Australia Box Office for Climax (2018)

← Go to main Climax page

Climax
Theatrical Performance (US$)
Australia Box Office $69,222Details
Worldwide Box Office $1,905,109Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A trippy horror-musical featuring twenty sensuous dancers partying hard and living their best lives, until a bad batch of sangria plunges them into insanity.

Metrics

Movie Details

Australia Releases: December 7th, 2018 (Wide)
Video Release: May 7th, 2019 by A24
MPAA Rating: R for disturbing content involving a combination of drug use, violent behavior and strong sexuality, and for language and some graphic nudity.
(Rating bulletin 2536 (Cert #51704), 7/18/2018)
Running Time: 95 minutes
Keywords: 1990s, Dancing, Abandoned Location, Narcotics, Psychological Horror
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Les Cinemas de la Zone, Artemis Prods, Vice Studios
Production Countries: France
Languages: French

Home Market Releases for May 28th, 2019

May 28th, 2019

How to Train Your Dragon: The Hidden World

We are back to normal on the home market for a summer week. That is to say, there’s almost nothing to talk about. The biggest physical release of the week is Outlander: Season Four. The show’s reviews have slipped a little, but they are still earning amazing reviews. However, it airs on Starz, so most people have never seen it and I don’t think it is a good idea to jump into the show in season four. Greta is the next biggest physical release, but it is not Pick of the Week material. That leaves How to Train Your Dragon: The Hidden World, which came out last week, but the screener arrived late. And of course Captain Marvel, which is coming out on VOD this week. So the choice for Pick of the Week is down to a movie I already awarded the title to and a movie that isn’t out on DVD / Blu-ray this week. It’s a tough call, but in the end, I went with How to Train Your Dragon: The Hidden World. Captain Marvel will have another chance when it comes out on Blu-ray. More...

Home Market Releases for May 7th, 2019

May 8th, 2019

The LEGO Movie 2: The Second Part

It is yet another slow week on the home market with very few first-run releases of note. There are three contenders for Pick of the Week: Better Call Saul: Season 4, The LEGO Movie 2: The Second Part on 4K Ultra HD, and My Hero Academia: Season Three, Part One. It is too close to call, so I’m declaring a three-way tie. More...

Theater Averages: Climactic Results Over the Weekend

March 7th, 2019

Climax

It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082. More...

Weekend Estimates: Dragons Stay Afloat, Medea Ends on a High Note

March 3rd, 2019

How to Train Your Dragon: The Hidden World

According to estimates, How to Train Your Dragon: The Hidden World really bounced back on Saturday and its Sunday number will help it earn first place over the weekend with $30.05 million. This is lower than predictions and a sophomore decline of 48% is a little steep for a family film. That said, the film is nearly at $100 million domestically after just 10 days and its worldwide total is at $375 million, again according to estimates. The film opened in first place in China with $33.38 million in approximately 10,000 locations. The film’s only remaining major market is Japan, but it doesn’t open there until August. In the meantime, the film should have little trouble getting to $500 million worldwide before then. More...

Limited and VOD Releases: Climactic Change in Pace

March 1st, 2019

Climax

After two weeks of almost no releases, there are nearly 30 limited releases coming out this week. However, it’s a case of quantity above quality, for the most part, as the majority of films have no or almost no reviews. That said, the majority of films with a substantial number of reviews are earning overwhelmingly positive reviews. Some of these films, like Climax and Apollo 11, are even earning a combination of amazing reviews and loud buzz. Hopefully this means we will have some hits on this week’s list and the competition won’t sink everyone’s chances. More...

Limited and VOD Releases: Old Man and the Limited Release

September 27th, 2018

Bad Reputation

Robert Redford’s swan song, The Old Man and the Gun, leads a group of limited releases this week. It should be the biggest hit on this week’s list and could even become an Awards Season contender. Bad Reputation could also open really well, for a documentary. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/12/07 - $7,586   5 $1,517   $7,586 1
2018/12/14 - $4,093 -46% 5 $819   $17,150 2
2018/12/21 - $3,133 -23% 6 $522   $23,262 3
2018/12/28 - $1,524 -51% 2 $762   $25,616 4
2019/01/04 - $1,093 -28% 2 $547   $27,617 5
2019/01/11 - $909 -17% 2 $455   $29,133 6
2019/03/01 - $1,004   4 $251   $32,897 13
2021/07/30 - $309   1 $309   $77,876 139
2022/09/30 - $1,026   1 $1,026   $69,222 200

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/7/2018 $7,586 5 6 28 $69,222 10/22/2022
Czech Republic 11/2/2018 $8,726 29 29 34 $34,929 1/1/2019
France 9/21/2018 $164,256 0 0 0 $292,142 10/9/2018
Italy 6/13/2019 $12,725 0 34 34 $25,660 10/19/2022
Lithuania 1/18/2019 $6,465 35 35 57 $15,051 3/5/2019
Netherlands 2/1/2019 $29,871 33 33 62 $65,389 2/12/2019
North America 3/1/2019 $146,756 5 217 413 $817,339
Portugal 2/8/2019 $1,267 3 3 6 $3,665 2/28/2019
Russia (CIS) 10/11/2018 $98,396 229 229 610 $378,526 2/12/2019
Slovakia 11/9/2018 $1,899 12 12 12 $2,194 11/13/2018
Spain 10/12/2018 $22,048 25 25 50 $71,827 10/25/2018
Turkey 11/2/2018 $12,326 30 33 164 $90,205 2/26/2019
United Kingdom 9/21/2018 $38,960 31 31 31 $38,960 9/26/2018
 
Worldwide Total$1,905,109 10/22/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gaspar Noe    Director
Gaspar Noe    Screenwriter
Edouard Weil    Producer
Vincent Maraval    Producer
Richard Grandpierre    Producer
Michel Merkt    Producer
Danny Gabai    Executive Producer
Eddy Moretti    Executive Producer
Denis Bedlow    Editor
Gaspar Noe    Editor
Benoît Debie    Director of Photography