits has to band together to stop Doc Walrus’ sinister plans and save the day.

Metrics

Movie Details

Production Budget:$50,000,000
Russia (CIS) Releases: November 14th, 2019 (Wide), released as СТРАЖИ АРКТИКИ
Video Release: February 4th, 2020 by Lionsgate Home Entertainment
MPAA Rating: PG for some mild action and rude humor.
(Rating bulletin 2558 (Cert #51960), 12/19/2018)
Running Time: 93 minutes
Keywords: Talking Animals, Family Movie, Underdog, Postal Workers / Delivery Person, Evil Mastermind, Bent on World Domination, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: AIC Movie Inc, Ambi Media Group, Assemblage Entertainment , Entertainment Studios Motion Pictures
Production Countries: Canada, China, India, Japan, Republic of Korea, United Kingdom, United States
Languages: English

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Home Market Releases for January 28th, 2020

January 30th, 2020

Parasite

The big winter releases are starting to come out, but the overall quantity of releases is still rather soft. Terminator: Dark Fate is the biggest release of the week, but it isn’t the best. As for the best, it was a close two-way race between Fail Safe and Parasite, with the latter winning by the tiniest of margins. More...

Weekend Wrap-Up: The Box Office is in a Deep Sleep

November 12th, 2019

Midway

It was a weekend to forget with the four new releases earning significantly less than The Grinch opened with last year. Still, the four new releases took the to four spots, meaning there were no powerful holdovers to make up the difference. Midway was the best of the bunch, while Playing with Fire was the biggest positive surprise. Unfortunately, Doctor Sleep missed expectations by a larger margin than those two films beat our predictions, so the good news was drowned out by the bad. Overall, the box office was 5.9% higher than last weekend at $121 million. This is not a reason to celebrate, as last weekend was arguably Halloween weekend, which is one of the worst weekends of the year. More importantly, the weekend was behind the same weekend last year by 28%. 2019 is now behind 2018’s pace by 5.9% or $580 million at $9.32 billion to $9.90 billion. However, and this is important, as bad as 2019 has been doing, we are still ahead of 2017’s pace, both in terms of raw dollars and ticket sales, so there’s no need to panic. While we would prefer to set records every year, being the second best year at the box office is still worth celebrating. More...

Weekend Wrap-Up: Dark Fate Might have Terminated the Franchise

November 5th, 2019

Terminator: Dark Fate

It was a bad weekend at the box office, with Terminator: Dark Fate missing expectations by a significant degree. Harriet was able to beat expectations, but it wasn’t enough to truly compensate. Furthermore, Arctic Dogs and Motherless Brooklyn were practically non-factors at the box office. The box office did grow 9.5% from last weekend reaching $115 million. More importantly, this was 21% lower than this weekend last year. 2019’s deficit grew to 5.6% or $540 million and is now behind 2018’s pace by $9.15 billion to $9.70 billion. It is important to point out that while 2019 is being crushed by 2018, it is still on pace to be the second largest box office of all time, while its ticket sales are better than 2017’s pace, so as disappointing as the year as been so far, there are still reasons to celebrate. More...

Weekend Estimates: Terminator Tops Chart, but is Far from Lethal

November 3rd, 2019

Terminator: Dark Fate

As expected, Terminator: Dark Fate is going to open in first place over the weekend. Unfortunately, it is failing to match even the low end of expectations with an estimate of $29 million during its opening weekend. Its reviews and its B plus from CinemaScore are not great, but they are better than this opening. The film is doing much better internationally with an estimated $$72.9 million debut, including an estimated $30 million opening in China. However, that’s not enough. The film needs close to $500 million worldwide to break even and since the only major market left to debut in is Japan, it’s not going to get there. More...

Friday Estimates: Holiday Season Starts Without a Lot of Cheer

November 2nd, 2019

Terminator: Dark Fate

Terminator: Dark Fate opened in first place on Friday, but it only made $10.6 million, well below expectations. Its reviews and its B plus from CinemaScore are good, but not great, meaning it won’t have the legs needed to overcome this slow start. Look for about $28 million domestically this weekend. Early reports have it performing better internationally with a likely $30 million debut in China, but again, this is below expectations and not enough given the film’s $185 million production budget. More...

Thursday Night Previews: Terminator Takes in $2.35 million

November 1st, 2019

Terminator: Dark Fate

Terminator: Dark Fate managed $2.35 million from its previews on Thursday. Normally, this wouldn’t be enough to kick-start a strong weekend, but yesterday was Halloween, which is far from a normal day at the box office. Furthermore, its reviews are better than most of the rest of the Terminator franchise, and good enough to have decent legs. It is still too early to tell where it will finish its opening weekend. Halloween is just too big a wildcard to make an accurate guess at this point. We will know more this time tomorrow when the Friday estimates come out. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Weekend Predictions: Halloween Gives Way to the Holiday Season

October 31st, 2019

Terminator: Dark Fate

It’s the first weekend of November, which is the unofficial start of both the Christmas blockbuster season and of Awards Season. There are four films hoping to take advantage of time of year to create some box office success. Of these, only Terminator: Dark Fate is expected to be a true box office hit. It will likely earn more during its opening weekend than any of the rest of the new releases earn in total. I think Harriet will do okay and could even crack $10 million during the weekend. On the other hand, Arctic Dogs still has no reviews and that’s a really bad sign. Finally there’s Motherless Brooklyn, which is opening in well under 2,000 theaters. This weekend last year, Bohemian Rhapsody opened with more than $50 million and even the high end predictions don’t have Terminator: Dark Fate earning that much. It’s going to be another bad week for 2019 in the year-over-year competition. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/15 9 $313,911   1,011 $310   $313,911 1
2019/11/22 - $215,707 -31% 999 $216   $613,812 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/1/2019 $24,653 93 177 752 $419,611 1/7/2020
Bulgaria 12/6/2019 $29,096 0 0 0 $126,127 1/28/2020
Czech Republic 12/13/2019 $58,860 94 94 223 $120,532 10/19/2022
Lithuania 2/14/2020 $33,221 21 21 81 $106,109 9/1/2021
New Zealand 11/1/2019 $1,313 7 39 180 $42,508 10/19/2022
North America 11/1/2019 $2,901,335 2,844 2,844 6,145 $5,801,249 10/25/2022
Poland 12/6/2019 $569,000 209 209 627 $1,612,785 10/19/2022
Portugal 1/20/2022 $11,012 53 53 188 $32,128 10/20/2022
Romania 12/13/2019 $75,941 80 80 357 $281,230 3/11/2020
Russia (CIS) 11/14/2019 $313,911 1011 1011 3053 $717,502 10/19/2022
Slovakia 6/19/2020 $14,998 21 55 188 $58,612 12/8/2020
South Korea 11/23/2023 $238,815 479 479 854 $595,878 12/27/2023
Turkey 1/24/2020 $115,604 271 271 612 $403,469 10/19/2022
United Kingdom 11/8/2019 $4,831 77 77 77 $4,831 11/14/2019
 
Rest of World $962,583
 
Worldwide Total$11,285,154 12/27/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Jeremy Renner    Swifty
Heidi Klum    Jade/Bertha
James Franco    Lemmy
John Cleese    Otto Von Walrus
Omar Sy    Sal
Anjelica Huston    Magda
Alec Baldwin    PB

Supporting Cast

Michael Madsen    Duke
Laurie Holden    Dakota

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Aaron Woodley    Director
Cal Brunker    Screenwriter
Bob Barlen    Screenwriter
Bryan Thompson    Screenwriter
Aaron Woodley    Screenwriter
Matt Lyon    Story by
Monika Bacardi    Producer
Andrea Iervolino    Producer
Graham Moloy    Producer
Danielle Maloni    Executive Producer
Sergio Navarretta    Executive Producer
Byron Allen    Executive Producer
Carolyn Folks    Executive Producer
Jennifer Lucas    Executive Producer
Terence Hill    Executive Producer
Jessica Freeborn    Executive Producer
Chris Charalambous    Executive Producer
Mark Devitre    Executive Producer
Eric Gould    Executive Producer
Joan Robbins    Executive Producer
Max Madhavan    Co-Executive Producer
A.K. Madhavan    Co-Executive Producer
Luca Matrundola    Executive in Charge of Production
Michelle Silverman    Music Supervisor
Jeymes Samuel    Executive Music Producer
David Buckley    Composer
Satjit Matharu    Animation Director
Lesley Mackay Hunter    Editor
Branislav Perkovic    Production Designer
Bruno Rosato    Casting Director