South Korea Box Office for Coda (2020)
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Synopsis
Henry Field is an acclaimed pianist who returns to the stage after a prolonged absence only to discover he is suddenly afflicted with a severe case of stage fright. Time and old wounds have caught up with the master. Bewildered and about to pack it in, he meets Helen Morrison, a music critic with a kindred spirit and a troubled past of her own. Helen believes that she holds the key to Henry’s sanity, but as their relationship unfolds she might also become his downfall as she confronts him with his greatest challenge yet.
Metrics
Movie Details
April 2nd, 2020
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This week Star Wars: The Rise of Skywalker comes out on Blu-ray and 4K Ultra HD and if you think that will scare away most of the competition, you will be correct. This isn’t the worst week I’ve see on the home market, but it is close. Unfortunately, not only is the list rather short, there’s nothing here that jumps out as a Pick of the Week contender. On a side note, Amazon is having... issues, which not only delayed this column, but it means if you want to buy most new releases here right away, you will have to deal with third-party sellers or go somewhere else.
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January 31st, 2020
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The 2020 Oscar Shorts lead the way on the limited release report this week; however, it is far from the only release worth checking out. The Assistant, Beanpole, The Wonderland, and others are all intriguing. I don’t think any of them will find an audience, but I think most people who do get a chance to see them will be impressed.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2020/11/20 |
17 |
$15,059 |
|
55 |
$274 |
$23,333 |
1 |
| 2020/11/27 |
- |
$5,895 |
-61% |
29 |
$203 |
$38,654 |
2 |
| 2020/12/04 |
- |
$2,996 |
-49% |
22 |
$136 |
$47,990 |
3 |
| 2020/12/11 |
- |
$4,075 |
+36% |
33 |
$123 |
$55,099 |
4 |
| 2020/12/18 |
- |
$1,840 |
-55% |
14 |
$131 |
$58,460 |
5 |
| 2021/01/01 |
- |
$621 |
|
4 |
$155 |
$62,750 |
7 |
| 2021/09/03 |
6 |
$137,575 |
|
308 |
$447 |
$262,401 |
42 |
| 2021/09/10 |
9 |
$60,053 |
-56% |
179 |
$335 |
$377,214 |
43 |
| 2021/09/17 |
18 |
$13,697 |
-77% |
36 |
$380 |
$414,076 |
44 |
| 2021/09/24 |
- |
$7,324 |
-47% |
24 |
$305 |
$434,648 |
45 |
| 2021/10/01 |
14 |
$5,140 |
-30% |
20 |
$257 |
$441,139 |
46 |
| 2021/10/08 |
18 |
$10,474 |
+104% |
20 |
$524 |
$456,097 |
47 |
| 2021/10/15 |
- |
$2,855 |
-73% |
13 |
$220 |
$468,421 |
48 |
| 2022/02/25 |
- |
$5,221 |
|
64 |
$82 |
$483,920 |
67 |
| 2022/03/04 |
- |
$1,184 |
-77% |
16 |
$74 |
$477,787 |
68 |
| 2022/03/18 |
- |
$1,001 |
|
9 |
$111 |
$488,121 |
70 |
| 2022/04/01 |
15 |
$10,821 |
|
50 |
$216 |
$500,540 |
72 |
| 2022/04/08 |
12 |
$12,978 |
+20% |
49 |
$265 |
$517,107 |
73 |
| 2022/04/15 |
11 |
$7,691 |
-41% |
57 |
$135 |
$529,345 |
74 |
| 2022/04/22 |
- |
$3,226 |
-58% |
14 |
$230 |
$526,040 |
75 |
| 2022/05/20 |
- |
$833 |
|
4 |
$208 |
$529,221 |
79 |
| 2022/06/10 |
15 |
$4,039 |
|
5 |
$808 |
$526,613 |
82 |
| 2022/08/12 |
- |
$391 |
|
2 |
$196 |
$518,832 |
91 |
| 2022/11/18 |
- |
$706 |
|
1 |
$706 |
$516,892 |
105 |
| 2022/11/25 |
- |
$963 |
+36% |
2 |
$482 |
$530,926 |
106 |
| 2022/12/23 |
- |
$1,809 |
|
3 |
$603 |
$556,952 |
110 |
| 2023/06/02 |
- |
$1,715 |
|
2 |
$858 |
$547,093 |
133 |
| 2024/02/23 |
- |
$1,640 |
|
27 |
$61 |
$544,516 |
171 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| North America |
1/31/2020 |
$0 |
0 |
0 |
0 |
$0 |
|
| South Korea |
11/19/2020 |
$15,059 |
55 |
308 |
1062 |
$544,516 |
2/28/2024 |
| |
| Worldwide Total | $544,516 |
2/28/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
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