Wan Pīsu Sutanpīdo (2019)

Wan Pīsu Sutanpīdo
Theatrical Performance
Domestic Box Office n/a
International Box Office $84,372,182Details
Worldwide Box Office $84,372,182
Home Market Performance
Est. Domestic Blu-ray Sales $422,878 Details
Total Est. Domestic Video Sales $422,878
Further financial details...

Synopsis

The world’s boldest buccaneers set sail for the great Pirate Festival, where the Straw Hats join a mad-dash race to find Gol D. Roger’s treasure. There’s just one little problem. An old member of Roger’s crew has a sinister score to settle. All bets are off when the most iconic pirates of One Piece history band together for a swashbuckling showdown, the likes of which have never been seen!

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 1,301-1,400) 1,303 $84,372,182
All Time Worldwide Box Office (Rank 2,001-2,100) 2,095 $84,372,182
All Time International Box Office for Digital Animation Movies (Rank 101-200) 159 $84,372,182
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 186 $84,372,182

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: October 24th, 2019 (Limited) by FUNimation, released as One Piece: Stampede
International Releases: August 9th, 2019 (Wide) (Japan)
October 17th, 2019 (Wide), released as One Piece: Stampede (China)
October 24th, 2019 (Wide), released as One Piece: Stampede (Italy)
November 14th, 2019 (Wide), released as One Piece: Stampede (New Zealand)
November 15th, 2019 (Wide), released as One Piece: Stampede (Australia)
... Show all releases
Video Release: March 17th, 2020 by Funimation Productions, released as One Piece: Stampede
MPAA Rating: Not Rated
Running Time: 101 minutes
Comparisons: vs. Dragon Ball Super: Broly
Create your own comparison chart…
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Fantasy
Production/Financing Companies: Toei Animation
Production Countries: Japan
Languages: Japanese

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/15/2019 $76,682 39 39 67 $127,741 7/18/2022
China 10/17/2019 $20,420,000 89,675 89,675 110,420 $29,145,206 11/17/2019
Italy 10/24/2019 $437,902 0 0 0 $584,002 10/19/2022
Japan 8/9/2019 $7,625,969 0 0 0 $48,399,504 9/26/2019
Netherlands 3/13/2020 $14,087 45 45 45 $23,081 10/19/2022
New Zealand 11/14/2019 $20,280 13 13 18 $25,138 10/19/2022
Portugal 11/29/2019 $9,986 19 26 55 $25,874 12/18/2019
South Korea 2/13/2020 $81,141 367 367 388 $154,078 2/26/2020
Spain 11/15/2019 $180,909 180 180 275 $260,693 11/28/2019
United Kingdom 1/31/2020 $91,271 75 75 75 $91,271 2/5/2020
 
Rest of World $5,535,594
 
International Total$84,372,182 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 22, 20201710,911 10,911$217,792$217,7921

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Mayumi Tanaka    Luffy

Supporting Cast

Kazuya Nakai    Zoro
Akemi Okamura    Nami
Kappei Yamaguchi    Usopp
Hiroaki Hirata    Sanji
Ikue Ootani    Chopper
Yuriko Yamaguchi    Robin
Kazuki Yao    Franky
Hiroshi Kamiy    Trafalgar Law
Akio Otsuka    Teach (Blackbeard)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Takashi Otsuka    Director
Eiichiro Oda    Original Creator/Supervisor
Atsuhiro Tomioka    Screenwriter
Takashi Otsuka    Screenwriter
Masayuki Sato    Character Designer
Masayuki Sato    Animation Director
Kohei Tanaka    Composer
Hotaka Okamoto    Art Director
Masahiro Goto    Editor
Naoyuki Wada    Photography Director

Limited and VOD Releases: Who Will be The Boss of Limited Releases This Week?

October 25th, 2019

Western Stars

There are several films on this week’s list earning merely good reviews, which probably isn’t good enough to thrive in limited release. There are exceptions, including Making Waves: The Art of Cinematic Sound, which is earning some of the best reviews on this week’s list. However, Western Stars appears to have much louder buzz to go with its reviews. More...

International Box Office: Maleficent Takes Her Evil Worldwide

October 23rd, 2019

Maleficent: Mistress of Evil

Maleficent: Mistress of Evil topped the international chart with $117.0 million in 56 markets during its debut weekend. This includes a $23.41 million first place debut in China, which is a little more than the original opened with there. On the other hand, the film slipped a little in Russia earning $11.1 million during its opening there, although it still managed first place in that market. On the other hand, the film really struggled in Mexico, when compared to its predecessor, earning $7.62 million, which is barely more than half of the first film’s debut there. Furthermore, the film has debuted in every international market, so it won’t be able to rely on new releases to hang around on the international chart for long. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The world’s boldest buccaneers set sail for the great Pirate Festival, where the Straw Hats join a mad-dash race to find Gol D. Roger’s treasure. There’s just one little problem. An old member of Roger’s crew has a sinister score to settle. All bets are off when the most iconic pirates of One Piece history band together for a swashbuckling showdown, the likes of which have never been seen!

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 1,301-1,400) 1,303 $84,372,182
All Time Worldwide Box Office (Rank 2,001-2,100) 2,095 $84,372,182
All Time International Box Office for Digital Animation Movies (Rank 101-200) 159 $84,372,182
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 186 $84,372,182

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: October 24th, 2019 (Limited) by FUNimation, released as One Piece: Stampede
International Releases: August 9th, 2019 (Wide) (Japan)
October 17th, 2019 (Wide), released as One Piece: Stampede (China)
October 24th, 2019 (Wide), released as One Piece: Stampede (Italy)
November 14th, 2019 (Wide), released as One Piece: Stampede (New Zealand)
November 15th, 2019 (Wide), released as One Piece: Stampede (Australia)
... Show all releases
Video Release: March 17th, 2020 by Funimation Productions, released as One Piece: Stampede
MPAA Rating: Not Rated
Running Time: 101 minutes
Comparisons: vs. Dragon Ball Super: Broly
Create your own comparison chart…
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Fantasy
Production/Financing Companies: Toei Animation
Production Countries: Japan
Languages: Japanese

Leading Cast

Mayumi Tanaka    Luffy

Supporting Cast

Kazuya Nakai    Zoro
Akemi Okamura    Nami
Kappei Yamaguchi    Usopp
Hiroaki Hirata    Sanji
Ikue Ootani    Chopper
Yuriko Yamaguchi    Robin
Kazuki Yao    Franky
Hiroshi Kamiy    Trafalgar Law
Akio Otsuka    Teach (Blackbeard)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Takashi Otsuka    Director
Eiichiro Oda    Original Creator/Supervisor
Atsuhiro Tomioka    Screenwriter
Takashi Otsuka    Screenwriter
Masayuki Sato    Character Designer
Masayuki Sato    Animation Director
Kohei Tanaka    Composer
Hotaka Okamoto    Art Director
Masahiro Goto    Editor
Naoyuki Wada    Photography Director

Limited and VOD Releases: Who Will be The Boss of Limited Releases This Week?

October 25th, 2019

Western Stars

There are several films on this week’s list earning merely good reviews, which probably isn’t good enough to thrive in limited release. There are exceptions, including Making Waves: The Art of Cinematic Sound, which is earning some of the best reviews on this week’s list. However, Western Stars appears to have much louder buzz to go with its reviews. More...

International Box Office: Maleficent Takes Her Evil Worldwide

October 23rd, 2019

Maleficent: Mistress of Evil

Maleficent: Mistress of Evil topped the international chart with $117.0 million in 56 markets during its debut weekend. This includes a $23.41 million first place debut in China, which is a little more than the original opened with there. On the other hand, the film slipped a little in Russia earning $11.1 million during its opening there, although it still managed first place in that market. On the other hand, the film really struggled in Mexico, when compared to its predecessor, earning $7.62 million, which is barely more than half of the first film’s debut there. Furthermore, the film has debuted in every international market, so it won’t be able to rely on new releases to hang around on the international chart for long. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/15/2019 $76,682 39 39 67 $127,741 7/18/2022
China 10/17/2019 $20,420,000 89,675 89,675 110,420 $29,145,206 11/17/2019
Italy 10/24/2019 $437,902 0 0 0 $584,002 10/19/2022
Japan 8/9/2019 $7,625,969 0 0 0 $48,399,504 9/26/2019
Netherlands 3/13/2020 $14,087 45 45 45 $23,081 10/19/2022
New Zealand 11/14/2019 $20,280 13 13 18 $25,138 10/19/2022
Portugal 11/29/2019 $9,986 19 26 55 $25,874 12/18/2019
South Korea 2/13/2020 $81,141 367 367 388 $154,078 2/26/2020
Spain 11/15/2019 $180,909 180 180 275 $260,693 11/28/2019
United Kingdom 1/31/2020 $91,271 75 75 75 $91,271 2/5/2020
 
Rest of World $5,535,594
 
International Total$84,372,182 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 22, 20201710,911 10,911$217,792$217,7921

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.