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Jon Hurwitz

Best known as a Screenwriter based on credits in that role in 4 films, with $384,029,636 worldwide aggregate box office (rank #561)
Best-known technical roles: Blockers (Screenwriter), Blockers (Producer), American Reunion (Screenwriter), American Reunion (Director), A Very Harold & Kumar 3D Christmas (Screenwriter)
Most productive collaborators: Hayden Schlossberg, Leslie Mann, Kay Cannon, Jason Biggs, Ike Barinholtz

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter4$169,884,546$214,145,090$384,029,636
Director1$56,758,835$180,040,376$236,799,211
Producer1$59,839,515$32,900,000$92,739,515
Character Creator1$35,061,031$1,204,714$36,265,745
Co-Producer1$35,061,031$1,204,714$36,265,745

Latest Ranking on Selected Box Office Record Lists


2018 Preview: April

April 1st, 2018

Avengers: Infinity War

Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office. More...

All Technical Credits


Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
4/6/2018 Blockers Producer,
Screenwriter 
$59,839,515 $32,900,000 $92,739,515
4/6/2012 American Reunion Screenwriter,
Director 
$56,758,835 $180,040,376 $236,799,211
11/4/2011 A Very Harold & Kumar 3D Christmas Screenwriter,
Character Creator,
Co-Producer 
$35,061,031 $1,204,714 $36,265,745
7/30/2004 Harold & Kumar Go to White Castle Screenwriter $18,225,165 $0 $18,225,165
Movies: 4Totals:$169,884,546$214,145,090$384,029,636
  Averages:$42,471,137$53,536,273$96,007,409

Director Credits


Release
Date
TitleOpening
Weekend
Box Office
Max
Theater
Count
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
4/6/2012 American Reunion $21,514,080 3,203 $56,758,835 $236,799,211 24.0%
Movies: 1Totals:  $56,758,835$236,799,211 
 Averages:$21,514,0803,203$56,758,835$236,799,21124.0%

Producer Credits


Release
Date
TitleOpening
Weekend
Box Office
Max
Theater
Count
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
4/6/2018 Blockers $20,556,350 3,418 $59,839,515 $92,739,515 64.5%
Movies: 1Totals:  $59,839,515$92,739,515 
 Averages:$20,556,3503,418$59,839,515$92,739,51564.5%

Writer Credits


Release
Date
TitleOpening
Weekend
Box Office
Max
Theater
Count
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
4/6/2018 Blockers $20,556,350 3,418 $59,839,515 $92,739,515 64.5%
4/6/2012 American Reunion $21,514,080 3,203 $56,758,835 $236,799,211 24.0%
11/4/2011 A Very Harold & Kumar 3D Christmas $12,954,142 2,875 $35,061,031 $36,265,745 96.7%
7/30/2004 Harold & Kumar Go to White Castle $5,480,378 2,163 $18,225,165 $18,225,165 100.0%
Movies: 4Totals:  $169,884,546$384,029,636 
 Averages:$15,126,2382,915$42,471,137$96,007,40971.3%


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