Paul Seydor

Best known as an Editor based on credits in that role in 8 films, with $246,815,873 worldwide aggregate box office (rank #524)

Best-known technical roles: White Men Can’t Jump (Editor), Tin Cup (Editor), Sarah’s Oil (Editor), Hollywood Homicide (Editor), Just Getting Started (Editor)

Career Summary

		Movies	Domestic Box Office	International Box Office	Worldwide Box Office
In Technical Roles	Editor	8	$188,583,214	$58,232,659	$246,815,873

Record	Rank	Amount
Top Grossing Editor at the Domestic Box Office (Rank 401-500)	405	$188,583,214
Top Grossing Editor at the International Box Office (Rank 701-800)	726	$58,232,659
Top Grossing Editor at the Worldwide Box Office (Rank 501-600)	524	$246,815,873

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.

Release Date	Title	Role	Domestic Box Office	International Box Office	Worldwide Box Office
Nov 7, 2025	Sarah’s Oil	Editor	$11,675,627		$11,675,627
Feb 25, 2022	I’ll Find You	Editor
Sep 18, 2020	Infidel	Editor	$4,051,990		$4,051,990
Dec 8, 2017	Just Getting Started	Editor	$6,069,605	$686,807	$6,756,412
Mar 11, 2016	The Young Messiah	Editor	$6,469,813	$843,884	$7,313,697
Jun 13, 2003	Hollywood Homicide	Editor	$30,207,785	$20,201,968	$50,409,753
Aug 16, 1996	Tin Cup	Editor	$53,854,588	$22,000,000	$75,854,588
Mar 27, 1992	White Men Can’t Jump	Editor	$76,253,806	$14,500,000	$90,753,806

Averages			$26,940,459	$11,646,532	$35,259,410
Totals	8		$188,583,214	$58,232,659	$246,815,873

Record	Rank	Amount
Top Grossing Editor at the Domestic Box Office (Rank 401-500)	405	$188,583,214
Top Grossing Editor at the International Box Office (Rank 701-800)	726	$58,232,659
Top Grossing Editor at the Worldwide Box Office (Rank 501-600)	524	$246,815,873