Jesse Armstrong

Best known as a Screenwriter based on credits in that role in 3 films, with $18,318,588 worldwide aggregate box office (rank #3,887)
Best-known technical roles: Downhill (Screenwriter), Four Lions (Screenwriter), The Day Shall Come (Screenwriter)
Most productive collaborators: Will Ferrell, Nat Faxon, Julia Louis-Dreyfus, Jim Rash, Miranda Otto
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter3$8,624,040$9,694,548$18,318,588

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,001-4,100) 4,010 $8,624,040
Top Grossing Screenwriter at the International Box Office (Rank 3,101-3,200) 3,129 $9,694,548
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,801-3,900) 3,887 $18,318,588

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2020 Preview: February

February 1st, 2020

Birds of Prey

We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Feb 14, 2020Downhill Screenwriter $8,287,061$872,322$9,159,383
Sep 27, 2019The Day Shall Come Screenwriter $26,972$524,540$551,512
Nov 5, 2010Four Lions Screenwriter $310,007$8,297,686$8,607,693
 
Averages $2,874,680$3,231,516$6,106,196
Totals 3 $8,624,040$9,694,548$18,318,588


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Feb 14, 2020Downhill $4,622,0182,311$8,287,061$9,159,38390.5%
Sep 27, 2019The Day Shall Come $14,85430$26,972$551,5124.9%
Nov 5, 2010Four Lions $41,51218$310,007$8,607,6933.6%
 
Averages $1,559,461786$2,874,680$6,106,19633.0%
Totals 3 $8,624,040$18,318,588

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,001-4,100) 4,010 $8,624,040
Top Grossing Screenwriter at the International Box Office (Rank 3,101-3,200) 3,129 $9,694,548
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,801-3,900) 3,887 $18,318,588