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Netherlands Box Office for Collateral Beauty (2016)

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Collateral Beauty
Theatrical Performance (US$)
Netherlands Box Office $1,602,119Details
Worldwide Box Office $85,315,070Details
Home Market Performance
North America DVD Sales $2,114,831 Details
North America Blu-ray Sales $1,043,266 Details
Total North America Video Sales $3,158,097
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer


When a successful New York advertising executive suffers a great tragedy he retreats from life. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death. But it’s not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty.


Movie Details

Production Budget:$36,000,000
Netherlands Releases: December 16th, 2016 (Wide)
Video Release: February 28th, 2017 by Warner Home Video
MPAA Rating: PG-13 for thematic elements and brief strong language.
(Rating bulletin 2446 (Cert #50724), 10/12/2016)
Running Time: 96 minutes
Keywords: New York City, Advertising and Marketing, Death of a Son or Daughter, Depression, Ensemble
Source:Original Screenplay
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: PalmStar Media, Likely Story, New Line Cinema, Village Roadshow Productions, RatPac Entertainment, Dune Entertainment, Anonymous Content, Overbrook Entertainment
Production Countries: United States


Will Smith    Howard
Edward Norton    Whit
Keira Knightley    Amy
Michael Peña    Simon
Naomie Harris    Madeline
Jacob Latimore    Raffi
Kate Winslet    Claire
Helen Mirren    Brigitte
Ann Dowd    Sally Price
Liza Colon-Zayas    Trevor’s Mom
Natalie Gold    Adam’s Mom
Kylie Rogers    Allison
Shirley Rumierk    Simon’s Wife
Alyssa Cheatham    Olivia
Benjamin Snyder    Sally’s Grandson
Mary Beth Peil    Whit’s Mother
Andy Taylor    Father with Photo
Michael Cumpsty    Chairman of the Board
Jonathan Rivera Morales    Monster (Mexican Commercial)
Joseph Midyett    Teacher (Mexican Commercial)
Bryan Clark    Homeless A capella Singer
Marcus Paul James    Homeless A capella Singer
Mykal Kilgore    Homeless A capella Singer
Jimmy Palumbo    Super
Elia Monte Brown    Support Group Member
Crystal Anne Dickinson    Support Group Member
Suzy Jane Hunt    Support Group Member
Andres Munar    Support Group Member
Claire Glassford    Junior Executive
Harriett D. Foy    Board Member
Maureen Mueller    Board Member
Steven Hauck    Board Member
Robert Toshi Chan    Board Member
Willie C. Carpenter    Board Member

Production and Technical Credits

Director    David Frankel
Screenwriter    Allan Loeb
Producer    Michael Sugar
Producer    Bard Dorros
Producer    Allan Loeb
Producer    Anthony Bergman
Producer    Kevin Frakes
Executive Producer    Toby Emmerich
Executive Producer    Richard Brener
Executive Producer    Michael Disco
Executive Producer    Steven Mnuchin
Executive Producer    Michael Bederman
Executive Producer    Ankur Rungta
Executive Producer    Peter Cron
Executive Producer    Steven Pearl
Executive Producer    Bruce Berman
Production Designer    Beth Mickle
Editor    Andrew Marcus
Composer    Theodore Shapiro
Director of Photography    Maryse Alberti
Music Supervisor    Julia Michels
Music Supervisor    Dana Sano
Costume Designer    Leah Katznelson
Casting Director    Jeanne McCarthy
Casting Director    Rori Bergman
Unit Production Manager    Michael Bederman
First Assistant Director    Stephen Lee Davis
Second Assistant Director    Deanna Kelly
Associate Producer    Josh Mack
Production Supervisor    Lindsay Feldman
Art Director    Scott Dougan
Set Decorator    Kara Zeigon
Sound Mixer    Danny Michael
Post-Production Supervisor    Jack Deutchman
Assistant Editor    Alec Styborski
Re-recording Mixer    Michael Barry
Re-recording Mixer    Paul Urmson
Supervising Sound Editor    Lidia Tamplenizza
Supervising Sound Editor    Paul Urmson
Music Editor    Nancy Allen
Sound Effects Editor    Wyatt Sprague
Foley Mixer    Matthew Haasch
Location Manager    Ronnie Kupferwasser
Script Supervisor    Jessica Lichtner
Costume Supervisor    Kate Edwards
Make up    Louise McCarthy
Make up    Joanna McCarthy
Hairstylist    Angel De Angelis
Special Effects Supervisor    Steve Kirshoff
Special Effects Coordinator    John Stifanich
Special Effects Foreman    Pat A. Badia
Special Effects    Dustin Riedman
Special Effects    David Marulanda
Casting Associate    Leslie Woo
Casting Associate    Dana Katz
Casting Assistant    Hannah Caruso
Score Recordist    Chris Fogel
Score Mixer    Chris Fogel

Home Market Releases for March 14th, 2017

March 15th, 2017

The Love Witch

There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray. More...

Home Market Releases for February 28th, 2017

February 28th, 2017


It is not a particularly long list of new releases this week, but there are several that are must haves. This includes Doctor Strange, which was named Pick of the Week last week. Other contenders for that title include The Gate on Blu-ray, The Raid: Collection on Blu-ray, and Moonlight on Blu-ray. In the end, it wasn’t too hard to select Moonlight as Pick of the Week. However, The Gate does earn Puck of the Week for Best Canadian Release. More...

Weekend Wrap-Up: Rogue One has Apocalyptic Opening of $155.08 million

December 19th, 2016

Rogue One: A Star Wars Story

As expected, Rogue One: A Star Wars Story dominated the weekend box office chart with $155.08 million. This is well over twice as much as every other release combined. It is nearly twice as much as last weekend’s total box office. This helped the box office grow by 154%, reaching $211 million. Sadly, this was over $100 million or 32% lower than the same weekend last year when The Force Awakens dominated the chart. The year-over-year decline can be best summed up as within expectations. 2016 is still ahead of 2015 by a massive amount at $10.47 billion to $9.96 billion, but that will change as we see more numbers for Rogue One come in. On a more big picture look, Disney became the first studio ever to hit $7 billion worldwide in one year. They now have the record for biggest yearly domestic box office and biggest yearly worldwide box office, while it is just $160 million away from the international record as well. More...

Thursday Night Previews: Rogue’s Previews are One Half of Force Awakens at $29 million

December 16th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story earned a massive $29 million in previews on Thursday, easily topping the $25 million Civil War made earlier this year. It also topped Batman v Superman, which earned $27.7 million, which was the previous yearly record for preview. However, while it topped the yearly chart in that regard, it was barely more than half of the $57 million The Force Awakens managed this time last year. The film’s slightly weaker reviews could lead to shorter legs. However, I think the massive hype surrounding The Force Awakens made it more front-loaded than Rogue One will be, at least during its opening weekend. I’m still going with just over $140 million during its opening weekend, but maybe $141 million is more likely now. I am a little less bullish than most and an opening north of $150 million would not be shocking. More...

Weekend Predictions: Will Rogue Awaken the Box Office?

December 15th, 2016

Rogue One: A Star Wars Story

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2016 Preview: December

December 1st, 2016

Rogue One: A Star Wars Story

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/12/16 6 $264,605   92 $2,876   $264,605 1
2016/12/23 9 $170,890 -35% 94 $1,818   $681,253 2
2016/12/30 9 $196,858 +15% 94 $2,094   $1,059,446 3
2017/01/06 12 $191,559 -3% 83 $2,308   $1,404,192 4
2017/01/13 16 $85,365 -55% 68 $1,255   $1,498,211 5
2017/01/20 20 $51,228 -40% 47 $1,090   $1,575,613 6
2017/01/27 21 $51,513 +1% 47 $1,096   $1,602,119 7

Box Office Summary Per Territory

Territory Release
Box Office
Argentina 1/13/2017 $343,000 0 0 0 $343,000 1/16/2017
Australia 1/13/2017 $643,561 207 207 559 $1,388,741 2/6/2017
Brazil 1/27/2017 $685,000 255 255 255 $1,700,000 2/6/2017
Bulgaria 12/16/2016 $17,905 0 0 0 $81,711 2/3/2017
Colombia 1/13/2017 $471,000 0 0 0 $471,000 1/16/2017
Czech Republic 12/23/2016 $22,275 57 57 134 $131,820 1/18/2017
Germany 1/20/2017 $613,000 245 245 245 $613,000 1/24/2017
Hong Kong 12/30/2016 $404,000 36 36 36 $404,000 1/4/2017
Italy 1/4/2017 $3,017,168 0 0 0 $9,967,558 2/16/2017
Lithuania 1/6/2017 $25,350 69 69 142 $82,130 2/21/2017
Mexico 12/16/2016 $1,321,448 0 0 0 $5,700,000 2/6/2017
Netherlands 12/16/2016 $264,605 92 94 525 $1,602,119 2/2/2017
New Zealand 1/13/2017 $116,044 82 82 158 $252,930 1/23/2017
North America 12/16/2016 $7,102,085 3528 3528 11425 $31,016,021
Portugal 12/23/2016 $48,980 61 63 276 $474,949 3/2/2017
Russia (CIS) 12/16/2016 $1,495,297 843 843 1953 $3,443,405 1/18/2017
Slovakia 12/16/2016 $40,636 54 54 151 $199,826 2/10/2017
Slovenia 12/30/2016 $7,319 15 15 44 $29,717 2/6/2017
South Korea 3/5/2017 $331 1 1 1 $331 3/13/2017
Spain 12/23/2016 $646,313 284 294 1363 $3,957,974 2/24/2017
Turkey 12/23/2016 $96,100 72 72 181 $251,384 1/19/2017
United Kingdom 12/30/2016 $1,453,174 408 408 778 $2,800,000 2/6/2017
Rest of World $20,403,454
Worldwide Total$85,315,070 3/13/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at