Synopsis
Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| New Zealand Releases: |
November 4th, 2021 (Wide) |
| Video Release: |
October 1st, 2021 by Max |
| MPAA Rating: |
R for strong violence, pervasive language, sexual content and some nudity.
(Rating bulletin 2662 (cert #53032), 1/6/2021) |
| Running Time: |
120 minutes |
| Keywords: |
Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble |
| Source: | Based on TV |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: |
New Line Cinema, HBO Entertainment, Chase Films |
| Production Countries: |
United States |
| Languages: |
English |
October 3rd, 2021
Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.
First, here’s how the domestic numbers look this morning…
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October 1st, 2021
A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.
Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films…
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2021/11/05 |
6 |
$13,910 |
|
40 |
$348 |
$13,910 |
1 |
| 2021/11/12 |
8 |
$7,214 |
-48% |
42 |
$172 |
$25,254 |
2 |
| 2021/11/19 |
16 |
$3,010 |
-58% |
31 |
$97 |
$30,710 |
3 |
| 2021/11/26 |
- |
$1,139 |
-62% |
20 |
$57 |
$32,368 |
4 |
| 2021/12/03 |
- |
$217 |
-81% |
4 |
$54 |
$33,150 |
5 |
| 2021/12/10 |
- |
$34 |
-84% |
3 |
$11 |
$33,549 |
6 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
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