| Theatrical Performance (US$) | ||
| Portugal Box Office | $10,304 | Details |
| Worldwide Box Office | $82,793 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $1,276,097 | Details |
| Total North America Video Sales | $1,276,097 | |
| Further financial details... | ||
| Portugal Releases: | August 30th, 2019 (Wide), released as Vem e Vê |
| Video Release: | June 30th, 2020 by Criterion |
| MPAA Rating: | Not Rated |
| Running Time: | 142 minutes |
| Keywords: | Set in Soviet Union, World War II, 1940s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | Russian Federation |
| Languages: | German, Russian |
June 30th, 2020
The pandemic continues to have an adverse effect on the entertainment industry as a whole, including the home market, with the result that there are no major releases to talk about this week. There are some smaller releases, like The Ghost of Peter Sellers and The Short History of the Long Road, that are worth checking out. Orca: The Killer Whale! is in the “So bad it’s good” camp. That leaves Come and See: The Criterion Collection as the clear winner for Pick of the Week.
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March 6th, 2020
Saint Frances was the only new release to land in the $10,000 club opening with $14,298 in one theater. The re-release of Come and See continued to do well earning $12,859, also in one theater. Emma expanded into nearly 100 theaters earning an average of $11,955 along the way.
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February 27th, 2020
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Emma played matchmaker with audiences and succeeded to the tune of $234,000 in 5 theaters for an average of $46,896. It has significant expansion planned for this weekend and an opening like this is a hopeful sign. On the other hand, I don’t think Come and See will expand significantly, as re-releases rarely do. That said, it did earn $16,053 in one theater, so that theater is happy they booked it. It isn’t looking as bright for Seberg. Granted, it did earn an average of $15,727 in three theaters; however, it was very front-loaded and that’s a bad omen going forward.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/08/30 | 22 | $3,069 | 2 | $1,535 | $3,069 | 1 | |
| 2019/09/06 | 23 | $1,460 | -52% | 2 | $730 | $7,224 | 2 |
| 2019/09/13 | 30 | $515 | -65% | 1 | $515 | $9,009 | 3 |
| 2019/09/20 | 31 | $931 | +81% | 1 | $931 | $10,304 | 4 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/2/1986 | $0 | 0 | 2 | 2 | $0 | |
| Hungary | 10/17/1985 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 3/10/2022 | $0 | 0 | 1 | 1 | $580 | 10/20/2022 |
| North America | 2/2/2001 | $0 | 1 | 3 | 8 | $71,909 | |
| Portugal | 8/30/2019 | $3,069 | 2 | 2 | 6 | $10,304 | 10/19/2022 |
| Worldwide Total | $82,793 | 10/20/2022 | |||||
| Alexei Kravchenko | Florya |
| Olga Mironova | Glascha | |
| Liubomiras Laucevičius | Kosach | |
| Vladas Bagdonas | Roubej | |
| Evgeniy Tilicheev | Ukranian Collaborator and Translator | |
| Viktor Lorents | German Commander |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Elem Klimov | Director | |
| Elem Klimov | Screenwriter | |
| Ales Adamovich | Screenwriter | |
| Ales Adamovich | Story based on “I Am from the Fiery Village” by | |
| Janka Bryl | Story based on “I Am from the Fiery Village” by | |
| Vladimir Kolesnik | Story based on “I Am from the Fiery Village” by |
