Australia Box Office for Grace Jones: Bloodlight & Bami (2017)

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Grace Jones: Bloodlight and Bami
Theatrical Performance (US$)
Australia Box Office $10,251Details
Worldwide Box Office $738,637Details
Home Market Performance
North America Blu-ray Sales $52,158 Details
Total North America Video Sales $52,158
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Australia Releases: March 9th, 2018 (Wide), released as Grace Jones: Bloodlight & Bami
Video Release: August 14th, 2018 by Kino Lorber
MPAA Rating: Not Rated
Running Time: 115 minutes
Keywords: Biography, Models, Singers, Film Actor, African Americans
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: BBC Films, BFI, Roads Entertainment, Bord Scannan na hEireann, Irish Film Board, Sligoville, Amoeba Film, Blinder Films
Production Countries: Ireland, United Kingdom
Languages: English, French

Home Market Releases for August 14th, 2018

August 15th, 2018

Avengers: Infinity War

Avengers: Infinity War comes out on DVD, Blu-ray Combo Pack, and 4K Ultra HD Combo Pack this week and it is scaring away most of the competition. That’s not to say there’s nothing else worth picking up. For example, Grace Jones: Bloodlight and Bami isn’t selling well enough to make the list, but the Blu-ray is certainly worth owning. More...

Theater Averages: Box Office is Full of Grace

April 18th, 2018

Grace Jones: Bloodlight and Bami

Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters. More...

Weekend Estimates: Rampage Squeaks Out a Win

April 15th, 2018

Rampage

Rampage isn’t exactly living up to its name this weekend, as it heads for a $34.5 million debut—just enough to keep A Quiet Place in second place, with $32.6 million in its second outing (down a very respectable 35% from its debut). As might be expected, international markets are proving friendlier to Rampage than the US and Canada, and it’s off to a healthy $114.1 million start in 61 territories, according to Warner Bros.’ Sunday morning estimate. More...

Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace

April 13th, 2018

Grace Jones: Bloodlight and Bami

There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/03/09 - $9,344   23 $406   $9,344 1
2018/03/16 - $841 -91% 3 $280   $10,251 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/9/2018 $9,344 23 23 26 $10,251 3/19/2018
Netherlands 8/10/2018 $25,096 27 27 54 $68,845 9/12/2018
New Zealand 3/9/2018 $1,127 2 3 9 $3,073 4/30/2018
North America 4/13/2018 $56,171 3 36 139 $375,208 11/16/2021
United Kingdom 10/27/2017 $128,849 13 13 28 $168,833 12/18/2019
 
Rest of World $112,427
 
Worldwide Total$738,637 11/16/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Grace Jones    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sophie Fiennes    Director