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Netherlands Box Office for The Mountain Between Us (2017)

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The Mountain Between Us
Theatrical Performance (US$)
Netherlands Box Office $1,319,660Details
Worldwide Box Office $52,156,142Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A pair survive a plane crash in the mountains where they are forced to trust each other and find safety while badly injured.

Metrics

Movie Details

Netherlands Releases: October 27th, 2017 (Wide)
MPAA Rating: PG-13 for a scene of sexuality, peril, injury images, and brief strong language.
(Rating bulletin 2492 (Cert #50989), 9/6/2017)
Running Time: 104 minutes
Keywords: Accidental Death, Survivalist, Trapped, Mountain Climbing, Extreme Weather
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Chernin Entertainment, Fox 2000 Pictures
Production Countries: United States

Cast

Idris Elba    Ben Bass
Kate Winslet    Ashley Knox
Beau Bridges    Walter
Dermot Mulroney    Mark
Linda Sorensen    Pamela
Vincent Gale    Airline Customer Service
Marci T. House    Airline Rep
Dania Nassar    Female Patient (Mrs. Qabbani)
Lee Majdoub    Translator
Andres Joseph    Dinner Guest
Nancy Sivak    Nurse
Bethany Brown    New York Waiter
Orval Roberts    Logging Truck Driver

Production and Technical Credits

Director    Hany Abu-Assad
Screenwriter    Chris Weitz
Screenwriter    J. Mills Goodloe
Story based on “The Mountain Between Us” by    Charles Martin
Producer    Peter Chernin
Producer    Jenno Topping
Producer    Dylan Clark
Producer    David Ready
Executive Producer    Becki Cross Trujillo
Executive Producer    Fred Berger
Production Designer    Patrice Vermette
Editor    Lee Percy
Composer    Ramin Djawadi
Director of Photography    Mandy Walker
Costume Designer    Renee Ehrlich Kalfus
Unit Production Manager    Becki Cross Trujillo
Production Manager    Penny Gibbs
First Assistant Director    Paul Barry
Second Assistant Director    Philip Nee Nee
Associate Producer    Amira Diab
Stunt Coordinator    Dan Shea
Supervising Art Director    James Steuart
Art Director    Cheryl Marion
Assistant Art Director    Angela O’Sullivan
Set Decorator    Shannon Gottlieb
Set Designer    Michael Toby
Storyboard Artist    Robert Pratt
Still Photographer    Kimberley French
Sound Mixer    Chris Duesterdiek
Script Supervisor    Susan Lambie
Sound Designer    Ai-Ling Lee
Supervising Sound Editor    Ai-Ling Lee
Supervising Sound Editor    Mildred Iatrou
Re-recording Mixer    Andy Nelson
Re-recording Mixer    Ai-Ling Lee
First Assistant Editor    Michael Fay
First Assistant Editor    Ian Blume
Costume Supervisor    Carole Griffin
Sets Supervisor    Dawn Leigh Climie
Location Manager    Robin Mounsey
Location Manager    S. Steven Sach
Casting Associate    Martina Smith
Special Effects Coordinator    Paul Benjamin
Visual Effects Supervisor    Kevin Hahn
Visual Effects Producer    Korey James Cauchon
Visual Effects Producer    Thomas Tannenberger
Supervising Dialogue Editor    Susan Dawes
Dialogue Editor    Teri E. Dorman
Sound Effects Editor    Chris Terhune
Foley Mixer    James Ashwill
Foley Mixer    Richard Duarte
Foley Mixer    Jack Cucci
Recordist    Luke Schwarzweller
Recordist    Tim Gomillion
Music Editor    Peter Myles

Weekend Wrap-Up: Death Day Made the Box Office Happy with $26.04 million

October 17th, 2017

Happy Death Day

Happy Death Day led the weekend, as expected, but did so with a surprisingly strong $26.04 million. The only other truly wide release of the week was The Foreigner, which also beat expectations, albeit by a smaller margin. The overall box office still fell from last weekend, down 4.2% to $100 million. This is 1.4% higher than the same weekend last year. On the one hand, this is not enough to compensate for inflation. On the other hand, at this point, any win is worth celebrating. Year-to-date, 2017 is still behind 2016 by a large margin, but at least it was able to close the gap by a little bit at $410 million / 4.7% at $8.34 billion to $8.75 billion. More...

Weekend Predictions: Will Happy Day be the Death of the Box Office?

October 12th, 2017

Happy Death Day

I thought this would be a really busy weekend with Blade Runner 2049 repeating in first place and four wide releases competing for spots in the top five. However, last weekend, Blade Runner 2049 missed expectations, so it won’t dominate the chart this weekend. Meanwhile, two of the four wide releases are not going to open truly wide. This leaves Happy Death Day with a relatively easy path to first place. The Foreigner has almost made enough in China to pay for its production budget, so as long as it can cover its advertising budget here, it will break even before it reaches the home market. Meanwhile, Professor Marston & The Wonder Women is opening semi-wide and Marshall is opening nationwide. They may or may not open in the top ten. This weekend last year, The Accountant opened in first place with close to $25 million, while all three wide releases combined made $38 million. It is going to be tough for 2017 to match that. More...

Weekend Wrap-Up: Blade Runner Tops Chart with $32.75 million, but is it Enough?

October 10th, 2017

Blade Runner 2049

October started on a soft note with none of the new releases meeting expectations over the weekend. Blade Runner 2049 led the way with $32.75 million, which would have been fine, had the movie not cost $155 million to make. (That’s $185 million on the screen, $155 million cost for the studio, after you take into account tax breaks, etc.) Neither The Mountain Between Us, nor My Little Pony: The Movie made much of an impact at the box office, but at least neither of them bombed. The biggest news was It hitting $300 million. Overall, the box office did climb compared to last weekend, growing 16% to $105 million. This is just 1.2% higher than the same weekend last year, but at this point, a win is a win. Year-to-date, 2017 is 5.1% or $440 million behind 2016 at $8.19 billion to $8.64 billion. We really needed a big win this weekend to put a dent in that number. Unless November and December are really big months, 2017 has already lost the year-over-year competition. More...

Weekend Estimates: Blade Runner Stumbles Out the Gate

October 8th, 2017

Blade Runner 2049

After It smashed the September weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel to Blade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record, Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex. More...

Friday Estimates: What Happened? Blade Runner Struggles with $12.7 million

October 7th, 2017

Blade Runner 2049

I was bullish about Blade Runner 2049’s chances for a number of reasons. It was setting October records for pre-sales on a number of sites. Its reviews were over 90% positive. Its previews were a little stronger than expected, so everything was looking up. Then Friday happened. The film only pulled in $12.7 million on Friday, which is well below expectations. This is not a case of critics loved it, but the audiences didn’t, as it scored an A minus from CinemaScore. Perhaps not enough of the target audience even remembers the original Blade Runner and that’s why this movie is struggling. A lot of people thought it had a shot at $50 million this weekend but now $35 million is likely out of reach. $33 million is more likely at this point. More...

Thursday Night Previews: Blade Runs up a $4 million Tab

October 6th, 2017

Blade Runner 2049

Blade Runner 2049 pulled in $4 million in previews on Thursday night. Unfortunately, there’s not a lot of comparisons we can make here. The record holder for October is Gravity, but it opened in 2013, before previews were a major thing, so we can’t compare its $1.4 million in previews. Even The Martian’s $2.5 million previews isn’t a great comparison. We can say this is a good omen and a $50 million opening is a little more likely than it was yesterday. The reviews and its word-of-mouth should certainly help out, but it likely won’t be enough to break any records. More...

Weekend Predictions: Can Blade Runner Sprint to the Finish?

October 5th, 2017

Blade Runner 2049

September ended on a slow note, but it looks like October will open fast. Blade Runner 2049 has been setting October pre-order records for a few sites, but it will also need strong walk-up sales in order to actually break the October weekend record, currently held by Gravity, with $55 million. I don’t think that’s likely, but at this point I would be shocked if it didn’t land in the top ten weekends for the month. The Mountain Between Us looks more and more like busted Oscar-bait. Its reviews have fallen from just over 70% positive to under 50% positive. As I started writing this, My Little Pony: The Movie still had no reviews, which is almost worse than bad reviews. (Reviews are starting to trickle in.) Finally there’s Victoria and Abdul, which is expanding. It isn’t expanding wide, or even semi-wide; however, it should still earn a spot in the top ten. This weekend last year, The Girl on the Train opened with $24.54 million. Blade Runner 2049 could earn twice that. If 2017 does win in the year-over-year comparison, then it will be on the back of Blade Runner 2049. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

The Mountain Between Us Trailer

June 1st, 2017

Survival thriller starring Idris Elba and Kate Winslet opens October 20 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/27 2 $407,594   80 $5,095   $450,225 1
2017/11/03 - $369,945 -9% 83 $4,457   $943,049 2
2017/11/10 3 $271,554 -27% 82 $3,312   $1,319,660 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/13/2017 $1,356,975 286 292 1262 $3,666,130 11/16/2017
Brazil 11/3/2017 $912,000 0 0 0 $912,000 11/6/2017
Czech Republic 10/6/2017 $70,587 96 96 242 $256,405 11/8/2017
Mexico 10/6/2017 $1,050,414 0 0 0 $3,012,749 10/31/2017
Netherlands 10/27/2017 $407,594 80 83 245 $1,319,660 11/13/2017
New Zealand 10/13/2017 $205,911 91 91 400 $637,269 11/13/2017
North America 10/6/2017 $10,551,336 3088 3259 12646 $29,556,142
Russia (CIS) 10/6/2017 $589,537 352 352 902 $1,338,030 10/24/2017
Slovakia 10/6/2017 $43,765 50 50 133 $133,586 11/8/2017
Spain 10/6/2017 $506,222 291 295 1008 $1,662,595 11/6/2017
United Kingdom 10/6/2017 $1,015,867 423 442 1233 $3,111,044 10/25/2017
 
Rest of World $6,550,532
 
Worldwide Total$52,156,142 11/16/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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