Wish Upon (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $14,301,505 | Details |
| International Box Office | $9,175,840 | Details |
| Worldwide Box Office | $23,477,345 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $644,070 | |
| Blu-ray Sales (estimated) | $252,678 | |
| Total | $896,748 | |
| OpusData ID: 283400100 More info... | ||
| Further financial details... | ||
Synopsis
Twelve years after discovering her mother’s suicide, 17-year-old Clare Shannon is bullied in high school, embarrassed by her manic, hoarder father Jonathan and ignored by her longtime crush. All that changes when her father comes home with an old music box whose inscription promises to grant its owner seven wishes. While Clare is initially skeptical of this magic box, she can’t help but be seduced by its dark powers, and is thrilled as her life radically improves with each wish. Clare finally has the life she’s always wanted and everything seems perfect—until the people closest to her begin dying in violent and elaborate ways after each wish. Clare realizes that she must get rid of the box, but finds herself unable and unwilling to part with her new-and-improved life—leading her down a dark and dangerous path.
Metrics
| Opening Weekend: | $5,467,084 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 60.9% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 2,250 opening theaters/2,250 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,068,677 |
Movie Details
| Domestic Releases: | July 14th, 2017 (Wide) by Broad Green Pictures |
| International Releases: | July 14th, 2017 (Wide), released as WISH UPON (South Korea)
July 14th, 2017 (Wide), released as 7 Deseos (Mexico) July 14th, 2017 (Wide) (Italy) July 14th, 2017 (Wide) (Netherlands) July 21st, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | October 10th, 2017 by Broad Green |
| MPA Rating: | PG-13 for violent and disturbing images, thematic elements and language. (Rating bulletin 2477 (Cert #50929), 5/24/2017) |
| Running Time: | 89 minutes |
| Plot point: | Bullies, Dream Sequence, Dysfunctional Family, High School Hell, Inheritance, Revenge, Single Parent, Suicide, Wish Granters, Young Child Dealing with the Death of a Parent |
| Social setting: | High School, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Busted Shark |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 14, 2017 | 7 | $5,467,084 | 2,250 | $2,430 | $5,467,084 | 1 | |
| Jul 21, 2017 | 10 | $2,475,013 | -55% | 2,154 | $1,149 | $10,519,278 | 2 |
| Jul 28, 2017 | 13 | $950,553 | -62% | 907 | $1,048 | $12,929,463 | 3 |
| Aug 4, 2017 | 20 | $314,485 | -67% | 345 | $912 | $13,774,272 | 4 |
| Aug 11, 2017 | 38 | $81,060 | -74% | 115 | $705 | $13,990,385 | 5 |
| Aug 18, 2017 | 50 | $33,106 | -59% | 44 | $752 | $14,053,907 | 6 |
| Aug 25, 2017 | 45 | $48,273 | +46% | 67 | $720 | $14,110,744 | 7 |
| Sep 1, 2017 | 51 | $51,215 | +6% | 66 | $776 | $14,178,053 | 8 |
| Sep 8, 2017 | 49 | $40,671 | -21% | 66 | $616 | $14,240,413 | 9 |
| Sep 15, 2017 | 52 | $20,971 | -48% | 66 | $318 | $14,271,046 | 10 |
| Sep 22, 2017 | 57 | $12,394 | -41% | 66 | $188 | $14,289,661 | 11 |
| Sep 29, 2017 | 70 | $5,298 | -57% | 66 | $80 | $14,298,385 | 12 |
| Oct 6, 2017 | 91 | $1,325 | -75% | 4 | $331 | $14,301,001 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 13, 2017 | P | $376,000 | 0 | $376,000 | |||
| Jul 14, 2017 | 6 | $2,286,000 | 2,250 | $1,016 | $2,286,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 14, 2017 | 7 | $8,044,265 | 2,250 | $3,575 | $8,044,265 | 1 | |
| Jul 21, 2017 | 10 | $3,934,646 | -51% | 2,154 | $1,827 | $11,978,911 | 2 |
| Jul 28, 2017 | 13 | $1,480,877 | -62% | 907 | $1,633 | $13,459,788 | 3 |
| Aug 4, 2017 | 20 | $449,538 | -70% | 345 | $1,303 | $13,909,326 | 4 |
| Aug 11, 2017 | 38 | $111,476 | -75% | 115 | $969 | $14,020,802 | 5 |
| Aug 18, 2017 | 50 | $41,670 | -63% | 44 | $947 | $14,062,472 | 6 |
| Aug 25, 2017 | 46 | $64,366 | +54% | 67 | $961 | $14,126,838 | 7 |
| Sep 1, 2017 | 51 | $72,904 | +13% | 66 | $1,105 | $14,199,742 | 8 |
| Sep 8, 2017 | 49 | $50,333 | -31% | 55 | $915 | $14,250,075 | 9 |
| Sep 15, 2017 | 55 | $27,192 | -46% | 35 | $777 | $14,277,267 | 10 |
| Sep 22, 2017 | 61 | $15,820 | -42% | 25 | $633 | $14,293,087 | 11 |
| Sep 29, 2017 | 73 | $6,589 | -58% | 11 | $599 | $14,299,676 | 12 |
| Oct 6, 2017 | 103 | $1,829 | -72% | 11 | $166 | $14,301,505 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/28/2017 | $115,989 | 0 | 0 | 0 | $215,718 | 1/1/2019 | |||
| Australia | 9/1/2017 | $6,965 | 10 | 10 | 10 | $6,965 | 9/5/2017 | |||
| Brazil | 7/28/2017 | $465,713 | 0 | 0 | 0 | $989,837 | 6/26/2018 | |||
| France | 7/28/2017 | $1,068,517 | 0 | 0 | 0 | $2,336,094 | 6/27/2018 | |||
| Germany | 7/28/2017 | $377,757 | 0 | 0 | 0 | $432,669 | 6/29/2018 | |||
| Italy | 7/14/2017 | $86,934 | 0 | 0 | 0 | $308,831 | 8/11/2017 | |||
| Mexico | 7/14/2017 | $528,983 | 0 | 0 | 0 | $1,363,111 | 8/3/2017 | |||
| Netherlands | 7/14/2017 | $127,805 | 47 | 47 | 157 | $408,635 | 8/10/2017 | |||
| Russia (CIS) | 1/12/2018 | $375,754 | 683 | 683 | 1,239 | $658,226 | 1/1/2019 | |||
| South Korea | 7/14/2017 | $0 | 0 | 279 | 288 | $381,165 | 10/3/2017 | |||
| Spain | 7/21/2017 | $207,417 | 193 | 193 | 383 | $832,323 | 8/24/2017 | |||
| United Kingdom | 7/28/2017 | $50,682 | 125 | 125 | 125 | $50,682 | 8/2/2017 | |||
| Rest of World | $1,191,584 | |||||||||
| International Total | $9,175,840 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joey King | Clare Shannon |
Supporting
| Ki Hong Lee | Ryan Hui | |
| Sydney Park | Meredith McNeil | |
| Elisabeth Rohm | Johanna Shannon | |
| Ryan Phillippe | Jonathan Shannon | |
| Mitchell Slaggert | Paul Middlebrook | |
| Shannon Purser | June Acosta | |
| Josephine Langford | Darcie Chapman | |
| Alexander Nunez | Tyler Manguso | |
| Daniela Barbosa | Lola Sanchez | |
| Kevin Hanchard | Carl Morris | |
| Sherilyn Fenn | Mrs. Deluca | |
| Raegan Revord | Young Clare | |
| Alice Lee | Gina | |
| Victor Sutton | Uncle August | |
| Albert Chung | Roland Moon | |
| Michelle Alexander | House Manager | |
| Natalie Prinzen-Klages | Twin #1 | |
| Nora Prinzen-Klages | Twin #2 | |
| Monique Stinchcombe | Freshman #1 | |
| Danielle Pollari | Freshman #2 | |
| Rosalina Lee | Spa Technician | |
| Ryan Taerk | Ryan’s Friend |
Production and Technical Credits
| John R. Leonetti | Director | |
| Barbara Marshall | Screenwriter | |
| Sherryl Clark | Producer | |
| Gabriel Hammond | Executive Producer | |
| Daniel Hammond | Executive Producer | |
| Tracey Landon | Line Producer | |
| Michael Galbraith | Director of Photography | |
| Bob Ziembicki | Production Designer | |
| Peck Prior | Editor | |
| Tomandandy* | Composer | |
| Tomandandy* | Composer | |
| Alexandra Patsavas | Music Supervisor | |
| Antoinette Messam | Costume Designer | |
| Mary Vernieu | Casting Director | |
| Michelle Wade Byrd | Casting Director | |
| Tracey Landon | Unit Production Manager | |
| Brian Campbell | Production Manager | |
| Andrew Shea | First Assistant Director | |
| Sarah Campbell | Second Assistant Director | |
| Layton Morrison | Stunt Coordinator | |
| Brian Johnston | Co-Producer | |
| Lauren McCarthy | Co-Executive Producer | |
| Robert Leader | Associate Producer | |
| Emily Roberts | Associate Producer | |
| Ashley Peatross | Associate Producer | |
| Steve Wilkie | Still Photographer | |
| Laird McMurray | Special Effects | |
| Shane Million | Special Effects | |
| Kelly Wright | Sound Mixer | |
| Andrea Kristof | Art Director | |
| Greg Gilmore | First Assistant Art Director | |
| Shelley Silverman | First Assistant Art Director | |
| Andy Joyce | Set Decorator | |
| Sheila Pruden | Costume Supervisor | |
| Jordan Samuel | Make up | |
| Patricia Keighran | Make up | |
| Paul Jones | Make-up and Prosthetic Effects Designer | |
| Kyle Glencross | Make-up and Prosthetic Effects Designer | |
| Allan Cooke | Make-up and Prosthetic Effects Designer | |
| Paula Fleet | Hairstylist | |
| Rossana Vendramini | Hairstylist | |
| Bret Howe | Casting Associate | |
| Stephanie Bleakley | Casting Assistant | |
| Kathryn Buck | Script Supervisor | |
| Eardley Wilmot | Location Manager | |
| Ed Felix | Special Effects Supervisor | |
| John Portnoy | Post-Production Supervisor | |
| Jason Tobias | Post-Production Supervisor | |
| Sandy Solowitz | Additional Editor | |
| Joe Dzuban | Re-recording Mixer | |
| Joe Dzuban | Supervising Sound Editor | |
| Gabriel J. Serrano | Supervising Sound Editor | |
| Odin Benitez | Sound Effects Editor | |
| Randy Torres | Sound Effects Editor | |
| Justin Dzuban | Dialogue Editor | |
| Glynna Grimala | Dialogue Editor | |
| Anthony Paterson | Visual Effects Supervisor | |
| Mitchell S. Drain | Visual Effects Supervisor | |
| Mark Ledoux | Visual Effects Supervisor | |
| Art Codron | Visual Effects Supervisor | |
| Shoban Narayanan | Production Supervisor | |
| Tavia Charlton | Visual Effects Producer | |
| Molly Pabian | Visual Effects Producer | |
| Jason Sanford | Visual Effects Producer | |
| Sherry Whitfield | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Twelve years after discovering her mother’s suicide, 17-year-old Clare Shannon is bullied in high school, embarrassed by her manic, hoarder father Jonathan and ignored by her longtime crush. All that changes when her father comes home with an old music box whose inscription promises to grant its owner seven wishes. While Clare is initially skeptical of this magic box, she can’t help but be seduced by its dark powers, and is thrilled as her life radically improves with each wish. Clare finally has the life she’s always wanted and everything seems perfect—until the people closest to her begin dying in violent and elaborate ways after each wish. Clare realizes that she must get rid of the box, but finds herself unable and unwilling to part with her new-and-improved life—leading her down a dark and dangerous path.
Metrics
| Opening Weekend: | $5,467,084 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 60.9% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 2,250 opening theaters/2,250 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,068,677 |
Movie Details
| Domestic Releases: | July 14th, 2017 (Wide) by Broad Green Pictures |
| International Releases: | July 14th, 2017 (Wide), released as WISH UPON (South Korea)
July 14th, 2017 (Wide), released as 7 Deseos (Mexico) July 14th, 2017 (Wide) (Italy) July 14th, 2017 (Wide) (Netherlands) July 21st, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | October 10th, 2017 by Broad Green |
| MPA Rating: | PG-13 for violent and disturbing images, thematic elements and language. (Rating bulletin 2477 (Cert #50929), 5/24/2017) |
| Running Time: | 89 minutes |
| Plot point: | Bullies, Dream Sequence, Dysfunctional Family, High School Hell, Inheritance, Revenge, Single Parent, Suicide, Wish Granters, Young Child Dealing with the Death of a Parent |
| Social setting: | High School, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Busted Shark |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 14, 2017 | 7 | $5,467,084 | 2,250 | $2,430 | $5,467,084 | 1 | |
| Jul 21, 2017 | 10 | $2,475,013 | -55% | 2,154 | $1,149 | $10,519,278 | 2 |
| Jul 28, 2017 | 13 | $950,553 | -62% | 907 | $1,048 | $12,929,463 | 3 |
| Aug 4, 2017 | 20 | $314,485 | -67% | 345 | $912 | $13,774,272 | 4 |
| Aug 11, 2017 | 38 | $81,060 | -74% | 115 | $705 | $13,990,385 | 5 |
| Aug 18, 2017 | 50 | $33,106 | -59% | 44 | $752 | $14,053,907 | 6 |
| Aug 25, 2017 | 45 | $48,273 | +46% | 67 | $720 | $14,110,744 | 7 |
| Sep 1, 2017 | 51 | $51,215 | +6% | 66 | $776 | $14,178,053 | 8 |
| Sep 8, 2017 | 49 | $40,671 | -21% | 66 | $616 | $14,240,413 | 9 |
| Sep 15, 2017 | 52 | $20,971 | -48% | 66 | $318 | $14,271,046 | 10 |
| Sep 22, 2017 | 57 | $12,394 | -41% | 66 | $188 | $14,289,661 | 11 |
| Sep 29, 2017 | 70 | $5,298 | -57% | 66 | $80 | $14,298,385 | 12 |
| Oct 6, 2017 | 91 | $1,325 | -75% | 4 | $331 | $14,301,001 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 13, 2017 | P | $376,000 | 0 | $376,000 | |||
| Jul 14, 2017 | 6 | $2,286,000 | 2,250 | $1,016 | $2,286,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 14, 2017 | 7 | $8,044,265 | 2,250 | $3,575 | $8,044,265 | 1 | |
| Jul 21, 2017 | 10 | $3,934,646 | -51% | 2,154 | $1,827 | $11,978,911 | 2 |
| Jul 28, 2017 | 13 | $1,480,877 | -62% | 907 | $1,633 | $13,459,788 | 3 |
| Aug 4, 2017 | 20 | $449,538 | -70% | 345 | $1,303 | $13,909,326 | 4 |
| Aug 11, 2017 | 38 | $111,476 | -75% | 115 | $969 | $14,020,802 | 5 |
| Aug 18, 2017 | 50 | $41,670 | -63% | 44 | $947 | $14,062,472 | 6 |
| Aug 25, 2017 | 46 | $64,366 | +54% | 67 | $961 | $14,126,838 | 7 |
| Sep 1, 2017 | 51 | $72,904 | +13% | 66 | $1,105 | $14,199,742 | 8 |
| Sep 8, 2017 | 49 | $50,333 | -31% | 55 | $915 | $14,250,075 | 9 |
| Sep 15, 2017 | 55 | $27,192 | -46% | 35 | $777 | $14,277,267 | 10 |
| Sep 22, 2017 | 61 | $15,820 | -42% | 25 | $633 | $14,293,087 | 11 |
| Sep 29, 2017 | 73 | $6,589 | -58% | 11 | $599 | $14,299,676 | 12 |
| Oct 6, 2017 | 103 | $1,829 | -72% | 11 | $166 | $14,301,505 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/28/2017 | $115,989 | 0 | 0 | 0 | $215,718 | 1/1/2019 | |||
| Australia | 9/1/2017 | $6,965 | 10 | 10 | 10 | $6,965 | 9/5/2017 | |||
| Brazil | 7/28/2017 | $465,713 | 0 | 0 | 0 | $989,837 | 6/26/2018 | |||
| France | 7/28/2017 | $1,068,517 | 0 | 0 | 0 | $2,336,094 | 6/27/2018 | |||
| Germany | 7/28/2017 | $377,757 | 0 | 0 | 0 | $432,669 | 6/29/2018 | |||
| Italy | 7/14/2017 | $86,934 | 0 | 0 | 0 | $308,831 | 8/11/2017 | |||
| Mexico | 7/14/2017 | $528,983 | 0 | 0 | 0 | $1,363,111 | 8/3/2017 | |||
| Netherlands | 7/14/2017 | $127,805 | 47 | 47 | 157 | $408,635 | 8/10/2017 | |||
| Russia (CIS) | 1/12/2018 | $375,754 | 683 | 683 | 1,239 | $658,226 | 1/1/2019 | |||
| South Korea | 7/14/2017 | $0 | 0 | 279 | 288 | $381,165 | 10/3/2017 | |||
| Spain | 7/21/2017 | $207,417 | 193 | 193 | 383 | $832,323 | 8/24/2017 | |||
| United Kingdom | 7/28/2017 | $50,682 | 125 | 125 | 125 | $50,682 | 8/2/2017 | |||
| Rest of World | $1,191,584 | |||||||||
| International Total | $9,175,840 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joey King | Clare Shannon |
Supporting
| Ki Hong Lee | Ryan Hui | |
| Sydney Park | Meredith McNeil | |
| Elisabeth Rohm | Johanna Shannon | |
| Ryan Phillippe | Jonathan Shannon | |
| Mitchell Slaggert | Paul Middlebrook | |
| Shannon Purser | June Acosta | |
| Josephine Langford | Darcie Chapman | |
| Alexander Nunez | Tyler Manguso | |
| Daniela Barbosa | Lola Sanchez | |
| Kevin Hanchard | Carl Morris | |
| Sherilyn Fenn | Mrs. Deluca | |
| Raegan Revord | Young Clare | |
| Alice Lee | Gina | |
| Victor Sutton | Uncle August | |
| Albert Chung | Roland Moon | |
| Michelle Alexander | House Manager | |
| Natalie Prinzen-Klages | Twin #1 | |
| Nora Prinzen-Klages | Twin #2 | |
| Monique Stinchcombe | Freshman #1 | |
| Danielle Pollari | Freshman #2 | |
| Rosalina Lee | Spa Technician | |
| Ryan Taerk | Ryan’s Friend |
Production and Technical Credits
| John R. Leonetti | Director | |
| Barbara Marshall | Screenwriter | |
| Sherryl Clark | Producer | |
| Gabriel Hammond | Executive Producer | |
| Daniel Hammond | Executive Producer | |
| Tracey Landon | Line Producer | |
| Michael Galbraith | Director of Photography | |
| Bob Ziembicki | Production Designer | |
| Peck Prior | Editor | |
| Tomandandy* | Composer | |
| Tomandandy* | Composer | |
| Alexandra Patsavas | Music Supervisor | |
| Antoinette Messam | Costume Designer | |
| Mary Vernieu | Casting Director | |
| Michelle Wade Byrd | Casting Director | |
| Tracey Landon | Unit Production Manager | |
| Brian Campbell | Production Manager | |
| Andrew Shea | First Assistant Director | |
| Sarah Campbell | Second Assistant Director | |
| Layton Morrison | Stunt Coordinator | |
| Brian Johnston | Co-Producer | |
| Lauren McCarthy | Co-Executive Producer | |
| Robert Leader | Associate Producer | |
| Emily Roberts | Associate Producer | |
| Ashley Peatross | Associate Producer | |
| Steve Wilkie | Still Photographer | |
| Laird McMurray | Special Effects | |
| Shane Million | Special Effects | |
| Kelly Wright | Sound Mixer | |
| Andrea Kristof | Art Director | |
| Greg Gilmore | First Assistant Art Director | |
| Shelley Silverman | First Assistant Art Director | |
| Andy Joyce | Set Decorator | |
| Sheila Pruden | Costume Supervisor | |
| Jordan Samuel | Make up | |
| Patricia Keighran | Make up | |
| Paul Jones | Make-up and Prosthetic Effects Designer | |
| Kyle Glencross | Make-up and Prosthetic Effects Designer | |
| Allan Cooke | Make-up and Prosthetic Effects Designer | |
| Paula Fleet | Hairstylist | |
| Rossana Vendramini | Hairstylist | |
| Bret Howe | Casting Associate | |
| Stephanie Bleakley | Casting Assistant | |
| Kathryn Buck | Script Supervisor | |
| Eardley Wilmot | Location Manager | |
| Ed Felix | Special Effects Supervisor | |
| John Portnoy | Post-Production Supervisor | |
| Jason Tobias | Post-Production Supervisor | |
| Sandy Solowitz | Additional Editor | |
| Joe Dzuban | Re-recording Mixer | |
| Joe Dzuban | Supervising Sound Editor | |
| Gabriel J. Serrano | Supervising Sound Editor | |
| Odin Benitez | Sound Effects Editor | |
| Randy Torres | Sound Effects Editor | |
| Justin Dzuban | Dialogue Editor | |
| Glynna Grimala | Dialogue Editor | |
| Anthony Paterson | Visual Effects Supervisor | |
| Mitchell S. Drain | Visual Effects Supervisor | |
| Mark Ledoux | Visual Effects Supervisor | |
| Art Codron | Visual Effects Supervisor | |
| Shoban Narayanan | Production Supervisor | |
| Tavia Charlton | Visual Effects Producer | |
| Molly Pabian | Visual Effects Producer | |
| Jason Sanford | Visual Effects Producer | |
| Sherry Whitfield | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.