Spain Box Office for Submarine (2011)

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Submarine poster
Theatrical Performance (US$)
Spain Box Office $29,832Details
Worldwide Box Office $4,581,937Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Fifteen-year-old Oliver Tate has two big ambitions: to save his parents' marriage via carefully plotted intervention and to lose his virginity before his next birthday. Worried that his mom is having an affair with New Age weirdo Graham, Oliver monitors his parents' sex life by charting the dimmer switch in their bedroom. He also forges suggestive love letters from his mom to dad. Meanwhile, Oliver attempts to woo his classmate, Jordana, a self-professed pyromaniac who supervises his journal writing - especially the bits about her. When necessary, she orders him to cross things out.

Metrics

Movie Details

Production Budget:$1,900,000
Spain Releases: October 31st, 2012 (Wide)
Video Release: October 4th, 2011 by Anchor Bay Home Entertainment
MPAA Rating: R for language and some sexual content.
(Rating bulletin 2166, 4/6/2011)
Running Time: 94 minutes
Keywords: Coming of Age, Relationships Gone Wrong, Bullies, Loss Of Virginity, Romance, Voiceover/Narration, Intertitle, Terminal Illness, Epilogue
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warp Films, Film 4, UK Film Council
Production Countries: United Kingdom, United States
Languages: English

Featured Blu-ray / DVD Review: The Art of Getting By

November 29th, 2011

Helmed by first time writer / director Gavin Wiesen, The Art of Getting By had a great cast and very strong pre-release buzz. There was talk that the film would open wide, which would have been a rare feat for Fox Searchlight. However, while many people were bullish over the film's box office chances, the reviews were well below expectations and the film's semi-wide release was a disaster. Was this a fair result? Or does it deserve to find an audience on the home market? More...

DVD and Blu-ray Releases for October 4th, 2011

October 5th, 2011

It's a maddening week on the home market. There were more than a dozen featured reviews this week, and what seems like an equal number that are late. (And that's not mentioning the more than a dozen Blu-rays and DVDs that arrived late last week that I still haven't gotten to. At least I don't have to worry about not having enough to do for the next few weeks.) There were a number of contenders for Pick of the Week, including The Walking Dead: Season One on DVD or Blu-ray. But in the end I choose The Lion King Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Submarine

October 4th, 2011

Submarine came out early in the summer and before its release there was a lot of buzz. However, while the film's reviews were outstanding and it topped $10,000 on the per theater chart its opening weekend, it struggled when it tried to expand and never found a real measure of mainstream success. Now that it is out on the home market, will it find a larger audience? Or is its appeal limited to critics and art house crowds? More...

Per Theater Chart: Beginners Begins Big but can't Top Tree

June 7th, 2011

The Tree of Life held onto top spot on the per theater chart with an average of $30,915 in 20 theaters. It will undoubtedly expand further. Beginners was right behind with an average of $28,268 in five theaters. Midnight in Paris continues to shine with an average of $18,843 in 147 theaters. It has a planned semi-wide expansion this weekend, so this is very likely the last time it will top $10,000 on the per theater chart, but it will continue to hit milestones. X-Men: First Class earned first place on the overall box office chart and fourth place on the per theater chart with $15,134. Submarine managed to top $10,000 on the per theater chart, but it was close with and average of $10,458 in four theaters. More...

The Limited Releases are Looking Beautiful

June 3rd, 2011

For the past two weeks in a row we've seen one limited release just dominate the market by earning close to $100,000 on the per theater chart. Will that happen again this week? The odds are really stacked against it; it would be like a wide release opening with $100 million three weeks in a row. But if it does happen, Submarine is the film most likely to manage that feat. However, there are a few other limited releases worth keeping your eyes on. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/11/16 23 $1,888   3 $629   $27,281 3
2012/11/23 26 $426 -77% 3 $142   $28,533 4
2012/11/30 26 $292 -31% 1 $292   $29,832 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 6/3/2011 $41,832 4 28 182 $467,602 8/28/2013
Spain 10/31/2012 $0 0 3 7 $29,832 12/12/2015
 
Rest of World $4,084,503
 
Worldwide Total$4,581,937 12/12/2015

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Craig Roberts    Oliver Tate

Supporting Cast

Yasmin Paige    Jordana Bevan
Noah Taylor    Lloyd Tate
Paddy Considine    Graham
Sally Hawkins    Jill

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Ayoade    Director
Andy Stebbing    Producer
Mark Herbert    Producer
Mary Burke    Producer
Ben Stiller    Executive Producer
Erik Wilson    Cinematographer
Gary Williamson    Production Designer
Nick Fenton    Editor
Chris Dickens    Editor
Andrew Hewitt    Composer