| Best known as a Visual Effects Producer based on a credit in that role in 1 film, with $29,121,628 worldwide aggregate box office (rank #367) |
| Best-known technical roles: Book Club: The Next Chapter (Visual Effects Producer), Judas and the Black Messiah (Visual Effects Supervisor), Why Stop Now (Associate Producer) |
| Most productive collaborators: Diane Keaton, Bill Holderman, Jane Fonda, Candice Bergen, Erin Simms |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Visual Effects Producer | 1 | $17,581,565 | $11,540,063 | $29,121,628 |
| Visual Effects Supervisor | 1 | $5,478,009 | $1,575,940 | $7,053,949 | |
| Co-Producer | 1 | $0 | $24,197 | $24,197 | |
| Associate Producer | 1 | $2,432 | $0 | $2,432 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| May 12, 2023 | Book Club: The Next Chapter | Visual Effects Producer | $17,581,565 | $11,540,063 | $29,121,628 |
| Feb 12, 2021 | Judas and the Black Messiah | Visual Effects Supervisor | $5,478,009 | $1,575,940 | $7,053,949 |
| Apr 14, 2017 | The Outcasts | Co-Producer | $24,197 | $24,197 | |
| Aug 17, 2012 | Why Stop Now | Associate Producer | $2,432 | $2,432 | |
| Averages | $7,687,335 | $4,380,067 | $9,050,552 | ||
| Totals | 4 | $23,062,006 | $13,140,200 | $36,202,206 | |
