Australia Box Office for Halston (2019)

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Halston
Theatrical Performance (US$)
Australia Box Office $23,612Details
Worldwide Box Office $188,390Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

HALSTON captures the epic sweep of the life and times of legendary designer Roy Halston Frowick, the man who wanted to “dress all of America.” Acclaimed filmmaker Frédéric Tcheng (“Dior and I”) expertly weaves rare archival footage and intimate interviews with Halston’s friends, family, and collaborators including Liza Minnelli, his niece Lesley Frowick, filmmaker Joel Schumacher, and the Halstonettes. Tcheng frames Halston’s story as an investigation using scripted scenes featuring actress and writer Tavi Gevinson as a young archivist diving into the Halston company records. The viewer is taken behind the headlines and into the thrilling struggle between Halston’s artistic legacy and the pressures of big business. America’s first superstar designer, Halston created an empire and personified the dramatic social and sexual revolution of the last century. Moving beyond Halston’s embodiment of 1970s glamour, Tcheng reveals Halston’s impact on fashion, culture, and business.

Metrics

Movie Details

Australia Releases: September 20th, 2019 (Wide)
Video Release: August 6th, 2019 by Passion River
MPAA Rating: Not Rated
Running Time: 119 minutes
Keywords: Sundance Film Festival 2019, 1970s, Fashion, Narcotics
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: CNN Films, Dogwoof, T-Dog Productions
Production Countries: United States
Languages: English

Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart

May 30th, 2019

Echo in the Canyon

Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449. More...

Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend

May 26th, 2019

Aladdin

Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column. More...

Limited and VOD Releases: Documenting the History of Art

May 24th, 2019

The Souvenir

Documentaries dominate this week’s list of limited releases with five such films appearing below. All of them are about an artist, music, or fashion, so if you are into those, you are in luck. Of these, I think Woodstock: Three Days That Defined a Generation will do the best. Meanwhile, there are a couple of VOD titles that are also worth checking out: Avengement and Funny Story. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/20 - $1,757   2 $879   $1,757 1
2019/09/27 - $838 -52% 1 $838   $3,810 2
2019/10/04 - $743 -11% 2 $372   $6,629 3
2021/03/26 - $65   1 $65   $23,612 80

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/20/2019 $1,757 2 2 6 $23,612 10/19/2022
Lithuania 9/13/2019 $1,966 7 7 7 $1,966 10/19/2022
New Zealand 8/23/2019 $98 1 3 8 $2,092 10/29/2019
North America 5/24/2019 $11,643 1 30 91 $151,991
Russia (CIS) 12/20/2019 $143 3 4 13 $1,771 10/19/2022
United Kingdom 6/7/2019 $6,958 5 5 5 $6,958 6/13/2019
 
Worldwide Total$188,390 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Roy Halston    Himself

Interviewee(s)

Liza Minnelli    Herself
Marisa Berenson    Herself
Joel Schumacher    Himself
Gino Balsamo    Himself
Karen Bjornson    Herself
Walter Bregman    Himself
Alva Chinn    Herself
Pat Cleveland    Herself
Bob Colacello    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Frederic Tcheng    Director
Frederic Tcheng    Screenwriter
Frederic Tcheng    Producer
Roland Ballester    Producer
Stephanie Levy    Producer
Paul Dallas    Producer
Lesley Frowick    Executive Producer
Amy Entelis    Executive Producer
Anna Godas    Executive Producer
Oli Harbottle    Executive Producer