Michael McCullers

Best known as a Screenwriter based on credits in that role in 7 films, with $2,109,451,705 worldwide aggregate box office (rank #76)
Best-known technical roles: The Boss Baby (Screenwriter), Hotel Transylvania 3: Summer Vacation (Screenwriter), Austin Powers in Goldmember (Screenwriter), Mr. Peabody & Sherman (Screenwriter), Austin Powers: The Spy Who Shagged Me (Screenwriter)
Most productive collaborators: Alec Baldwin, Steve Buscemi, Ramsey Ann Naito, Jimmy Kimmel, Lisa Kudrow
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter7$937,235,764$1,172,215,941$2,109,451,705

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office 72 $937,235,764
Top Grossing Screenwriter at the International Box Office (Rank 101-200) 104 $1,172,215,941
Top Grossing Screenwriter at the Worldwide Box Office 76 $2,109,451,705

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Jul 2, 2021The Boss Baby: Family Business Screenwriter $57,300,280$88,981,452$146,281,732
Jul 13, 2018Hotel Transylvania 3: Summe… Screenwriter $167,500,092$360,999,908$528,500,000
Mar 31, 2017The Boss Baby Screenwriter $175,003,033$352,906,916$527,909,949
Mar 7, 2014Mr. Peabody & Sherman Additional Screenplay Materials Provided by: $111,506,430$158,300,000$269,806,430
Jul 30, 2004Thunderbirds Screenwriter $6,768,055$21,463,389$28,231,444
Jul 25, 2002Austin Powers in Goldmember Screenwriter $213,117,789$83,220,874$296,338,663
Jun 10, 1999Austin Powers: The Spy Who … Screenwriter $206,040,085$106,343,402$312,383,487
 
Averages $133,890,823$167,459,420$301,350,244
Totals 7 $937,235,764$1,172,215,941$2,109,451,705


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Jul 2, 2021The Boss Baby: Family … $16,000,6653,688$57,300,280$146,281,73239.2%
Jul 13, 2018Hotel Transylvania 3: … $44,076,2254,267$167,500,092$528,500,00031.7%
Mar 31, 2017The Boss Baby $50,198,9023,829$175,003,033$527,909,94933.2%
Mar 7, 2014Mr. Peabody & Sherman $32,207,0573,951$111,506,430$269,806,43041.3%
Jul 30, 2004Thunderbirds $2,766,8102,062$6,768,055$28,231,44424.0%
Jul 25, 2002Austin Powers in Goldm… $73,071,1883,613$213,117,789$296,338,66371.9%
Jun 10, 1999Austin Powers: The Spy… $54,917,6043,314$206,040,085$312,383,48766.0%
 
Averages $39,034,0643,532$133,890,823$301,350,24443.9%
Totals 7 $937,235,764$2,109,451,705

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office 72 $937,235,764
Top Grossing Screenwriter at the International Box Office (Rank 101-200) 104 $1,172,215,941
Top Grossing Screenwriter at the Worldwide Box Office 76 $2,109,451,705