All Eyez on Me (2016)

All Eyez on Me
Theatrical Performance
Domestic Box Office $44,922,302Details
International Box Office $12,775,124Details
Worldwide Box Office $57,697,426
Home Market Performance
Est. Domestic DVD Sales $2,065,204 Details
Est. Domestic Blu-ray Sales $642,175 Details
Total Est. Domestic Video Sales $2,707,379
Further financial details...

Synopsis

A film Chronicling the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Shakur rose to become a cultural icon whose career and persona both continue to grow long after his passing.

Metrics

Opening Weekend:$26,435,354 (58.8% of total gross)
Legs:1.70 (domestic box office/biggest weekend)
Domestic Share:77.9% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,471 opening theaters/2,471 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $53,986,887

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 16th, 2017 (Wide) by Lionsgate
International Releases: June 15th, 2016 (Wide) (Netherlands)
June 16th, 2017 (Wide), released as All Eyez On Me (Australia)
June 16th, 2017 (Wide) (Germany)
June 16th, 2017 (Wide) (New Zealand)
June 16th, 2017 (Wide) (Sweden)
... Show all releases
Video Release: August 22nd, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for language and drug use throughout, violence, some nudity and sexuality.
(Rating bulletin 2445 (Cert #50710), 10/5/2016)
R for language throughout, drug use, violence, some nudity and sexuality. (Re-rate. Content is different from R Rated Version Bulletin #2445 (2016-10-05). Only this Edited Version is Rated)
(Rating bulletin 2478 (Cert #50710), 5/31/2017)
Running Time: 137 minutes
Comparisons: vs. Straight Outta Compton
Create your own comparison chart…
Keywords: Music Industry, Hip Hop and Rap, 1990s, African Americans, Biography, Hood Film, Biographical Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Morgan Creek Productions, Summit Entertainment, Program Pictures, Codeblack Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top Based on Real Life Events Weekend Domestic 21 $26,435,354 Jun 16, 2017 3
Top Drama Weekend Domestic 75 $26,435,354 Jun 16, 2017 3
Top Dramatization Weekend Domestic 44 $26,435,354 Jun 16, 2017 3
Top Lionsgate Weekend Domestic 37 $26,435,354 Jun 16, 2017 3
Front-Loaded Opening Weekend 62 48.5% Jun 16, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 16, 2017 3 $26,435,354   2,471 $10,698   $26,435,354 1
Jun 23, 2017 6 $5,806,975 -78% 2,471 $2,350   $38,599,294 2
Jun 30, 2017 11 $1,824,631 -69% 1,258 $1,450   $42,677,094 3
Jul 7, 2017 14 $606,390 -67% 599 $1,012   $44,316,429 4
Jul 14, 2017 22 $143,530 -76% 195 $736   $44,724,803 5
Jul 21, 2017 37 $30,038 -79% 62 $484   $44,824,998 6
Jul 28, 2017 37 $49,734 +66% 94 $529   $44,892,121 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 15, 2017 P $3,100,000     0     $3,100,000  
Jun 16, 2017 2 $12,811,328     2,471 $5,185   $12,811,328 1
Jun 17, 2017 3 $7,694,123 -40%   2,471 $3,114   $20,505,451 2
Jun 18, 2017 3 $5,929,903 -23%   2,471 $2,400   $26,435,354 3
Jun 19, 2017 3 $2,097,445 -65%   2,471 $849   $28,532,799 4
Jun 20, 2017 3 $1,972,578 -6%   2,471 $798   $30,505,377 5
Jun 21, 2017 5 $1,203,031 -39%   2,471 $487   $31,708,408 6
Jun 22, 2017 5 $1,083,911 -10%   2,471 $439   $32,792,319 7
Jun 23, 2017 5 $1,904,838 +76% -85% 2,471 $771   $34,697,157 8
Jun 24, 2017 6 $2,311,158 +21% -70% 2,471 $935   $37,008,315 9
Jun 25, 2017 6 $1,590,979 -31% -73% 2,471 $644   $38,599,294 10
Jun 26, 2017 7 $658,969 -59% -69% 2,471 $267   $39,258,263 11
Jun 27, 2017 9 $748,365 +14% -62% 2,471 $303   $40,006,628 12
Jun 28, 2017 10 $459,311 -39% -62% 2,471 $186   $40,465,939 13
Jun 29, 2017 10 $386,524 -16% -64% 2,471 $156   $40,852,463 14
Jun 30, 2017 11 $549,502 +42% -71% 1,258 $437   $41,401,965 15
Jul 1, 2017 11 $714,288 +30% -69% 1,258 $568   $42,116,253 16
Jul 2, 2017 11 $560,841 -21% -65% 1,258 $446   $42,677,094 17
Jul 3, 2017 13 $373,326 -33% -43% 1,258 $297   $43,050,420 18
Jul 4, 2017 13 $308,562 -17% -59% 1,258 $245   $43,358,982 19
Jul 5, 2017 12 $207,887 -33% -55% 1,258 $165   $43,566,869 20
Jul 6, 2017 15 $143,170 -31% -63% 1,258 $114   $43,710,039 21
Jul 7, 2017 14 $179,887 +26% -67% 599 $300   $43,889,926 22
Jul 8, 2017 14 $249,096 +38% -65% 599 $416   $44,139,022 23
Jul 9, 2017 14 $177,407 -29% -68% 599 $296   $44,316,429 24
Jul 10, 2017 14 $78,248 -56% -79% 599 $131   $44,394,677 25
Jul 11, 2017 15 $86,943 +11% -72% 599 $145   $44,481,620 26
Jul 12, 2017 - $57,602 -34% -72% 599 $96   $44,539,222 27
Jul 13, 2017 - $42,051 -27% -71% 599 $70   $44,581,273 28
Jul 14, 2017 - $41,538 -1% -77% 195 $213   $44,622,811 29
Jul 15, 2017 - $60,629 +46% -76% 195 $311   $44,683,440 30
Jul 16, 2017 - $41,363 -32% -77% 195 $212   $44,724,803 31
Jul 17, 2017 - $18,671 -55% -76% 195 $96   $44,743,474 32
Jul 18, 2017 - $22,029 +18% -75% 195 $113   $44,765,503 33
Jul 19, 2017 - $19,152 -13% -67% 195 $98   $44,784,655 34
Jul 20, 2017 - $10,305 -46% -75% 195 $53   $44,794,960 35
Jul 21, 2017 - $8,652 -16% -79% 62 $140   $44,803,612 36
Jul 22, 2017 - $12,399 +43% -80% 62 $200   $44,816,011 37
Jul 23, 2017 - $8,987 -28% -78% 62 $145   $44,824,998 38
Jul 24, 2017 - $4,504 -50% -76% 62 $73   $44,829,502 39
Jul 25, 2017 - $5,197 +15% -76% 62 $84   $44,834,699 40
Jul 26, 2017 - $3,924 -24% -80% 62 $63   $44,838,623 41
Jul 27, 2017 - $3,764 -4% -63% 62 $61   $44,842,387 42
Jul 28, 2017 - $14,072 +274% +63% 94 $150   $44,856,459 43
Jul 29, 2017 - $19,298 +37% +56% 94 $205   $44,875,757 44
Jul 30, 2017 - $16,364 -15% +82% 94 $174   $44,892,121 45
Jul 31, 2017 - $8,114 -50% +80% 94 $86   $44,900,235 46
Aug 1, 2017 - $7,533 -7% +45% 94 $80   $44,907,768 47
Aug 2, 2017 - $7,727 +3% +97% 94 $82   $44,915,495 48
Aug 3, 2017 - $6,807 -12% +81% 94 $72   $44,922,302 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 16, 2017 3 $32,792,319   2,471 $13,271   $32,792,319 1
Jun 23, 2017 8 $8,060,144 -75% 2,471 $3,262   $40,852,463 2
Jun 30, 2017 11 $2,857,576 -65% 1,258 $2,272   $43,710,039 3
Jul 7, 2017 15 $871,234 -70% 599 $1,454   $44,581,273 4
Jul 14, 2017 24 $213,687 -75% 195 $1,096   $44,794,960 5
Jul 21, 2017 36 $47,427 -78% 62 $765   $44,842,387 6
Jul 28, 2017 37 $79,915 +69% 94 $850   $44,922,302 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/16/2017 $1,323,242 164 167 545 $2,739,707 7/18/2017
Germany 6/16/2017 $1,100,000 0 0 0 $1,462,588 6/29/2018
Italy 9/8/2017 $553,001 0 0 0 $870,660 9/21/2017
Netherlands 6/15/2016 $0 0 52 248 $979,056 7/25/2017
New Zealand 6/16/2017 $206,346 51 54 153 $388,695 7/3/2017
Portugal 6/23/2017 $34,320 23 23 61 $99,846 7/27/2017
Russia (CIS) 7/27/2017 $207,604 386 386 733 $470,132 1/1/2019
South Korea 8/1/2017 $0 0 149 149 $55,209 9/21/2017
Sweden 6/16/2017 $248,038 0 0 0 $248,038 6/26/2017
United Kingdom 6/30/2017 $1,186,045 270 270 785 $2,529,174 7/26/2017
 
Rest of World $2,932,019
 
International Total$12,775,124 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 10, 2017455,348 55,348$828,006$828,0063
Sep 17, 2017825,104-55% 80,452$375,556$1,203,5624
Sep 24, 2017286,662-73% 87,114$99,664$1,303,2265

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 10, 20171113,630 13,630$272,050$272,0503

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Demetrius Shipp, Jr.    Tupac Shakur

Supporting Cast

Kat Graham    Jada Pinkett
Lauren Cohan    Leila Steinberg
Hill Harper    Journalist
Danai Gurira    Afeni Shakur
Jamal Woolard    Biggie Smalls
Annie Ilonzeh    Kidada Jones
Dominic L. Santana    Suge Knight
Jamie Hector    Mutulu Shakur
Grace Gibson    Faith Evans
Stefon Washington    Puff Daddy
Money B    Himself
Clifton Powell    Floyd
Johnell Young    Ray Luv
Jermel Howard    Mopreme Shakur
Azad Arnaud    Daz Dillinger
Jarrett Ellis    Snoop Dog
Erica Pinkett    Ayanna Jackson
Keith Robinson    Atron Gregory
Rayan Lawrence    Treach
James Hatter III    Yaki Kadafi
Jermaine Carter    Hussein Fatal
E.D.I. Mean    Himself
Young Noble    Himself
DeRay Davis    Legs
Patrick Faucette    Oliver
Harold House Moore    Dr. Dre
Cory Hardrict    Haitian Jack
Albert Daniels    A.B.
Phil Armijo    Johnny J

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Benny Boom    Director
James G. Robinson    Producer
Jeremy Haft    Screenwriter
Eddie Gonzalez    Screenwriter
Steven Bagatourian    Screenwriter
David Robinson    Producer
L.T. Hutton    Producer
Wayne Morris    Executive Producer
Peter Menzies    Director of Photography
Joel Cox    Editor
Derek Hill    Production Designer
Francine Jamison-Tanchuck    Costume Designer
John Paesano    Composer
Mary Vernieu    Casting Director
Michelle Wade Byrd    Casting Director

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million

June 27th, 2017

Transformers: The Last Knight

Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Weekend Predictions: Last Knight Opened Last Night with $15.65 million

June 22nd, 2017

Transformers: The Last Knight

Transformers: The Last Knight got off to a weak start on Wednesday earning only $15.65 million. That’s not a great start. Fortunately, Cars 3 and Wonder Woman should have strong holds this weekend and that will help the overall box office numbers. They probably won’t help enough to top this weekend last year in the year-over-year comparison, but it should be close. More...

Theater Averages: Audiences Take a $22,310 Journey with Hare Krishna

June 21st, 2017

The Journey

Hare Krishna! The Mantra, The Movement and the Swami Who Started it All earned first place on the theater chart with $22,310 in one theater. The Journey debuted in second place with an average of $16,448 in two theaters. Up next were a trio of wide releases, including the overall number one film, Cars 3, with an average of $12,615. All Eyes on Me opened with an average of $10,698. The only holdover in the $10,000 club was Wonder Woman, which spent its third week in the $10,000 club with an average of $10,271. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Estimates: Cars 3 Has Fast Opening Lap

June 17th, 2017

Cars 3

As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards. More...

Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million

June 17th, 2017

Cars 3

As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Predictions: Will Cars Take the Checkered Flag?

June 15th, 2017

Cars 3

It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

All Eyez on Me Trailer

May 11th, 2017

Biography of Tupac Shakur starring Demetrius Shipp, Jr. opens June 16 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A film Chronicling the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Shakur rose to become a cultural icon whose career and persona both continue to grow long after his passing.

Metrics

Opening Weekend:$26,435,354 (58.8% of total gross)
Legs:1.70 (domestic box office/biggest weekend)
Domestic Share:77.9% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,471 opening theaters/2,471 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $53,986,887

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 16th, 2017 (Wide) by Lionsgate
International Releases: June 15th, 2016 (Wide) (Netherlands)
June 16th, 2017 (Wide), released as All Eyez On Me (Australia)
June 16th, 2017 (Wide) (Germany)
June 16th, 2017 (Wide) (New Zealand)
June 16th, 2017 (Wide) (Sweden)
... Show all releases
Video Release: August 22nd, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for language and drug use throughout, violence, some nudity and sexuality.
(Rating bulletin 2445 (Cert #50710), 10/5/2016)
R for language throughout, drug use, violence, some nudity and sexuality. (Re-rate. Content is different from R Rated Version Bulletin #2445 (2016-10-05). Only this Edited Version is Rated)
(Rating bulletin 2478 (Cert #50710), 5/31/2017)
Running Time: 137 minutes
Comparisons: vs. Straight Outta Compton
Create your own comparison chart…
Keywords: Music Industry, Hip Hop and Rap, 1990s, African Americans, Biography, Hood Film, Biographical Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Morgan Creek Productions, Summit Entertainment, Program Pictures, Codeblack Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top Based on Real Life Events Weekend Domestic 21 $26,435,354 Jun 16, 2017 3
Top Drama Weekend Domestic 75 $26,435,354 Jun 16, 2017 3
Top Dramatization Weekend Domestic 44 $26,435,354 Jun 16, 2017 3
Top Lionsgate Weekend Domestic 37 $26,435,354 Jun 16, 2017 3
Front-Loaded Opening Weekend 62 48.5% Jun 16, 2017 3

Leading Cast

Demetrius Shipp, Jr.    Tupac Shakur

Supporting Cast

Kat Graham    Jada Pinkett
Lauren Cohan    Leila Steinberg
Hill Harper    Journalist
Danai Gurira    Afeni Shakur
Jamal Woolard    Biggie Smalls
Annie Ilonzeh    Kidada Jones
Dominic L. Santana    Suge Knight
Jamie Hector    Mutulu Shakur
Grace Gibson    Faith Evans
Stefon Washington    Puff Daddy
Money B    Himself
Clifton Powell    Floyd
Johnell Young    Ray Luv
Jermel Howard    Mopreme Shakur
Azad Arnaud    Daz Dillinger
Jarrett Ellis    Snoop Dog
Erica Pinkett    Ayanna Jackson
Keith Robinson    Atron Gregory
Rayan Lawrence    Treach
James Hatter III    Yaki Kadafi
Jermaine Carter    Hussein Fatal
E.D.I. Mean    Himself
Young Noble    Himself
DeRay Davis    Legs
Patrick Faucette    Oliver
Harold House Moore    Dr. Dre
Cory Hardrict    Haitian Jack
Albert Daniels    A.B.
Phil Armijo    Johnny J

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Benny Boom    Director
James G. Robinson    Producer
Jeremy Haft    Screenwriter
Eddie Gonzalez    Screenwriter
Steven Bagatourian    Screenwriter
David Robinson    Producer
L.T. Hutton    Producer
Wayne Morris    Executive Producer
Peter Menzies    Director of Photography
Joel Cox    Editor
Derek Hill    Production Designer
Francine Jamison-Tanchuck    Costume Designer
John Paesano    Composer
Mary Vernieu    Casting Director
Michelle Wade Byrd    Casting Director

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million

June 27th, 2017

Transformers: The Last Knight

Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Weekend Predictions: Last Knight Opened Last Night with $15.65 million

June 22nd, 2017

Transformers: The Last Knight

Transformers: The Last Knight got off to a weak start on Wednesday earning only $15.65 million. That’s not a great start. Fortunately, Cars 3 and Wonder Woman should have strong holds this weekend and that will help the overall box office numbers. They probably won’t help enough to top this weekend last year in the year-over-year comparison, but it should be close. More...

Theater Averages: Audiences Take a $22,310 Journey with Hare Krishna

June 21st, 2017

The Journey

Hare Krishna! The Mantra, The Movement and the Swami Who Started it All earned first place on the theater chart with $22,310 in one theater. The Journey debuted in second place with an average of $16,448 in two theaters. Up next were a trio of wide releases, including the overall number one film, Cars 3, with an average of $12,615. All Eyes on Me opened with an average of $10,698. The only holdover in the $10,000 club was Wonder Woman, which spent its third week in the $10,000 club with an average of $10,271. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Estimates: Cars 3 Has Fast Opening Lap

June 17th, 2017

Cars 3

As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards. More...

Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million

June 17th, 2017

Cars 3

As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Predictions: Will Cars Take the Checkered Flag?

June 15th, 2017

Cars 3

It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

All Eyez on Me Trailer

May 11th, 2017

Biography of Tupac Shakur starring Demetrius Shipp, Jr. opens June 16 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 16, 2017 3 $26,435,354   2,471 $10,698   $26,435,354 1
Jun 23, 2017 6 $5,806,975 -78% 2,471 $2,350   $38,599,294 2
Jun 30, 2017 11 $1,824,631 -69% 1,258 $1,450   $42,677,094 3
Jul 7, 2017 14 $606,390 -67% 599 $1,012   $44,316,429 4
Jul 14, 2017 22 $143,530 -76% 195 $736   $44,724,803 5
Jul 21, 2017 37 $30,038 -79% 62 $484   $44,824,998 6
Jul 28, 2017 37 $49,734 +66% 94 $529   $44,892,121 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 15, 2017 P $3,100,000     0     $3,100,000  
Jun 16, 2017 2 $12,811,328     2,471 $5,185   $12,811,328 1
Jun 17, 2017 3 $7,694,123 -40%   2,471 $3,114   $20,505,451 2
Jun 18, 2017 3 $5,929,903 -23%   2,471 $2,400   $26,435,354 3
Jun 19, 2017 3 $2,097,445 -65%   2,471 $849   $28,532,799 4
Jun 20, 2017 3 $1,972,578 -6%   2,471 $798   $30,505,377 5
Jun 21, 2017 5 $1,203,031 -39%   2,471 $487   $31,708,408 6
Jun 22, 2017 5 $1,083,911 -10%   2,471 $439   $32,792,319 7
Jun 23, 2017 5 $1,904,838 +76% -85% 2,471 $771   $34,697,157 8
Jun 24, 2017 6 $2,311,158 +21% -70% 2,471 $935   $37,008,315 9
Jun 25, 2017 6 $1,590,979 -31% -73% 2,471 $644   $38,599,294 10
Jun 26, 2017 7 $658,969 -59% -69% 2,471 $267   $39,258,263 11
Jun 27, 2017 9 $748,365 +14% -62% 2,471 $303   $40,006,628 12
Jun 28, 2017 10 $459,311 -39% -62% 2,471 $186   $40,465,939 13
Jun 29, 2017 10 $386,524 -16% -64% 2,471 $156   $40,852,463 14
Jun 30, 2017 11 $549,502 +42% -71% 1,258 $437   $41,401,965 15
Jul 1, 2017 11 $714,288 +30% -69% 1,258 $568   $42,116,253 16
Jul 2, 2017 11 $560,841 -21% -65% 1,258 $446   $42,677,094 17
Jul 3, 2017 13 $373,326 -33% -43% 1,258 $297   $43,050,420 18
Jul 4, 2017 13 $308,562 -17% -59% 1,258 $245   $43,358,982 19
Jul 5, 2017 12 $207,887 -33% -55% 1,258 $165   $43,566,869 20
Jul 6, 2017 15 $143,170 -31% -63% 1,258 $114   $43,710,039 21
Jul 7, 2017 14 $179,887 +26% -67% 599 $300   $43,889,926 22
Jul 8, 2017 14 $249,096 +38% -65% 599 $416   $44,139,022 23
Jul 9, 2017 14 $177,407 -29% -68% 599 $296   $44,316,429 24
Jul 10, 2017 14 $78,248 -56% -79% 599 $131   $44,394,677 25
Jul 11, 2017 15 $86,943 +11% -72% 599 $145   $44,481,620 26
Jul 12, 2017 - $57,602 -34% -72% 599 $96   $44,539,222 27
Jul 13, 2017 - $42,051 -27% -71% 599 $70   $44,581,273 28
Jul 14, 2017 - $41,538 -1% -77% 195 $213   $44,622,811 29
Jul 15, 2017 - $60,629 +46% -76% 195 $311   $44,683,440 30
Jul 16, 2017 - $41,363 -32% -77% 195 $212   $44,724,803 31
Jul 17, 2017 - $18,671 -55% -76% 195 $96   $44,743,474 32
Jul 18, 2017 - $22,029 +18% -75% 195 $113   $44,765,503 33
Jul 19, 2017 - $19,152 -13% -67% 195 $98   $44,784,655 34
Jul 20, 2017 - $10,305 -46% -75% 195 $53   $44,794,960 35
Jul 21, 2017 - $8,652 -16% -79% 62 $140   $44,803,612 36
Jul 22, 2017 - $12,399 +43% -80% 62 $200   $44,816,011 37
Jul 23, 2017 - $8,987 -28% -78% 62 $145   $44,824,998 38
Jul 24, 2017 - $4,504 -50% -76% 62 $73   $44,829,502 39
Jul 25, 2017 - $5,197 +15% -76% 62 $84   $44,834,699 40
Jul 26, 2017 - $3,924 -24% -80% 62 $63   $44,838,623 41
Jul 27, 2017 - $3,764 -4% -63% 62 $61   $44,842,387 42
Jul 28, 2017 - $14,072 +274% +63% 94 $150   $44,856,459 43
Jul 29, 2017 - $19,298 +37% +56% 94 $205   $44,875,757 44
Jul 30, 2017 - $16,364 -15% +82% 94 $174   $44,892,121 45
Jul 31, 2017 - $8,114 -50% +80% 94 $86   $44,900,235 46
Aug 1, 2017 - $7,533 -7% +45% 94 $80   $44,907,768 47
Aug 2, 2017 - $7,727 +3% +97% 94 $82   $44,915,495 48
Aug 3, 2017 - $6,807 -12% +81% 94 $72   $44,922,302 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 16, 2017 3 $32,792,319   2,471 $13,271   $32,792,319 1
Jun 23, 2017 8 $8,060,144 -75% 2,471 $3,262   $40,852,463 2
Jun 30, 2017 11 $2,857,576 -65% 1,258 $2,272   $43,710,039 3
Jul 7, 2017 15 $871,234 -70% 599 $1,454   $44,581,273 4
Jul 14, 2017 24 $213,687 -75% 195 $1,096   $44,794,960 5
Jul 21, 2017 36 $47,427 -78% 62 $765   $44,842,387 6
Jul 28, 2017 37 $79,915 +69% 94 $850   $44,922,302 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/16/2017 $1,323,242 164 167 545 $2,739,707 7/18/2017
Germany 6/16/2017 $1,100,000 0 0 0 $1,462,588 6/29/2018
Italy 9/8/2017 $553,001 0 0 0 $870,660 9/21/2017
Netherlands 6/15/2016 $0 0 52 248 $979,056 7/25/2017
New Zealand 6/16/2017 $206,346 51 54 153 $388,695 7/3/2017
Portugal 6/23/2017 $34,320 23 23 61 $99,846 7/27/2017
Russia (CIS) 7/27/2017 $207,604 386 386 733 $470,132 1/1/2019
South Korea 8/1/2017 $0 0 149 149 $55,209 9/21/2017
Sweden 6/16/2017 $248,038 0 0 0 $248,038 6/26/2017
United Kingdom 6/30/2017 $1,186,045 270 270 785 $2,529,174 7/26/2017
 
Rest of World $2,932,019
 
International Total$12,775,124 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 10, 2017455,348 55,348$828,006$828,0063
Sep 17, 2017825,104-55% 80,452$375,556$1,203,5624
Sep 24, 2017286,662-73% 87,114$99,664$1,303,2265

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 10, 20171113,630 13,630$272,050$272,0503

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.