Italy Box Office for Resta con me (2018)
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| Theatrical Performance (US$) | ||
| Italy Box Office | $3,666,006 | Details |
| Worldwide Box Office | $57,897,191 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,586,031 | Details |
| North America Blu-ray Sales | $858,197 | Details |
| Total North America Video Sales | $2,444,228 | |
| Further financial details... | ||
Synopsis
The true story of two free spirits whose chance encounter leads them first to love, and then to the adventure of a lifetime. As the two avid sailors set out on a journey across the ocean, Tami Oldham and Richard Sharp couldn’t anticipate they would be sailing directly into one of the most catastrophic hurricanes in recorded history. In the aftermath of the storm, Tami awakens to find Richard badly injured and their boat in ruins. With no hope for rescue, Tami must find the strength and determination to save herself and the only man she has ever loved.
Metrics
Movie Details
| Production Budget: | $35,000,000 |
| Italy Releases: | August 16th, 2018 (Wide), released as Resta con me |
| Video Release: | August 21st, 2018 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for injury images, peril, language, brief drug use, partial nudity and thematic elements. (Rating bulletin 2526 (Cert #51589), 5/9/2018) |
| Running Time: | 80 minutes |
| Keywords: | Romance, On a Boat, Extreme Weather, Disaster, Lost At Sea, 1980s, Survival Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lakeshore Entertainment, Ingenious Media, Huayi Brothers Pictures Ltd, STX Entertainment, RVK |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/17 | 6 | $102,328 | 0 | $102,356 | 1 | ||
| 2018/08/31 | 3 | $1,181,906 | 0 | $1,525,795 | 3 | ||
| 2018/09/07 | 4 | $679,609 | -42% | 0 | $2,786,467 | 4 | |
| 2018/09/14 | 7 | $357,332 | -47% | 0 | $3,435,377 | 5 | |
| 2018/09/21 | 10 | $114,296 | -68% | 0 | $3,684,073 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/31/2018 | $59,259 | 0 | 0 | 0 | $82,346 | 1/1/2019 |
| Australia | 6/29/2018 | $565,474 | 200 | 200 | 960 | $2,157,673 | 8/30/2018 |
| Brazil | 8/10/2018 | $417,000 | 0 | 0 | 0 | $825,922 | 8/25/2018 |
| Bulgaria | 7/27/2018 | $24,638 | 0 | 0 | 0 | $125,336 | 2/26/2019 |
| China | 12/7/2018 | $1,150,000 | 46000 | 46000 | 46000 | $1,609,857 | 1/4/2019 |
| Czech Republic | 7/6/2018 | $38,630 | 66 | 66 | 163 | $162,595 | 1/1/2019 |
| France | 7/6/2018 | $422,000 | 0 | 0 | 0 | $1,162,509 | 8/2/2018 |
| Germany | 7/13/2018 | $583,000 | 0 | 0 | 0 | $2,279,437 | 8/9/2018 |
| Italy | 8/16/2018 | $102,328 | 0 | 6 | 8 | $3,666,006 | 2/22/2019 |
| Lithuania | 6/1/2018 | $21,146 | 95 | 95 | 278 | $104,645 | 8/15/2018 |
| Mexico | 7/20/2018 | $502,684 | 0 | 0 | 0 | $1,152,507 | 7/30/2018 |
| Netherlands | 7/6/2018 | $101,807 | 100 | 654 | 948 | $532,574 | 9/16/2018 |
| New Zealand | 6/29/2018 | $91,829 | 60 | 66 | 297 | $405,008 | 8/9/2018 |
| North America | 6/1/2018 | $11,603,039 | 3,015 | 3,015 | 10,052 | $31,445,011 | |
| Poland | 7/6/2018 | $87,600 | 0 | 0 | 0 | $279,802 | 1/1/2019 |
| Portugal | 6/15/2018 | $36,046 | 38 | 39 | 107 | $119,811 | 8/15/2018 |
| Russia (CIS) | 6/28/2018 | $536,013 | 732 | 732 | 2306 | $1,877,344 | 2/26/2019 |
| Singapore | 6/1/2018 | $82,000 | 0 | 0 | 0 | $82,000 | 6/4/2018 |
| Slovakia | 7/13/2018 | $41,161 | 67 | 67 | 142 | $143,125 | 9/7/2018 |
| South Korea | 9/6/2018 | $231,276 | 490 | 490 | 565 | $422,496 | 10/26/2018 |
| Spain | 6/29/2018 | $182,647 | 220 | 220 | 480 | $478,934 | 7/24/2018 |
| Taiwan | 8/24/2018 | $252,000 | 0 | 0 | 0 | $252,000 | 9/3/2018 |
| Turkey | 6/1/2018 | $35,173 | 103 | 103 | 185 | $93,231 | 2/26/2019 |
| United Kingdom | 6/29/2018 | $534,829 | 463 | 471 | 1170 | $1,674,805 | 7/18/2018 |
| Rest of World | $6,762,217 | ||||||
| Worldwide Total | $57,897,191 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Shailene Woodley | Tami Oldham | |
| Sam Claflin | Richard Sharp |
Supporting Cast
| Jeffrey Thomas | Peter Crompton | |
| Elizabeth Hawthorne | Christine Crompton | |
| Grace Palmer | Deb | |
| Tami Ashcraft* | Herself | |
| Marisiale Tunoka | Customs Agent | |
| Kael Damlamian | Smiley | |
| Lei-Ming Caine | Outrigger Girl | |
| Neil Andrea | Crewman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Baltasar Kormakur | Director | |
| David Branson Smith | Screenwriter | |
| Jordan Kandell | Screenwriter | |
| Aaron Kandell | Screenwriter | |
| Susea McGearhart | Based on “Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea” | |
| Tami Oldham Ashcraft* | Based on “Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea” | |
| Shailene Woodley | Producer | |
| Jordan Kandell | Producer | |
| Aaron Kandell | Producer | |
| Baltasar Kormakur | Producer | |
| David Kosse | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Felice Bee | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Eric Reid | Executive Producer | |
| Gary Lucchesi | Executive Producer | |
| Tom Rosenberg | Executive Producer | |
| Stephen Fuss | Executive Producer | |
| Andrea Scarso | Executive Producer | |
| Magnus Vidar Sigurdsson | Executive Producer | |
| Ralph Winter | Executive Producer | |
| Robert Richardson | Director of Photography | |
| Heimir Sverrisson | Production Designer | |
| John Gilbert | Editor | |
| Volker Bertelmann | Composer | |
| Augie Davis | Supervising Stunt Coordinator | |
| Eva Yang | Stunt Coordinator | |
| Andy McLaren | Supervising Art Director | |
| Simon Hall | Art Director | |
| Samuel J. Storey | Art Director | |
| Hulda Helgadóttir | Set Decorator | |
| Hrafnhildur Hólmgeirsdóttir | Set Decorator | |
| Kristin Witcombe | Script Supervisor | |
| Monique Knight | Script Supervisor | |
| Fred Enholmer | Sound Mixer | |
| Dean Clarke | Special Effects Supervisor | |
| Clayton Tikao | Location Manager | |
| Amanda Neale | Costume Designer | |
| Lucy McLay | Costume Supervisor | |
| Rob Askew | Set Designer | |
| Brendon Sweeney | Set Designer | |
| Mark Harris | Post-Production Supervisor | |
| Carly Turner | First Assistant Editor | |
| Sven Taits | Dialogue Editor | |
| Sven Taits | Re-recording Mixer | |
| Niv Adiri | Re-recording Mixer | |
| Dayo James | Sound Effects Editor | |
| Nick Freemantle | Sound Effects Editor | |
| Rob Malone | Sound Effects Editor | |
| Adam Armitage | Sound Effects Editor | |
| Jemma Riley-Tolch | Foley Mixer | |
| Gavin Round | Visual Effects Producer | |
| Gerard McCann | Music Editor | |
| Viktor Orri Arnason | Additional Music | |
| Samuel J. Brown | Executive in Charge of Production | |
| Caroline Garrett | Visual Effects Executive Producer | |
| Tracey Gibbons | Visual Effects Producer | |
| Sara Bennett | Visual Effects Supervisor | |
| Chris Hutchinson | Animation Supervisor | |
| Will Cohen | Visual Effects Executive Producer | |
| Clare Norman | Visual Effects Executive Producer | |
| Natalie Reid | Visual Effects Producer | |
| Guy Botham | Visual Effects Executive Producer | |
| Rebecca West | Visual Effects Producer | |
| Jiwoong Kim | Visual Effects Supervisor | |
| Matthias Bjarnason | Character CG Supervisor | |
| Benjamin Bohn | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.