New Zealand Box Office for The Broken Hearts Gallery (2020)

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The Broken Hearts Gallery
Theatrical Performance (US$)
New Zealand Box Office $44,261Details
Worldwide Box Office $4,835,599Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.

Metrics

Movie Details

New Zealand Releases: September 24th, 2020 (Wide)
Video Release: November 10th, 2020 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for sexual content throughout and some crude references, strong language and drug references.
(Rating bulletin 2634 (Cert #52730), 6/17/2020)
Running Time: 109 minutes
Keywords: Romance, Relationships Gone Wrong, Relationship Advice, Love Triangle, Artists, Disrupted by 2020 COVID-19 pandemic
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Tri-Star Pictures, Stage 6 Films, No Trace Camping, Telefilm Canada, Ontario Creates
Production Countries: Canada, United States
Languages: English

Weekend estimates: Honest Thief wins weekend with $3.7 million

October 18th, 2020

Honest Thief

Honest Thief will top the domestic box office this weekend with a $3.7 million opening that is in line with expectations, and provides more evidence that the theatrical business is at least stable in the United States. Relatively good numbers for the re-release of The Nightmare Before Christmas bolster that argument, although 2 Hearts is underperforming hopes. Overall, it’s a story of two steps forward, one step back. More...

Weekend predictions: movies are showing better legs during the pandemic

September 24th, 2020

Disney’s announcement earlier this week that it is moving its upcoming MCU releases into 2021, starting with Black Widow taking over Shang Chi’s previous slot on May 7, was a body-blow to the theatrical business. October’s release schedule is now looking very thin indeed. November isn’t looking much better, and there’s a high probability that at least one of No Time to Die, Soul, and The Croods: A New Age will slip from their current planned release dates.

This weekend has four films technically opening wide: the re-release of The Empire Strikes Back, Shortcut (an Italian horror movie from Gravitas Ventures, opening in around 600 locations), and two movies honoring Ruth Bader Ginsberg, On the Basis of Sex and RBG. However, all of them are such special cases that they don’t fit our prediction model. Instead, I’ll focus on a rare piece of good news: films currently playing in theaters are showing better week-to-week legs than was the case before the pandemic. More...

Weekend estimates: Mulan posts disappointing $23.2 million opening in China, Tenet crosses $200 million worldwide

September 13th, 2020

Mulan

The return of major new theatrical releases in the United States is great news for the industry, but this past few days have shown just how tough it will be to recover from the effects of the pandemic. After Tenet’s seemingly not-too-good, not-too-bad opening last weekend, two studios revealed what they really thought at end of the week, with Warner Bros. pushing Wonder Woman 1984 back to December 25, and Universal shifting Candyman to sometime in 2021. Clearly business isn’t good enough (yet) to support movies that could be very profitable under normal circumstances.

Warner Bros. and Universal do earn some credit for sticking with a theatrical strategy for the films, at least for now. Disney, meanwhile, have (amongst other things) been criticized for releasing Mulan on Disney+ here in the United States, and didn’t get the best of news this weekend for their international theatrical strategy, as the film rolled out in China with a modest $23.2 million.

New numbers for Tenet, and an opening weekend estimate for The Broken Hearts Gallery also give us new insight into progress in the domestic market.

Here’s a round-up of the weekend numbers released so far. More...

Weekend prediction: The Broken Hearts Gallery

September 10th, 2020

The Broken Hearts Gallery

With theaters slowly reopening in North America, albeit with significant capacity restrictions, and new releases returning to theaters after a long, lonely, Summer, we thought it was time to take a look at our weekend predictions. Traditionally, these have been compiled through a combination of research and judgment, much like the predictions you’ll see on many web sites, trade publications, and newspapers. While our predictions have always stacked up well compared to everyone else, going forwards we wanted to do something that more closely embodies the ethos of The Numbers: providing objective, data-based analysis of the movie industry.

I’m pleased to announce our new weekend previews, which will be based on a model we’re developing that uses our huge database of movie box office and metadata to predict the weekend box office for movies currently playing in theaters. The prediction model debuts this week with an analysis of Sony’s The Broken Hearts Gallery, and we’ll be refining and expanding the model and predictions over the weeks to come. More...

The Broken Hearts Gallery Final Trailer

September 8th, 2020

Romantic comedy starring Geraldine Viswanathan opens in theaters on Friday ... Full Movie Details.

What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself. More...

September Preview: Tenet Heads a Month with a Wide Release Planned Every Weekend

September 1st, 2020

Tenet

We finally had some wide releases in August, and things went well, relatively speaking. Antebellum was pulled from the schedule at the last minute, leaving Unhinged as the only semi-wide release for the weekend of August 21, and that helped it open better than anticipated with $4 million. Then The New Mutants had the best opening since the pandemic first caused theaters to close, with $7 million last weekend.

That record won’t last long as Tenet is now playing in US theaters, officially as an “Early Access” release on Monday, Tuesday, and Wednesday, then “In Theaters” (which seems to be basically the same thing, only more so) from Thursday. It should outpace The New Mutants’ running tally, and maybe as early as its opening day. Not only will it have the biggest opening in months, it should stay in first place for the entire month, mainly due to a lack of competition. Three other films are getting wide releases, and each on their own weekend, so there’s no competition between them; however, that’s the end of the good news as the buzz for all three films is quiet. In fact, the buzz for Antebellum is in some ways louder, and that will be going direct to Apple TV on September 18.

Here’s the complete rundown of major movies coming to theaters this month. More...

The Broken Hearts Gallery Trailer

June 22nd, 2020

Romantic comedy starring Geraldine Viswanathan opens in theaters on July 17 ... Full Movie Details.

What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/09/25 12 $11,548   40 $289   $14,254 1
2020/10/02 15 $9,054 -22% 45 $201   $31,740 2
2020/10/09 - $3,234 -64% 28 $116   $40,739 3
2020/10/16 - $934 -71% 14 $67   $42,165 4
2020/10/23 - $367 -61% 9 $41   $43,045 5
2020/10/30 - $7 -98% 1 $7   $42,702 6
2020/11/06 - $16 +129% 1 $16   $43,865 7
2020/11/13 - $33 +106% 1 $33   $44,261 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/18/2020 $94,485 157 157 549 $303,728 12/11/2020
New Zealand 9/24/2020 $11,548 40 45 139 $44,261 10/19/2022
North America 9/11/2020 $1,126,401 2,209 2,221 10,389 $4,066,487 2/20/2024
Portugal 9/25/2020 $8,988 31 31 65 $24,236 10/19/2022
Romania 10/23/2020 $12,534 32 32 76 $22,475 11/11/2020
United Kingdom 8/7/2020 $0 0 472 1111 $318,774 9/30/2020
 
Rest of World $55,638
 
Worldwide Total$4,835,599 2/20/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Geraldine Viswanathan    Lucy
Dacre Montgomery    Stranger

Supporting Cast

Utkarsh Ambudkar    Max Vora
Molly Gordon    Amanda
Phillipa Soo    Nadine
Bernadette Peters    Eva Woolf
Suki Waterhouse    Chloe
Sheila McCarthy    Cheryl Gulliver
Nathan Dales    Jeff
Ego Nwodim    Harvard
Megan Ferguson    Randy
Nikki Duval    Willhemina
Emma Hunter    New York Woman
Taylor Hill    Taylor
Tattiawna Jones    Dr. Amelia Black
Arturo Castro    Marcos
Tricia Black    Goodwill Worker
Ray Kahnert    Butler
Elon Gold    Schmuli
Raymond Ablack    Clayton
Nicholas Carella    Karaoke Emcee
Trent Pardy    Yan
Bradley Hamilton    Bartender
Okiki Kendall    Stroller Woman
Bernard Kay    Joe (Old Guy #1)
Jack Newman    Richard (Old Guy #2)
Mel White    Lev - Gallery Owner
Stephanie Ng Wan    Real Estate Agent
Melanie Leishman    Bookstore Owner
Celeste Bruno    Cigarette Girl
Izaak Smith    Cigarette Guy
Chris Sandiford    Barista
Jacki Glick    PP Volunteer

Cameos

Roy Choi    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Natalie Krinsky    Director
Natalie Krinsky    Screenwriter
David Gross    Producer
Jesse Shapira    Executive Producer
Jeff Arkuss    Executive Producer
Josh Phillips    Executive Producer
Mason Novick    Executive Producer
Mandy Teefey    Executive Producer
Selena Gomez    Executive Producer
Natalie Krinsky    Executive Producer
Chantelle Tabrizi    Executive Producer
Andrew Robinson    Executive Producer
Mathew Hart    Executive Producer
Michelle Knudsen    Executive Producer
Laurie May    Executive Producer
Noah Segal    Executive Producer
Jacki Glick    Supervising Producer
Alar Kivilo    Director of Photography
Zazu Myers    Production Designer
Lea Carlson    Costume Designer
Shawn Paper    Editor
Melany Mitchell    Music Supervisor
Genevieve Vincent    Composer
Jenny Lewis    Casting Director
Sara Kay    Casting Director
Jennifer Smith    Casting Director
Lisa Zagoria    Casting Director
Judy Chui    Location Manager
Jenny “Mac” McLauchlin    Script Supervisor
Philip Stall    Sound Mixer
Jason Clarke    Art Director
Vladislav Fedorov    Set Designer
Khanh Quach    Set Designer
David Edgar    Set Decorator
Aline Gilmore    Costume Supervisor
Jennifer Lantz    Sets Supervisor
Catherine Viot    Make up
Reneé Chan    Hairstylist
Mike Hamilton    Special Effects Coordinator
Whitney Brown    Line Producer
Mary Fraser    Production Manager
Aric Dupere    First Assistant Director
W. Michael Beard    Post-Production Supervisor
Sam Seig    Additional Editor
Bronte Jovevski    Visual Effects Producer
David McCallum    Supervising Sound Editor
Paula Fairfield    Supervising Sound Designer
Krystin Hunter    Dialogue and ADR Editor
Adam Stein    Sound Effects Editor
David Rose    Sound Effects Editor
Kevin Banks    Music Editor
Andrew Tay    Re-recording Mixer
Bret Killoran    Re-recording Mixer
Justin Moshkevich    Score Mixer
Adam Michalak    Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.