Baywatch (2017)

Baywatch
Theatrical Performance
Domestic Box Office $58,060,186Details
International Box Office $117,803,597Details
Worldwide Box Office $175,863,783
Home Market Performance
Est. Domestic DVD Sales $4,707,156 Details
Est. Domestic Blu-ray Sales $4,579,455 Details
Total Est. Domestic Video Sales $9,286,611
Further financial details...

Synopsis

Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit. Together, they uncover a local criminal plot that threatens the future of the Bay.

Metrics

Opening Weekend:$18,503,871 (31.9% of total gross)
Legs:3.14 (domestic box office/biggest weekend)
Domestic Share:33.0% (domestic box office/worldwide)
Production Budget:$60,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:3,647 opening theaters/3,647 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $69,775,781

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD (Theatrical Version), Amazon VOD (Extended Cut), Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu, Vudu, Vudu

Movie Details

Domestic Releases: May 25th, 2017 (Wide) by Paramount Pictures
International Releases: May 26th, 2017 (Special Engagement) (New Zealand)
May 31st, 2017 (Wide) (Netherlands)
June 1st, 2017 (Wide), released as Спасители на плажа (Bulgaria)
June 2nd, 2017 (Wide) (Australia)
June 2nd, 2017 (Wide) (Austria)
... Show all releases
Video Release: August 15th, 2017 by Paramount Home Video
MPAA Rating: R for language throughout, crude sexual content, and graphic nudity.
(Rating bulletin 2467 (Cert #50688), 3/15/2017)
Running Time: 119 minutes
Comparisons: vs. Spy!
Create your own comparison chart…
Keywords: Lifeguard, Set in California, Professional Rivalry, Organized Crime, Amatuer Slueth, Adapted as a Comedy, Action Comedy
Source:Based on TV
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Paramount Pictures, 7 Bucks Productions, Contrafilm, Montecito Picture Company, Vinson Pictures, Flynn Picture Company, Cold Springs Pictures, Skydance Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Memorial Day (All Movies, 3-Day) 84 $18,503,871 May 26, 2017 4
Memorial Day (All Movies, 3-Day, Inflation Adjusted) 110 $23,653,126 May 26, 2017 4
Memorial Day (All Movies, 4-Day, Fri-Mon) 70 $23,106,943 May 26, 2017 4
Memorial Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 79 $29,537,149 May 26, 2017 4
Memorial Day (Opening, 3-Day) 49 $18,503,871 May 26, 2017 4
Memorial Day (Opening, 3-Day, Inflation Adjusted) 65 $23,653,126 May 26, 2017 4
Memorial Day (Opening, 4-Day, Fri-Mon) 40 $23,106,943 May 26, 2017 4
Memorial Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 41 $29,537,149 May 26, 2017 4

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 26, 2017 3 $18,503,871   3,647 $5,074   $23,110,385 1
Jun 2, 2017 5 $8,786,607 -53% 3,647 $2,409   $42,011,045 2
Jun 9, 2017 7 $4,648,207 -47% 2,832 $1,641   $51,113,342 3
Jun 16, 2017 12 $1,610,987 -65% 1,307 $1,233   $55,158,487 4
Jun 23, 2017 16 $748,404 -54% 480 $1,559   $56,656,293 5
Jun 30, 2017 21 $248,335 -67% 196 $1,267   $57,271,082 6
Jul 7, 2017 22 $184,703 -26% 193 $957   $57,603,797 7
Jul 14, 2017 25 $134,388 -27% 156 $861   $57,852,359 8
Jul 21, 2017 28 $80,098 -40% 125 $641   $58,009,442 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 24, 2017 P $1,300,000     2,554 $509   $1,300,000  
May 25, 2017 1 $4,606,514     3,647 $1,263   $4,606,514 1
May 26, 2017 2 $5,711,166 +24%   3,647 $1,566   $10,317,680 2
May 27, 2017 3 $6,576,457 +15%   3,647 $1,803   $16,894,137 3
May 28, 2017 3 $6,216,248 -5%   3,647 $1,704   $23,110,385 4
May 29, 2017 3 $4,603,072 -26%   3,647 $1,262   $27,713,457 5
May 30, 2017 2 $2,534,172 -45%   3,647 $695   $30,247,629 6
May 31, 2017 2 $1,646,716 -35%   3,647 $452   $31,894,345 7
Jun 1, 2017 3 $1,330,093 -19% -71% 3,647 $365   $33,224,438 8
Jun 2, 2017 5 $2,682,337 +102% -53% 3,647 $735   $35,906,775 9
Jun 3, 2017 5 $3,589,716 +34% -45% 3,647 $984   $39,496,491 10
Jun 4, 2017 5 $2,514,554 -30% -60% 3,647 $689   $42,011,045 11
Jun 5, 2017 4 $1,126,275 -55% -76% 3,647 $309   $43,137,320 12
Jun 6, 2017 4 $1,514,004 +34% -40% 3,647 $415   $44,651,324 13
Jun 7, 2017 5 $945,659 -38% -43% 3,647 $259   $45,596,983 14
Jun 8, 2017 5 $868,152 -8% -35% 3,647 $238   $46,465,135 15
Jun 9, 2017 7 $1,362,272 +57% -49% 2,832 $481   $47,827,407 16
Jun 10, 2017 7 $1,967,081 +44% -45% 2,832 $695   $49,794,488 17
Jun 11, 2017 7 $1,318,854 -33% -48% 2,832 $466   $51,113,342 18
Jun 12, 2017 7 $567,764 -57% -50% 2,832 $200   $51,681,106 19
Jun 13, 2017 6 $843,819 +49% -44% 2,832 $298   $52,524,925 20
Jun 14, 2017 6 $632,047 -25% -33% 2,832 $223   $53,156,972 21
Jun 15, 2017 8 $390,528 -38% -55% 2,832 $138   $53,547,500 22
Jun 16, 2017 13 $502,505 +29% -63% 1,307 $384   $54,050,005 23
Jun 17, 2017 12 $620,774 +24% -68% 1,307 $475   $54,670,779 24
Jun 18, 2017 12 $487,708 -21% -63% 1,307 $373   $55,158,487 25
Jun 19, 2017 12 $239,080 -51% -58% 1,307 $183   $55,397,567 26
Jun 20, 2017 12 $253,676 +6% -70% 1,307 $194   $55,651,243 27
Jun 21, 2017 14 $126,771 -50% -80% 609 $208   $55,778,014 28
Jun 22, 2017 14 $129,875 +2% -67% 609 $213   $55,907,889 29
Jun 23, 2017 15 $237,848 +83% -53% 480 $496   $56,145,737 30
Jun 24, 2017 15 $310,532 +31% -50% 480 $647   $56,456,269 31
Jun 25, 2017 15 $200,024 -36% -59% 480 $417   $56,656,293 32
Jun 26, 2017 15 $103,084 -48% -57% 480 $215   $56,759,377 33
Jun 27, 2017 14 $123,732 +20% -51% 480 $258   $56,883,109 34
Jun 28, 2017 15 $74,790 -40% -41% 480 $156   $56,957,899 35
Jun 29, 2017 15 $64,848 -13% -50% 480 $135   $57,022,747 36
Jun 30, 2017 - $73,647 +14% -69% 196 $376   $57,096,394 37
Jul 1, 2017 - $82,070 +11% -74% 196 $419   $57,178,464 38
Jul 2, 2017 - $92,618 +13% -54% 196 $473   $57,271,082 39
Jul 3, 2017 - $50,505 -45% -51% 196 $258   $57,321,587 40
Jul 4, 2017 - $38,620 -24% -69% 196 $197   $57,360,207 41
Jul 5, 2017 - $30,972 -20% -59% 196 $158   $57,391,179 42
Jul 6, 2017 - $27,915 -10% -57% 196 $142   $57,419,094 43
Jul 7, 2017 - $53,877 +93% -27% 193 $279   $57,472,971 44
Jul 8, 2017 - $76,531 +42% -7% 193 $397   $57,549,502 45
Jul 9, 2017 - $54,295 -29% -41% 193 $281   $57,603,797 46
Jul 10, 2017 - $27,870 -49% -45% 193 $144   $57,631,667 47
Jul 11, 2017 - $31,786 +14% -18% 193 $165   $57,663,453 48
Jul 12, 2017 - $27,284 -14% -12% 193 $141   $57,690,737 49
Jul 13, 2017 - $27,234 n/c -2% 193 $141   $57,717,971 50
Jul 14, 2017 - $40,712 +49% -24% 156 $261   $57,758,683 51
Jul 15, 2017 - $54,985 +35% -28% 156 $352   $57,813,668 52
Jul 16, 2017 - $38,691 -30% -29% 156 $248   $57,852,359 53
Jul 17, 2017 - $17,615 -54% -37% 156 $113   $57,869,974 54
Jul 18, 2017 - $22,489 +28% -29% 156 $144   $57,892,463 55
Jul 19, 2017 - $19,096 -15% -30% 156 $122   $57,911,559 56
Jul 20, 2017 - $17,785 -7% -35% 156 $114   $57,929,344 57
Jul 21, 2017 - $24,126 +36% -41% 125 $193   $57,953,470 58
Jul 22, 2017 - $31,195 +29% -43% 125 $250   $57,984,665 59
Jul 23, 2017 - $24,777 -21% -36% 125 $198   $58,009,442 60
Jul 24, 2017 - $12,821 -48% -27% 125 $103   $58,022,263 61
Jul 25, 2017 - $13,535 +6% -40% 125 $108   $58,035,798 62
Jul 26, 2017 - $11,513 -15% -40% 125 $92   $58,047,311 63
Jul 27, 2017 - $12,875 +12% -28% 125 $103   $58,060,186 64

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 19, 2017 7 $4,606,514   3,647 $1,263   $4,606,514 1
May 26, 2017 3 $28,617,924 +521% 3,647 $7,847   $33,224,438 2
Jun 2, 2017 5 $13,240,697 -54% 3,647 $3,631   $46,465,135 3
Jun 9, 2017 7 $7,082,365 -47% 2,832 $2,501   $53,547,500 4
Jun 16, 2017 13 $2,360,389 -67% 609 $3,876   $55,907,889 5
Jun 23, 2017 16 $1,114,858 -53% 480 $2,323   $57,022,747 6
Jun 30, 2017 22 $396,347 -64% 196 $2,022   $57,419,094 7
Jul 7, 2017 21 $298,877 -25% 193 $1,549   $57,717,971 8
Jul 14, 2017 25 $211,373 -29% 156 $1,355   $57,929,344 9
Jul 21, 2017 28 $130,842 -38% 125 $1,047   $58,060,186 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/16/2017 $275,423 0 0 0 $788,798 1/1/2019
Australia 6/2/2017 $2,593,407 403 403 1,563 $7,504,206 10/14/2018
Austria 6/2/2017 $0 0 0 0 $1,900,000 6/12/2017
Brazil 6/16/2017 $1,300,000 0 0 0 $2,661,110 6/26/2018
Bulgaria 6/1/2017 $79,159 0 0 0 $437,945 2/26/2019
Czech Republic 6/16/2017 $120,979 135 135 296 $386,101 1/1/2019
France 6/23/2017 $2,300,000 545 545 545 $10,458,476 6/27/2018
Germany 6/2/2017 $3,900,000 0 0 0 $18,387,224 6/29/2018
Hong Kong 6/2/2017 $701,000 0 22 43 $1,157,989 10/27/2018
India 6/2/2017 $1,600,000 0 0 0 $1,600,000 6/14/2017
Indonesia 7/21/2017 $685,000 0 82 113 $976,011 1/1/2019
Italy 6/2/2017 $779,473 0 0 0 $2,348,415 10/23/2018
Lithuania 6/16/2017 $32,238 138 138 278 $190,978 8/2/2017
Malaysia 6/2/2017 $642,000 0 0 0 $1,200,000 6/12/2017
Mexico 6/16/2017 $2,510,115 0 0 0 $8,067,178 10/12/2018
Netherlands 5/31/2017 $531,289 106 108 951 $2,917,578 11/3/2018
New Zealand 5/26/2017 $48,961 38 70 323 $857,265 10/17/2022
Poland 6/9/2017 $164,820 0 0 0 $684,207 1/1/2019
Portugal 7/21/2017 $371,802 70 71 396 $1,761,772 9/20/2017
Russia (CIS) 6/2/2017 $1,753,504 972 1,044 2,646 $3,818,614 1/1/2019
Singapore 6/2/2017 $468,000 0 0 0 $468,000 6/5/2017
Slovakia 6/16/2017 $126,259 70 70 174 $318,458 9/7/2017
Spain 6/16/2017 $610,301 322 322 1,306 $2,611,402 10/30/2018
Switzerland 6/2/2017 $0 0 0 0 $1,500,000 6/12/2017
Taiwan 6/2/2017 $873,000 82 82 327 $2,591,984 10/28/2018
Turkey 6/2/2017 $68,991 158 158 351 $235,964 2/26/2019
United Arab Emirates 7/21/2017 $530,000 0 0 0 $530,000 12/20/2018
United Kingdom 6/2/2017 $5,967,329 506 506 2,260 $12,320,260 9/25/2018
 
Rest of World $29,123,662
 
International Total$117,803,597 10/17/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 3, 2017284,368 84,368$1,517,780$1,517,7803
Sep 10, 2017355,750-34% 140,118$1,002,942$2,520,7224
Sep 17, 20171219,512-65% 159,630$351,021$2,871,7435
Sep 24, 2017159,796-50% 169,426$176,230$3,047,9736
Oct 1, 2017247,786-21% 177,212$140,070$3,188,0437
Oct 8, 2017277,377-5% 184,589$132,712$3,320,7558

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 3, 20173110,816 110,816$2,062,124$2,062,1243
Sep 10, 2017350,094-55% 160,910$1,013,877$3,076,0014
Sep 17, 2017618,103-64% 179,013$369,415$3,445,4165
Sep 24, 2017138,927-51% 187,940$180,807$3,626,2236
Oct 1, 2017147,576-15% 195,516$153,400$3,779,6237

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dwayne Johnson    Mitch Buchannon
Zac Efron    Matt Brody
Alexandra Daddario    Summer Quinn
Kelly Rohrbach    C.J. Parker
Priyanka Chopra    Victoria Leeds
Jon Bass    Ronnie
Ilfenesh Hadera    Stephanie Holden

Supporting Cast

Yahya Abdul-Mateen II    Garner Ellerbee
Rob Huebel    Captain Thorpe
Hannibal Buress    Gary
Belinda Peregrin    Carmen
Amin Joseph    Frankie
Izabel Goulart   
Charlotte McKinney   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Seth Gordon    Director
Damian Shannon    Screenwriter
Mark Swift    Screenwriter
Jay Scherick    Story by
Thomas Lennon    Story by
David Ronn    Story by
Robert Ben Garant    Story by
Beau Flynn    Producer
Ivan Reitman    Producer
Tom Pollock    Producer
Dwayne Johnson    Producer
Michael Berk    Producer
Dany Garcia    Producer
Douglas Schwartz    Producer
Gregory J. Bonann    Producer
Ali Bell    Executive Producer
Michele Berk    Executive Producer
David Ellison    Executive Producer
Dany Garcia    Executive Producer
Dana Goldberg    Executive Producer
Don Granger    Executive Producer
Dwayne Johnson    Executive Producer
Tom Pollock    Executive Producer
Mary Rohlich    Executive Producer
Louise Rosner    Executive Producer
Michael Berk    Characters based on “Baywatch” by
Douglas Schwartz    Characters based on “Baywatch” by
Gregory J. Bonann    Characters based on “Baywatch” by
Christopher Lennertz    Composer
Eric Steelberg    Director of Photography
Chris O’ Hara    Second Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

International Box Office: Last Knight Shines Bright with $196.2 million

June 29th, 2017

Transformers: The Last Knight

Transformers: The Last Knight dominated the international box office chart earning $196.2 million in 40 markets, picking up first place in each of those markets. There’s good news and bad news. Good news, this is slightly ahead of Age of Extinction’s combined opening in these markets. Bad news, most of it came from China, where studios only get 25% of the box office, instead of an average 40% in other international markets. The Chinese debut was impressive, $127.24 million on 7,800 screens, including previews. It also did well in South Korea with $9.53 million on 1,727 screens over the weekend for a total opening of $12.87 million. It was nearly as potent in Russia with $8.45 million on 1,456 screens. On the other hand, its openings in the U.K. ($5.90 million in 577 theaters) and in Australia ($3.39 million on 539 screens) were actually worse than its opening here, given the relative size of the markets involved. The film has yet to open in several major markets, including France, where it opens this weekend, so it should remain active on the international chart for a while. More...

International Box Office: The Mummy Comes Alive Internationally with $140.76 million

June 14th, 2017

The Mummy

The Mummy debuted in first place on the international chart with $140.76 million on 19,078 screens in 63 markets. The film’s biggest market was China, no surprise there. It earned $52.4 million on 7,364 screens, which is better than Wonder Woman’s opening there last weekend. The film did even better in South Korea, relatively speaking, with an opening weekend of $8.61 million on 1,254 screens over the weekend for a total opening of $17.80 million. This includes a record for opening day in that market of $6.6 million, while the total opening was the best for Universal. On the downside, the film struggled in the U.K. earning second place with $4.2 million in 563 theaters. That’s weaker than its performance here, relative to the size of the two markets. Furthermore, the film only has two major markets left to open in, France and Japan, while its reviews will likely really hurt its legs. It will earn enough worldwide to pay for its production budget, assuming the $125 million reports are accurate. More...

International Box Office: Wonder Woman Opens Above Century Mark with $122.5 million

June 7th, 2017

Wonder Woman

Wonder Woman opened in first place on the international chart with $122.5 million in 55 markets for a global opening weekend of $225.8 million. Unsurprisingly, the film’s biggest market was China, where it opened in first place with $38.96 million. This is about $10 million less than Guardians of the Galaxy Vol 2 opened with recently, but then again, that was a sequel, so it is not an entirely fair comparison. Should Wonder Woman have better legs there, then it could still hit $100 million in that market. Other big markets for the movie include South Korea, where it earned $6.40 million on 1,034 screens over the weekend for a total opening of $8.41 million. This is better than Suicide Squad managed in that market, but behind Batman v Superman: Dawn of Justice. Brazil and Mexico were close behind with $8.3 million and $8.22 million respectively. This is better than Guardians of the Galaxy Vol 2, but not as good as BvS or Suicide Squad. On the other hand, the film struggled somewhat in the U.K earning $8.00 million in 599 screens, which was still enough for first place. It only managed second place in Russia with $3.99 million on 1,194 screens. Overall, the studio should be happy with these results and I bet there’s a sequel already in early stages of development. More...

Weekend Wrap-Up: Wonder Woman’s Wonderful $103.25 million Start

June 6th, 2017

Wonder Woman

The overall box office bounced back after a weak Memorial Day thanks to two critically acclaimed movies. Wonder Woman led the way with $103.25 million, while Captain Underpants: The First Epic Movie was way back with $23.85 million. Overall, the weekend box office pulled in $185 million, which is 31% more than last weekend. It is also 37% more than the same weekend last year. This helped 2017’s lead over 2016 grow by nearly a full percentage point to 3.5% at $4.69 billion to $4.52 billion. More...

Friday Estimates: The DCEU has $38.85 million Reasons to Feel Wonderful

June 3rd, 2017

Wonder Woman

As expected, Wonder Woman led the way on Friday; however, its box office was a little lower than I would have liked with $38.85 million. (I was expecting $42 million on Friday.) This still gives the film a slim shot at $100 million, although it will likely fall a little short. Fortunately, there are some positive signs we should focus on, including the reviews, which ticked up a point to 94% positive on Rotten Tomatoes. Meanwhile, the film earned a solid A from CinemaScore, which should also help its legs. It could still hit $100 million, if it does exceptionally well during matinees on Saturday. We will know this time tomorrow when the weekend estimates are released. More...

Weekend Predictions: New Releases are Going to be Wonderful

June 2nd, 2017

Wonder Woman

It’s the first weekend of June and it looks like it could be a monster weekend. Wonder Woman could earn over $100 million during the weekend, while Captain Underpants: The First Epic Movie is hoping to hit $100 million in total. Both have a great chance of getting there. Add in some solid holdovers and this weekend should earn close to $200 million. By comparison, this weekend last year was nowhere near as strong with Teenage Mutant Ninja Turtles: Out of the Shadows earning first place with just $35.32 million. Wonder Woman will earn more than that opening day. There’s a chance Wonder Woman will earn more over the weekend than the top five earned this weekend last year. More...

Weekend Wrap-Up: Pirates Sinks Lower with $78.47 million, Takes 2017 With It

May 31st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Memorial Day long weekend wasn’t as potent as expected as both new releases struggled. Pirates of the Caribbean: Dead Men Tell No Tales led the way with $78.47 million over four days. This marks the third year in a row where no film released on Memorial Day long weekend earned at least $100 million over four days. I’ve heard some talk that this means it is losing its importance as a long weekend. However, I think the actual answer is much simpler, as it is also the third weekend in a row where no wide releases have earned overall positive reviews. I don’t think the box office power of Memorial Day has dropped since X-Men: Days of Future Past came out. I just think the quality of films has dropped since then. Speaking of lack of quality, Baywatch was DOA earning just $27.71 million over five days and unlike Dead Men Tell No Tales, it likely won’t do significantly better internationally. Despite both new releases struggling, the holiday helped the overall box office grow 14% from last weekend to $141 million. Unfortunately, this was 14% lower than the same weekend last year. 2017 still maintains its lead over 2016, but that lead as slipped to 2.6% or $110 million at $4.46 billion to $4.35 billion. More...

Weekend Estimates: Time for Pirates to Sail into the Sunset?

May 28th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales is dominating proceedings at the box office this weekend, with Disney projecting an opening of $62.2 million for three days, and $76.6 million over the complete Memorial Day holiday weekend. As I’ve said a few times this year, any other studio would kill for numbers like those, but this marks the third straight decline in the franchise’s fortunes. Dead Man’s Chest had the best opening for any Pirates film, with $135.6 million in 2006; At World’s End did $114.7 million over Memorial Day weekend in 2007; and then On Stranger Tides delivered a $90.2-million debut, also over Memorial Day weekend in 2011. With this kind of start, Dead Men will struggle to deliver $200 million domestically, although its international performance will help make up the numbers. More...

Friday Estimates: Dead Men Tops Chart, but Struggles, with $23.40 million

May 27th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

As expected, Pirates of the Caribbean: Dead Men Tell No Tales earned first place at the Friday box office. Unfortunately, it missed the low end of expectations with $23.40 million, putting it on pace for a $62 million three-day weekend and a $73 million total opening. The film’s reviews are just 32% positive, putting it in a tie with On Stranger Tides for worst in the franchise. On the other hand, the film earned an A minus from CinemaScore compared to a B plus for the previous installment, so that should help its legs a little. That said, the film cost $230 million to make, so unless it is a monster hit at the international box office, there’s little hope the sequel teased in the end credits will happen. More...

Thursday Night Previews: Dead Men are not Lively, Baywatch Going Unseen

May 26th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales will have no trouble earning first place at the weekend box office, not after earning $5.5 million in previews last night. This would have given it number one for the night, if the numbers weren’t rolled into its Friday debut. On Stranger Tides managed $4.7 million during its midnight shows, but it was truly a midnight show, rather than starting at 7 pm like Dead Men Tell No Tales did. This is 30% higher than Alien: Covenant managed last week, but well behind the $8.2 million X-Men: Apocalypse managed this weekend last year. Dead Men Tell No Tales will need serious growth to match our previous prediction of $67 million / $82 million debut. On the positive side, it is a long weekend and that will undoubtedly help. On the negative side, its reviews are quite terrible. More...

Weekend Predictions: Will New Releases Make a Splash, or are They Dead in the Water?

May 25th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

It’s Memorial Day long weekend, which is historically one of the best long weekends at the box office all year. However, this year the two new releases are far from the best. Pirates of the Caribbean: Dead Men Tell No Tales has the worst reviews in the franchise and its domestic box office will likely be the same. Sadly, Baywatch’s reviews are even worse. That said, they should still finish one-two over the weekend, while Alien: Covenant and Guardians of the Galaxy Vol 2 will be in a race for third place. It likely won’t be close. Meanwhile, this weekend last year, X-Men: Apocalypse and Alice Through the Looking Glass opened one-two during the weekend with results that are similar to what Dead Men Tell No Tales / Baywatch are expected to make. I don’t know if 2017 will win in the year-over-year comparison, but it should be close. More...

Contest: Tall Tales

May 18th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

There are two wide releases coming out next week: Baywatch and Pirates of the Caribbean: Dead Men Tell No Tales. It’s an easy choice for the target film in this week’s box office prediction contest, not only because Dead Men Tell No Tales is expected to open much faster, but also because Baywatch is opening on Thursday. In order to win, one must simply predict the opening weekend box office number for Pirates of the Caribbean: Dead Men Tell No Tales.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!

Note: It is a long weekend, but we only use the three-day, Friday through Sunday box office for this contest.

More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

Baywatch Trailer

December 8th, 2016

Summer comedy starring Dwayne Johnson, Zac Efron opens May 26 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit. Together, they uncover a local criminal plot that threatens the future of the Bay.

Metrics

Opening Weekend:$18,503,871 (31.9% of total gross)
Legs:3.14 (domestic box office/biggest weekend)
Domestic Share:33.0% (domestic box office/worldwide)
Production Budget:$60,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:3,647 opening theaters/3,647 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $69,775,781

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD (Theatrical Version), Amazon VOD (Extended Cut), Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu, Vudu, Vudu

Movie Details

Domestic Releases: May 25th, 2017 (Wide) by Paramount Pictures
International Releases: May 26th, 2017 (Special Engagement) (New Zealand)
May 31st, 2017 (Wide) (Netherlands)
June 1st, 2017 (Wide), released as Спасители на плажа (Bulgaria)
June 2nd, 2017 (Wide) (Australia)
June 2nd, 2017 (Wide) (Austria)
... Show all releases
Video Release: August 15th, 2017 by Paramount Home Video
MPAA Rating: R for language throughout, crude sexual content, and graphic nudity.
(Rating bulletin 2467 (Cert #50688), 3/15/2017)
Running Time: 119 minutes
Comparisons: vs. Spy!
Create your own comparison chart…
Keywords: Lifeguard, Set in California, Professional Rivalry, Organized Crime, Amatuer Slueth, Adapted as a Comedy, Action Comedy
Source:Based on TV
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Paramount Pictures, 7 Bucks Productions, Contrafilm, Montecito Picture Company, Vinson Pictures, Flynn Picture Company, Cold Springs Pictures, Skydance Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Memorial Day (All Movies, 3-Day) 84 $18,503,871 May 26, 2017 4
Memorial Day (All Movies, 3-Day, Inflation Adjusted) 110 $23,653,126 May 26, 2017 4
Memorial Day (All Movies, 4-Day, Fri-Mon) 70 $23,106,943 May 26, 2017 4
Memorial Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 79 $29,537,149 May 26, 2017 4
Memorial Day (Opening, 3-Day) 49 $18,503,871 May 26, 2017 4
Memorial Day (Opening, 3-Day, Inflation Adjusted) 65 $23,653,126 May 26, 2017 4
Memorial Day (Opening, 4-Day, Fri-Mon) 40 $23,106,943 May 26, 2017 4
Memorial Day (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 41 $29,537,149 May 26, 2017 4

Lead Ensemble Members

Dwayne Johnson    Mitch Buchannon
Zac Efron    Matt Brody
Alexandra Daddario    Summer Quinn
Kelly Rohrbach    C.J. Parker
Priyanka Chopra    Victoria Leeds
Jon Bass    Ronnie
Ilfenesh Hadera    Stephanie Holden

Supporting Cast

Yahya Abdul-Mateen II    Garner Ellerbee
Rob Huebel    Captain Thorpe
Hannibal Buress    Gary
Belinda Peregrin    Carmen
Amin Joseph    Frankie
Izabel Goulart   
Charlotte McKinney   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Seth Gordon    Director
Damian Shannon    Screenwriter
Mark Swift    Screenwriter
Jay Scherick    Story by
Thomas Lennon    Story by
David Ronn    Story by
Robert Ben Garant    Story by
Beau Flynn    Producer
Ivan Reitman    Producer
Tom Pollock    Producer
Dwayne Johnson    Producer
Michael Berk    Producer
Dany Garcia    Producer
Douglas Schwartz    Producer
Gregory J. Bonann    Producer
Ali Bell    Executive Producer
Michele Berk    Executive Producer
David Ellison    Executive Producer
Dany Garcia    Executive Producer
Dana Goldberg    Executive Producer
Don Granger    Executive Producer
Dwayne Johnson    Executive Producer
Tom Pollock    Executive Producer
Mary Rohlich    Executive Producer
Louise Rosner    Executive Producer
Michael Berk    Characters based on “Baywatch” by
Douglas Schwartz    Characters based on “Baywatch” by
Gregory J. Bonann    Characters based on “Baywatch” by
Christopher Lennertz    Composer
Eric Steelberg    Director of Photography
Chris O’ Hara    Second Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

International Box Office: Last Knight Shines Bright with $196.2 million

June 29th, 2017

Transformers: The Last Knight

Transformers: The Last Knight dominated the international box office chart earning $196.2 million in 40 markets, picking up first place in each of those markets. There’s good news and bad news. Good news, this is slightly ahead of Age of Extinction’s combined opening in these markets. Bad news, most of it came from China, where studios only get 25% of the box office, instead of an average 40% in other international markets. The Chinese debut was impressive, $127.24 million on 7,800 screens, including previews. It also did well in South Korea with $9.53 million on 1,727 screens over the weekend for a total opening of $12.87 million. It was nearly as potent in Russia with $8.45 million on 1,456 screens. On the other hand, its openings in the U.K. ($5.90 million in 577 theaters) and in Australia ($3.39 million on 539 screens) were actually worse than its opening here, given the relative size of the markets involved. The film has yet to open in several major markets, including France, where it opens this weekend, so it should remain active on the international chart for a while. More...

International Box Office: The Mummy Comes Alive Internationally with $140.76 million

June 14th, 2017

The Mummy

The Mummy debuted in first place on the international chart with $140.76 million on 19,078 screens in 63 markets. The film’s biggest market was China, no surprise there. It earned $52.4 million on 7,364 screens, which is better than Wonder Woman’s opening there last weekend. The film did even better in South Korea, relatively speaking, with an opening weekend of $8.61 million on 1,254 screens over the weekend for a total opening of $17.80 million. This includes a record for opening day in that market of $6.6 million, while the total opening was the best for Universal. On the downside, the film struggled in the U.K. earning second place with $4.2 million in 563 theaters. That’s weaker than its performance here, relative to the size of the two markets. Furthermore, the film only has two major markets left to open in, France and Japan, while its reviews will likely really hurt its legs. It will earn enough worldwide to pay for its production budget, assuming the $125 million reports are accurate. More...

International Box Office: Wonder Woman Opens Above Century Mark with $122.5 million

June 7th, 2017

Wonder Woman

Wonder Woman opened in first place on the international chart with $122.5 million in 55 markets for a global opening weekend of $225.8 million. Unsurprisingly, the film’s biggest market was China, where it opened in first place with $38.96 million. This is about $10 million less than Guardians of the Galaxy Vol 2 opened with recently, but then again, that was a sequel, so it is not an entirely fair comparison. Should Wonder Woman have better legs there, then it could still hit $100 million in that market. Other big markets for the movie include South Korea, where it earned $6.40 million on 1,034 screens over the weekend for a total opening of $8.41 million. This is better than Suicide Squad managed in that market, but behind Batman v Superman: Dawn of Justice. Brazil and Mexico were close behind with $8.3 million and $8.22 million respectively. This is better than Guardians of the Galaxy Vol 2, but not as good as BvS or Suicide Squad. On the other hand, the film struggled somewhat in the U.K earning $8.00 million in 599 screens, which was still enough for first place. It only managed second place in Russia with $3.99 million on 1,194 screens. Overall, the studio should be happy with these results and I bet there’s a sequel already in early stages of development. More...

Weekend Wrap-Up: Wonder Woman’s Wonderful $103.25 million Start

June 6th, 2017

Wonder Woman

The overall box office bounced back after a weak Memorial Day thanks to two critically acclaimed movies. Wonder Woman led the way with $103.25 million, while Captain Underpants: The First Epic Movie was way back with $23.85 million. Overall, the weekend box office pulled in $185 million, which is 31% more than last weekend. It is also 37% more than the same weekend last year. This helped 2017’s lead over 2016 grow by nearly a full percentage point to 3.5% at $4.69 billion to $4.52 billion. More...

Friday Estimates: The DCEU has $38.85 million Reasons to Feel Wonderful

June 3rd, 2017

Wonder Woman

As expected, Wonder Woman led the way on Friday; however, its box office was a little lower than I would have liked with $38.85 million. (I was expecting $42 million on Friday.) This still gives the film a slim shot at $100 million, although it will likely fall a little short. Fortunately, there are some positive signs we should focus on, including the reviews, which ticked up a point to 94% positive on Rotten Tomatoes. Meanwhile, the film earned a solid A from CinemaScore, which should also help its legs. It could still hit $100 million, if it does exceptionally well during matinees on Saturday. We will know this time tomorrow when the weekend estimates are released. More...

Weekend Predictions: New Releases are Going to be Wonderful

June 2nd, 2017

Wonder Woman

It’s the first weekend of June and it looks like it could be a monster weekend. Wonder Woman could earn over $100 million during the weekend, while Captain Underpants: The First Epic Movie is hoping to hit $100 million in total. Both have a great chance of getting there. Add in some solid holdovers and this weekend should earn close to $200 million. By comparison, this weekend last year was nowhere near as strong with Teenage Mutant Ninja Turtles: Out of the Shadows earning first place with just $35.32 million. Wonder Woman will earn more than that opening day. There’s a chance Wonder Woman will earn more over the weekend than the top five earned this weekend last year. More...

Weekend Wrap-Up: Pirates Sinks Lower with $78.47 million, Takes 2017 With It

May 31st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Memorial Day long weekend wasn’t as potent as expected as both new releases struggled. Pirates of the Caribbean: Dead Men Tell No Tales led the way with $78.47 million over four days. This marks the third year in a row where no film released on Memorial Day long weekend earned at least $100 million over four days. I’ve heard some talk that this means it is losing its importance as a long weekend. However, I think the actual answer is much simpler, as it is also the third weekend in a row where no wide releases have earned overall positive reviews. I don’t think the box office power of Memorial Day has dropped since X-Men: Days of Future Past came out. I just think the quality of films has dropped since then. Speaking of lack of quality, Baywatch was DOA earning just $27.71 million over five days and unlike Dead Men Tell No Tales, it likely won’t do significantly better internationally. Despite both new releases struggling, the holiday helped the overall box office grow 14% from last weekend to $141 million. Unfortunately, this was 14% lower than the same weekend last year. 2017 still maintains its lead over 2016, but that lead as slipped to 2.6% or $110 million at $4.46 billion to $4.35 billion. More...

Weekend Estimates: Time for Pirates to Sail into the Sunset?

May 28th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales is dominating proceedings at the box office this weekend, with Disney projecting an opening of $62.2 million for three days, and $76.6 million over the complete Memorial Day holiday weekend. As I’ve said a few times this year, any other studio would kill for numbers like those, but this marks the third straight decline in the franchise’s fortunes. Dead Man’s Chest had the best opening for any Pirates film, with $135.6 million in 2006; At World’s End did $114.7 million over Memorial Day weekend in 2007; and then On Stranger Tides delivered a $90.2-million debut, also over Memorial Day weekend in 2011. With this kind of start, Dead Men will struggle to deliver $200 million domestically, although its international performance will help make up the numbers. More...

Friday Estimates: Dead Men Tops Chart, but Struggles, with $23.40 million

May 27th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

As expected, Pirates of the Caribbean: Dead Men Tell No Tales earned first place at the Friday box office. Unfortunately, it missed the low end of expectations with $23.40 million, putting it on pace for a $62 million three-day weekend and a $73 million total opening. The film’s reviews are just 32% positive, putting it in a tie with On Stranger Tides for worst in the franchise. On the other hand, the film earned an A minus from CinemaScore compared to a B plus for the previous installment, so that should help its legs a little. That said, the film cost $230 million to make, so unless it is a monster hit at the international box office, there’s little hope the sequel teased in the end credits will happen. More...

Thursday Night Previews: Dead Men are not Lively, Baywatch Going Unseen

May 26th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales will have no trouble earning first place at the weekend box office, not after earning $5.5 million in previews last night. This would have given it number one for the night, if the numbers weren’t rolled into its Friday debut. On Stranger Tides managed $4.7 million during its midnight shows, but it was truly a midnight show, rather than starting at 7 pm like Dead Men Tell No Tales did. This is 30% higher than Alien: Covenant managed last week, but well behind the $8.2 million X-Men: Apocalypse managed this weekend last year. Dead Men Tell No Tales will need serious growth to match our previous prediction of $67 million / $82 million debut. On the positive side, it is a long weekend and that will undoubtedly help. On the negative side, its reviews are quite terrible. More...

Weekend Predictions: Will New Releases Make a Splash, or are They Dead in the Water?

May 25th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

It’s Memorial Day long weekend, which is historically one of the best long weekends at the box office all year. However, this year the two new releases are far from the best. Pirates of the Caribbean: Dead Men Tell No Tales has the worst reviews in the franchise and its domestic box office will likely be the same. Sadly, Baywatch’s reviews are even worse. That said, they should still finish one-two over the weekend, while Alien: Covenant and Guardians of the Galaxy Vol 2 will be in a race for third place. It likely won’t be close. Meanwhile, this weekend last year, X-Men: Apocalypse and Alice Through the Looking Glass opened one-two during the weekend with results that are similar to what Dead Men Tell No Tales / Baywatch are expected to make. I don’t know if 2017 will win in the year-over-year comparison, but it should be close. More...

Contest: Tall Tales

May 18th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

There are two wide releases coming out next week: Baywatch and Pirates of the Caribbean: Dead Men Tell No Tales. It’s an easy choice for the target film in this week’s box office prediction contest, not only because Dead Men Tell No Tales is expected to open much faster, but also because Baywatch is opening on Thursday. In order to win, one must simply predict the opening weekend box office number for Pirates of the Caribbean: Dead Men Tell No Tales.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!

Note: It is a long weekend, but we only use the three-day, Friday through Sunday box office for this contest.

More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

Baywatch Trailer

December 8th, 2016

Summer comedy starring Dwayne Johnson, Zac Efron opens May 26 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 26, 2017 3 $18,503,871   3,647 $5,074   $23,110,385 1
Jun 2, 2017 5 $8,786,607 -53% 3,647 $2,409   $42,011,045 2
Jun 9, 2017 7 $4,648,207 -47% 2,832 $1,641   $51,113,342 3
Jun 16, 2017 12 $1,610,987 -65% 1,307 $1,233   $55,158,487 4
Jun 23, 2017 16 $748,404 -54% 480 $1,559   $56,656,293 5
Jun 30, 2017 21 $248,335 -67% 196 $1,267   $57,271,082 6
Jul 7, 2017 22 $184,703 -26% 193 $957   $57,603,797 7
Jul 14, 2017 25 $134,388 -27% 156 $861   $57,852,359 8
Jul 21, 2017 28 $80,098 -40% 125 $641   $58,009,442 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 24, 2017 P $1,300,000     2,554 $509   $1,300,000  
May 25, 2017 1 $4,606,514     3,647 $1,263   $4,606,514 1
May 26, 2017 2 $5,711,166 +24%   3,647 $1,566   $10,317,680 2
May 27, 2017 3 $6,576,457 +15%   3,647 $1,803   $16,894,137 3
May 28, 2017 3 $6,216,248 -5%   3,647 $1,704   $23,110,385 4
May 29, 2017 3 $4,603,072 -26%   3,647 $1,262   $27,713,457 5
May 30, 2017 2 $2,534,172 -45%   3,647 $695   $30,247,629 6
May 31, 2017 2 $1,646,716 -35%   3,647 $452   $31,894,345 7
Jun 1, 2017 3 $1,330,093 -19% -71% 3,647 $365   $33,224,438 8
Jun 2, 2017 5 $2,682,337 +102% -53% 3,647 $735   $35,906,775 9
Jun 3, 2017 5 $3,589,716 +34% -45% 3,647 $984   $39,496,491 10
Jun 4, 2017 5 $2,514,554 -30% -60% 3,647 $689   $42,011,045 11
Jun 5, 2017 4 $1,126,275 -55% -76% 3,647 $309   $43,137,320 12
Jun 6, 2017 4 $1,514,004 +34% -40% 3,647 $415   $44,651,324 13
Jun 7, 2017 5 $945,659 -38% -43% 3,647 $259   $45,596,983 14
Jun 8, 2017 5 $868,152 -8% -35% 3,647 $238   $46,465,135 15
Jun 9, 2017 7 $1,362,272 +57% -49% 2,832 $481   $47,827,407 16
Jun 10, 2017 7 $1,967,081 +44% -45% 2,832 $695   $49,794,488 17
Jun 11, 2017 7 $1,318,854 -33% -48% 2,832 $466   $51,113,342 18
Jun 12, 2017 7 $567,764 -57% -50% 2,832 $200   $51,681,106 19
Jun 13, 2017 6 $843,819 +49% -44% 2,832 $298   $52,524,925 20
Jun 14, 2017 6 $632,047 -25% -33% 2,832 $223   $53,156,972 21
Jun 15, 2017 8 $390,528 -38% -55% 2,832 $138   $53,547,500 22
Jun 16, 2017 13 $502,505 +29% -63% 1,307 $384   $54,050,005 23
Jun 17, 2017 12 $620,774 +24% -68% 1,307 $475   $54,670,779 24
Jun 18, 2017 12 $487,708 -21% -63% 1,307 $373   $55,158,487 25
Jun 19, 2017 12 $239,080 -51% -58% 1,307 $183   $55,397,567 26
Jun 20, 2017 12 $253,676 +6% -70% 1,307 $194   $55,651,243 27
Jun 21, 2017 14 $126,771 -50% -80% 609 $208   $55,778,014 28
Jun 22, 2017 14 $129,875 +2% -67% 609 $213   $55,907,889 29
Jun 23, 2017 15 $237,848 +83% -53% 480 $496   $56,145,737 30
Jun 24, 2017 15 $310,532 +31% -50% 480 $647   $56,456,269 31
Jun 25, 2017 15 $200,024 -36% -59% 480 $417   $56,656,293 32
Jun 26, 2017 15 $103,084 -48% -57% 480 $215   $56,759,377 33
Jun 27, 2017 14 $123,732 +20% -51% 480 $258   $56,883,109 34
Jun 28, 2017 15 $74,790 -40% -41% 480 $156   $56,957,899 35
Jun 29, 2017 15 $64,848 -13% -50% 480 $135   $57,022,747 36
Jun 30, 2017 - $73,647 +14% -69% 196 $376   $57,096,394 37
Jul 1, 2017 - $82,070 +11% -74% 196 $419   $57,178,464 38
Jul 2, 2017 - $92,618 +13% -54% 196 $473   $57,271,082 39
Jul 3, 2017 - $50,505 -45% -51% 196 $258   $57,321,587 40
Jul 4, 2017 - $38,620 -24% -69% 196 $197   $57,360,207 41
Jul 5, 2017 - $30,972 -20% -59% 196 $158   $57,391,179 42
Jul 6, 2017 - $27,915 -10% -57% 196 $142   $57,419,094 43
Jul 7, 2017 - $53,877 +93% -27% 193 $279   $57,472,971 44
Jul 8, 2017 - $76,531 +42% -7% 193 $397   $57,549,502 45
Jul 9, 2017 - $54,295 -29% -41% 193 $281   $57,603,797 46
Jul 10, 2017 - $27,870 -49% -45% 193 $144   $57,631,667 47
Jul 11, 2017 - $31,786 +14% -18% 193 $165   $57,663,453 48
Jul 12, 2017 - $27,284 -14% -12% 193 $141   $57,690,737 49
Jul 13, 2017 - $27,234 n/c -2% 193 $141   $57,717,971 50
Jul 14, 2017 - $40,712 +49% -24% 156 $261   $57,758,683 51
Jul 15, 2017 - $54,985 +35% -28% 156 $352   $57,813,668 52
Jul 16, 2017 - $38,691 -30% -29% 156 $248   $57,852,359 53
Jul 17, 2017 - $17,615 -54% -37% 156 $113   $57,869,974 54
Jul 18, 2017 - $22,489 +28% -29% 156 $144   $57,892,463 55
Jul 19, 2017 - $19,096 -15% -30% 156 $122   $57,911,559 56
Jul 20, 2017 - $17,785 -7% -35% 156 $114   $57,929,344 57
Jul 21, 2017 - $24,126 +36% -41% 125 $193   $57,953,470 58
Jul 22, 2017 - $31,195 +29% -43% 125 $250   $57,984,665 59
Jul 23, 2017 - $24,777 -21% -36% 125 $198   $58,009,442 60
Jul 24, 2017 - $12,821 -48% -27% 125 $103   $58,022,263 61
Jul 25, 2017 - $13,535 +6% -40% 125 $108   $58,035,798 62
Jul 26, 2017 - $11,513 -15% -40% 125 $92   $58,047,311 63
Jul 27, 2017 - $12,875 +12% -28% 125 $103   $58,060,186 64

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 19, 2017 7 $4,606,514   3,647 $1,263   $4,606,514 1
May 26, 2017 3 $28,617,924 +521% 3,647 $7,847   $33,224,438 2
Jun 2, 2017 5 $13,240,697 -54% 3,647 $3,631   $46,465,135 3
Jun 9, 2017 7 $7,082,365 -47% 2,832 $2,501   $53,547,500 4
Jun 16, 2017 13 $2,360,389 -67% 609 $3,876   $55,907,889 5
Jun 23, 2017 16 $1,114,858 -53% 480 $2,323   $57,022,747 6
Jun 30, 2017 22 $396,347 -64% 196 $2,022   $57,419,094 7
Jul 7, 2017 21 $298,877 -25% 193 $1,549   $57,717,971 8
Jul 14, 2017 25 $211,373 -29% 156 $1,355   $57,929,344 9
Jul 21, 2017 28 $130,842 -38% 125 $1,047   $58,060,186 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/16/2017 $275,423 0 0 0 $788,798 1/1/2019
Australia 6/2/2017 $2,593,407 403 403 1,563 $7,504,206 10/14/2018
Austria 6/2/2017 $0 0 0 0 $1,900,000 6/12/2017
Brazil 6/16/2017 $1,300,000 0 0 0 $2,661,110 6/26/2018
Bulgaria 6/1/2017 $79,159 0 0 0 $437,945 2/26/2019
Czech Republic 6/16/2017 $120,979 135 135 296 $386,101 1/1/2019
France 6/23/2017 $2,300,000 545 545 545 $10,458,476 6/27/2018
Germany 6/2/2017 $3,900,000 0 0 0 $18,387,224 6/29/2018
Hong Kong 6/2/2017 $701,000 0 22 43 $1,157,989 10/27/2018
India 6/2/2017 $1,600,000 0 0 0 $1,600,000 6/14/2017
Indonesia 7/21/2017 $685,000 0 82 113 $976,011 1/1/2019
Italy 6/2/2017 $779,473 0 0 0 $2,348,415 10/23/2018
Lithuania 6/16/2017 $32,238 138 138 278 $190,978 8/2/2017
Malaysia 6/2/2017 $642,000 0 0 0 $1,200,000 6/12/2017
Mexico 6/16/2017 $2,510,115 0 0 0 $8,067,178 10/12/2018
Netherlands 5/31/2017 $531,289 106 108 951 $2,917,578 11/3/2018
New Zealand 5/26/2017 $48,961 38 70 323 $857,265 10/17/2022
Poland 6/9/2017 $164,820 0 0 0 $684,207 1/1/2019
Portugal 7/21/2017 $371,802 70 71 396 $1,761,772 9/20/2017
Russia (CIS) 6/2/2017 $1,753,504 972 1,044 2,646 $3,818,614 1/1/2019
Singapore 6/2/2017 $468,000 0 0 0 $468,000 6/5/2017
Slovakia 6/16/2017 $126,259 70 70 174 $318,458 9/7/2017
Spain 6/16/2017 $610,301 322 322 1,306 $2,611,402 10/30/2018
Switzerland 6/2/2017 $0 0 0 0 $1,500,000 6/12/2017
Taiwan 6/2/2017 $873,000 82 82 327 $2,591,984 10/28/2018
Turkey 6/2/2017 $68,991 158 158 351 $235,964 2/26/2019
United Arab Emirates 7/21/2017 $530,000 0 0 0 $530,000 12/20/2018
United Kingdom 6/2/2017 $5,967,329 506 506 2,260 $12,320,260 9/25/2018
 
Rest of World $29,123,662
 
International Total$117,803,597 10/17/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 3, 2017284,368 84,368$1,517,780$1,517,7803
Sep 10, 2017355,750-34% 140,118$1,002,942$2,520,7224
Sep 17, 20171219,512-65% 159,630$351,021$2,871,7435
Sep 24, 2017159,796-50% 169,426$176,230$3,047,9736
Oct 1, 2017247,786-21% 177,212$140,070$3,188,0437
Oct 8, 2017277,377-5% 184,589$132,712$3,320,7558

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 3, 20173110,816 110,816$2,062,124$2,062,1243
Sep 10, 2017350,094-55% 160,910$1,013,877$3,076,0014
Sep 17, 2017618,103-64% 179,013$369,415$3,445,4165
Sep 24, 2017138,927-51% 187,940$180,807$3,626,2236
Oct 1, 2017147,576-15% 195,516$153,400$3,779,6237

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.