Ecuador Box Office for Miss Bala (2019)

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Miss Bala
Theatrical Performance (US$)
Ecuador Box Office $42,536Details
Worldwide Box Office $15,364,632Details
Home Market Performance
North America DVD Sales $958,460 Details
North America Blu-ray Sales $833,387 Details
Total North America Video Sales $1,791,847
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.

Metrics

Movie Details

Production Budget:$15,000,000
Ecuador Releases: April 5th, 2019 (Wide)
Video Release: April 16th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language.
(Rating bulletin 2540 (Cert #51439), 8/15/2018)
Running Time: 104 minutes
Keywords: Set in Mexico, Crime Boss, Undercover, Enemies Forced to Work Together, Smuggler, Remake, Foreign-Language Remake, DEA Agent, Kidnap, Drug Cartels, Organized Crime, Action Thriller
Source:Remake
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Canana, Misher Films
Production Countries: Mexico, United States
Languages: English

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office

February 5th, 2019

Miss Bala

The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either. More...

Weekend Estimates: Miss Bala hits the Glass Ceiling

February 3rd, 2019

Miss Bala

The weekend estimates have Glass remaining on top of the chart with $9.54 million over the weekend, giving it a running tally of $88.66 million after three weeks of release. It is a lock to get to $100 million domestically, although it will likely be pushed out of the top five before it gets there. Internationally, the film is earning $12.2 million over the weekend for totals of $110.3 million internationally and $199.0 million worldwide. It will soon become the first film released in 2019 to get to $200 million worldwide and it isn’t done yet. More...

Friday Estimates: Friday Falls In Line

February 2nd, 2019

Miss Bala

It looks like it will be a weekend to forget. In fact, if Friday is a reliable omen, then this will be the worst Super Bowl weekend at the box office in more than a decade. The only good news is, this was more or less expected. For example, Glass remained in first place with $2.76 million on Friday, putting it on pace for between $9 million on $10 million. Even if it hits the high end, it will still be within a rounding error of expectations. Get ready to read that phrase again a couple of more times this story. More...

Thursday Night Previews: Miss Bala Misses Expectations

February 1st, 2019

Miss Bala

Miss Bala missed expectations with $650,000 in previews last night. This isn’t that much lower than it needed to earn to be on pace match to predictions, but since it was already expected to struggle, missing expectations by even a little bit is bad news. Furthermore, its reviews have fallen further and its Tomatometer Score is now stuck at 33% positive. Maybe it will rebound over the rest of the weekend. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Weekend Predictions: Super Bowl Looks to Bowl Over the Competition

January 31st, 2019

Miss Bala

It’s Super Bowl weekend, which is historically one of the worst weekends all year long and it doesn’t look like this year will be an exception. Miss Bala is the only true wide release of the week, while They Shall Not Grow Old is expanding wide enough that it could grab a spot in the top five. Glass should remain in top spot, likely with less than $10 million. It’s not going to be a good weekend at the box office. Meanwhile, this weekend last year, Winchester opened with just over $9 million and two holdovers earned $10 million. 2019 is going to lose in the year-over-year comparison, but because both weekends were so soft, the gap shouldn’t be too large. More...

Miss Bala Trailer

December 17th, 2018

Action movie starring Gina Rodriguez opens February 1 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/04/05 - $15,107   27 $560   $15,107 1
2019/04/12 - $6,653 -56% 28 $238   $32,697 2
2019/04/19 - $3,499 -47% 15 $233   $42,536 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 1/31/2019 $4,381 4 4 4 $4,381 2/8/2019
Curacao 1/31/2019 $5,616 5 5 16 $19,231 2/28/2019
Ecuador 4/5/2019 $15,107 27 28 70 $42,536 4/24/2019
Jamaica 1/30/2019 $12,825 5 5 7 $24,986 2/20/2019
Mexico 3/29/2019 $18,847 35 35 66 $35,810 5/15/2019
North America 2/1/2019 $6,864,744 2,203 2,203 6,338 $14,998,027 8/15/2019
Romania 5/3/2019 $44,273 61 61 164 $106,474 6/12/2019
South Africa 5/3/2019 $11,450 18 18 40 $25,061 5/23/2019
Trinidad 1/30/2019 $25,374 17 17 35 $62,528 3/8/2019
United Kingdom 3/8/2019 $24,502 107 107 126 $43,264 3/19/2019
 
Rest of World $2,334
 
Worldwide Total$15,364,632 8/15/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gina Rodriguez    Gloria

Supporting Cast

Ismael Cruz Cordova    Lino
Anthony Mackie    Jimmy
Thomas Dekker    Makeup Supervisor
Vivian Chan    Fashion Designer
Barbarella Pardo    MX Customes Officer
Cristina Rodlo    Suzu
Sebastian Cano Echegollen    Chava
Gaby Orihuela    Pageant Coordinator
Damian Alcazar    Chief Saucedo
Ricardo Abarca    Poyo
Erick Rene Delgadillo Urbina    Tucán
Mikhail Plata    Chivo
Jorge Humberto Millan Mardueno    Ortiz
Job Sarmiento    Officer at Club
Roberto Sosa    Police Officer
Lilian Guadalupe Tapia Robles    Doña Rosita
Henry Torres Blanco    Pageant Choreographer
Matt Lauria    Brian Reich
Omar Israel Ayala    DEA Sniper
Oscar Estrada    Owl Man
Jimmy Gonzales    US Customs Officer
Aislinn Derbez    Isabel
Jose Sefami    Don Ramon
Aldo Quintero Torres    Pageant Announcer
Melina Oronia    Pageant Runner Up
Joel Navarro Ponce    Saucedo’s Guard
Joe LoCicero    Party Guy
Lidia Isabel Quiroz Dorantes    News Correspondent
Alan Alzalde    Estrella
Carlos Eves    Estrella
Andres Garcia    Estrella
Irving Lemus    Estrella
Roberto Colin    Estrella
Eliel Ruiz    Estrella
Rosalio Ruiz    Estrella
Topsy Ruiz    Estrella
Tornado Ruiz    Estrella
Abram Serratos    Estrella

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Catherine Hardwicke    Director
Kevin Misher    Producer
Pablo Cruz    Producer
Gareth Dunnet-Alcocer    Screenwriter
Mauricio Katz    Executive Producer
Gerardo Naranjo    Executive Producer
Catherine Hardwicke    Executive Producer
Gareth Dunnet-Alcocer    Executive Producer
Samson Mucke    Executive Producer
Arturo Sampson    Executive Producer
Andy Berman    Executive Producer
Jamie Marshall    Executive Producer
Patrick Murguia    Director of Photography
Marco Niro    Production Designer
Terilyn A. Shropshire    Editor
Graciela Mazon    Costume Designer
Alex Heffes    Composer
Lynn Fainchtein    Music Supervisor
Justin Yu    Stunt Coordinator
Gerardo Moreno    Stunt Coordinator
Samson Mucke    Unit Production Manager
Fernando Altschul    First Assistant Director
Joe May    Second Assistant Director
Frank Gaeta    Sound Designer
Frank Gaeta    Re-recording Mixer
Shayda Frost    Associate Producer
Lauren von Huene    Production Supervisor
Tita Lombardo    Line Producer
Armando Lopez    Art Director
Alisarine Ducolomb    Set Decorator
Natalia Moguel    Script Supervisor
Jaime Ortiz    Costume Supervisor
Sandra Migueli    Make up
Zelene Fernandez    Make up
Carla Diaz    Make up
Pedro Guijarro    Hairstylist
Isabel Munoz    Sound Mixer
Alejandro Vazquez    Special Effects Supervisor
Sergio Jara    Special Effects Coordinator
Cristopher Correa    Unit Production Manager
Lily Flaschner    Location Manager
Jamie Marshall    Second Unit Director
Christi Leftwich    First Assistant Editor
Debra Tennant    First Assistant Editor
Kenny Marsten*    First Assistant Editor
Rolf Fleischmann    Assistant Editor
Richard Saulnier II    Assistant Editor
Deb Adair    Re-recording Mixer
Frank Gaeta    Supervising Sound Editor
Cody Skully    Sound Editor
Chris Battaglia    Sound Editor
Charles Maynes    Sound Editor
Roland N. Thai    Sound Editor
Jo Caron    Foley Mixer
Robin Whittaker    Music Editor
Sally Boldt    Music Editor
Peter Myles    Music Editor
Matt Ward    Score Mixer
Matt Akey    Visual Effects Executive Producer
Benjamin Conner    Visual Effects Supervisor
James Fouche    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.