Synopsis
Del is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself — until he is discovered by Grace, an interloper whose history and motives are obscure. Worse yet, she wants to stay.
Metrics
Movie Details
| Portugal Releases: |
September 28th, 2018 (Wide), released as Agora Estamos Sozinhos |
| Video Release: |
October 23rd, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: |
R for language.
(Rating bulletin 2531 (Cert #51645), 6/13/2018) |
| Running Time: |
93 minutes |
| Keywords: |
Post Apocalypse, Lone Survivor, Survivalist, Psychological Thriller, Surprise Twist, Sundance Film Festival 2018 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: |
Momentum Pictures, Exhibit , IM Global, Ferrotame Films Limited, Automatik, Slater Hall, Estuary Films |
| Production Countries: |
United States |
| Languages: |
English |
October 24th, 2018
It is a slow week on the home market, as Mamma Mia: Here We Go Again! is the only first run release. There are several horror films that are selling well enough to be worth talking about, but that is all. As far as the best of the best are concerned, the two I’m most interested in and I put in requests for screeners for both are BlacKkKlansman and Incredibles 2, but they are only coming out on VOD this week. I don’t like handing out Pick of the Week titles to VOD releases, so the real race is between The Americans: The Complete Final Season and Made In Abyss: Season One. Both are worth picking up, but I think there will be a full series Megaset for The Americans, so I’m giving the title to Made In Abyss.
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September 14th, 2018
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Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/09/28 |
30 |
$1,291 |
|
6 |
$215 |
$1,291 |
1 |
| 2018/10/05 |
- |
$531 |
-59% |
6 |
$89 |
$3,156 |
2 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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