The Current War: Director’s Cut (2019)

The Current War
Theatrical Performance
Domestic Box Office $5,978,673Details
International Box Office $6,891,082Details
Worldwide Box Office $12,869,755
Home Market Performance
Est. Domestic DVD Sales $201,069 Details
Est. Domestic Blu-ray Sales $197,834 Details
Total Est. Domestic Video Sales $398,903
Further financial details...

Synopsis

Three brilliant visionaries set off in a charged battle for the future in the story of the cutthroat competition that literally lit up the modern world. Thomas Edison is the celebrity inventor on the verge of bringing electricity to Manhattan with his radical new DC technology. On the eve of triumph, his plans are upended by charismatic businessman George Westinghouse, who believes he and his partner, the upstart genius Nikolai Tesla, have a superior idea for how to rapidly electrify America: with AC current. As Edison and Westinghouse grapple for who will power the nation, they spark one of the first and greatest corporate feuds in American history, establishing for future Titans of Industry the need to break all the rules.

Metrics

Opening Weekend:$2,633,717 (44.1% of total gross)
Legs:2.27 (domestic box office/biggest weekend)
Domestic Share:46.5% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,022 opening theaters/1,082 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $7,036,031

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,301-6,400) 6,301 $5,978,673
All Time International Box Office (Rank 5,701-5,800) 5,706 $6,891,082
All Time Worldwide Box Office (Rank 6,801-6,900) 6,816 $12,869,755

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: October 25th, 2019 (Wide) by 101 Studios
International Releases: July 17th, 2019 (Wide), released as Edison - L'uomo che illuminò il mondo (Italy)
July 26th, 2019 (Wide), released as The Current War (United Kingdom)
August 22nd, 2019 (Wide), released as The Current War (South Korea)
September 13th, 2019 (Wide), released as Elektrik Savaşları (Turkey)
October 11th, 2019 (Wide), released as Guerra das Correntes (Portugal)
... Show all releases
Video Release: March 31st, 2020 by Universal Home Entertainment
MPAA Rating: PG-13 for some violent content and thematic elements. NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PG-13 RATED VERSION, BULLETIN NO. 2554 (11/21/18). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTION ONLY.
(Rating bulletin 2587 (Cert #51884), 7/17/2019)
Running Time: 105 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Inventor, Biography, Docufiction, Development Hell, Delayed Release, 1890s, Professional Rivalry, Historical Drama, 1880s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Lantern Entertainment, SunnyMarch, Filmrights, Thunder Road Film, Bazelevs Company
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (Opening, 3-Day) 75 $2,633,717 Oct 25, 2019 3
Halloween (Opening, 3-Day, Inflation Adjusted) 91 $3,416,532 Oct 25, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 2019 9 $2,633,717   1,022 $2,577   $2,633,717 1
Nov 1, 2019 13 $1,203,702 -54% 1,082 $1,112   $4,948,905 2
Nov 8, 2019 24 $235,526 -80% 403 $584   $5,719,835 3
Nov 15, 2019 37 $45,085 -81% 143 $315   $5,879,087 4
Nov 22, 2019 49 $13,465 -70% 35 $385   $5,918,827 5
Nov 29, 2019 43 $15,123 +12% 48 $315   $5,944,972 6
Dec 6, 2019 46 $12,246 -19% 60 $204   $5,964,676 7
Dec 13, 2019 60 $2,967 -76% 25 $119   $5,975,192 8
Dec 20, 2019 54 $1,186 -60% 10 $119   $5,978,673 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 25, 2019 9 $950,027     1,022 $930   $950,027 1
Oct 26, 2019 8 $1,021,295 +8%   1,022 $999   $1,971,322 2
Oct 27, 2019 10 $662,395 -35%   1,022 $648   $2,633,717 3
Oct 28, 2019 9 $239,755 -64%   1,022 $235   $2,873,472 4
Oct 29, 2019 9 $390,336 +63%   1,022 $382   $3,263,808 5
Oct 30, 2019 10 $228,760 -41%   1,022 $224   $3,492,568 6
Oct 31, 2019 10 $252,635 +10%   1,022 $247   $3,745,203 7
Nov 1, 2019 15 $360,341 +43% -62% 1,082 $333   $4,105,544 8
Nov 2, 2019 15 $530,717 +47% -48% 1,082 $490   $4,636,261 9
Nov 3, 2019 - $312,644 -41% -53% 1,082 $289   $4,948,905 10
Nov 4, 2019 - $115,140 -63% -52% 1,082 $106   $5,064,045 11
Nov 5, 2019 15 $199,228 +73% -49% 1,082 $184   $5,263,303 12
Nov 6, 2019 - $129,504 -35% -43% 1,082 $120   $5,392,807 13
Nov 7, 2019 - $91,502 -29% -64% 1,082 $85   $5,484,309 14
Nov 8, 2019 - $66,106 -28% -82% 403 $164   $5,550,415 15
Nov 9, 2019 - $100,180 +52% -81% 403 $249   $5,650,595 16
Nov 10, 2019 - $69,240 -31% -78% 403 $172   $5,719,835 17
Nov 11, 2019 - $38,395 -45% -67% 403 $95   $5,758,230 18
Nov 12, 2019 - $33,557 -13% -83% 403 $83   $5,791,787 19
Nov 13, 2019 - $21,656 -35% -83% 403 $54   $5,813,443 20
Nov 14, 2019 - $20,559 -5% -78% 403 $51   $5,834,002 21
Nov 15, 2019 - $12,568 -39% -81% 143 $88   $5,846,570 22
Nov 16, 2019 - $19,927 +59% -80% 143 $139   $5,866,497 23
Nov 17, 2019 - $12,590 -37% -82% 143 $88   $5,879,087 24
Nov 18, 2019 - $5,011 -60% -87% 143 $35   $5,884,098 25
Nov 19, 2019 - $8,781 +75% -74% 143 $61   $5,892,879 26
Nov 20, 2019 - $7,054 -20% -67% 143 $49   $5,899,933 27
Nov 21, 2019 - $5,429 -23% -74% 143 $38   $5,905,362 28
Nov 22, 2019 - $4,486 -17% -64% 35 $128   $5,909,848 29
Nov 23, 2019 - $5,668 +26% -72% 35 $162   $5,915,516 30
Nov 24, 2019 - $3,311 -42% -74% 35 $95   $5,918,827 31
Nov 25, 2019 - $4,563 +38% -9% 35 $130   $5,923,390 32
Nov 26, 2019 - $2,783 -39% -68% 35 $80   $5,926,173 33
Nov 27, 2019 - $1,964 -29% -72% 35 $56   $5,928,137 34
Nov 28, 2019 - $1,712 -13% -68% 35 $49   $5,929,849 35
Nov 29, 2019 - $5,762 +237% +28% 48 $120   $5,935,611 36
Nov 30, 2019 - $6,173 +7% +9% 48 $129   $5,941,784 37
Dec 1, 2019 - $3,188 -48% -4% 48 $66   $5,944,972 38
Dec 2, 2019 - $1,560 -51% -66% 48 $33   $5,946,532 39
Dec 3, 2019 - $2,538 +63% -9% 48 $53   $5,949,070 40
Dec 4, 2019 - $1,665 -34% -15% 48 $35   $5,950,735 41
Dec 5, 2019 - $1,695 +2% -1% 48 $35   $5,952,430 42
Dec 6, 2019 - $4,027 +138% -30% 60 $67   $5,956,457 43
Dec 7, 2019 - $4,580 +14% -26% 60 $76   $5,961,037 44
Dec 8, 2019 - $3,639 -21% +14% 60 $61   $5,964,676 45
Dec 9, 2019 - $1,331 -63% -15% 60 $22   $5,966,007 46
Dec 10, 2019 - $2,997 +125% +18% 60 $50   $5,969,004 47
Dec 11, 2019 - $1,637 -45% -2% 60 $27   $5,970,641 48
Dec 12, 2019 - $1,584 -3% -7% 60 $26   $5,972,225 49
Dec 13, 2019 - $715 -55% -82% 25 $29   $5,972,940 50
Dec 14, 2019 - $1,181 +65% -74% 25 $47   $5,974,121 51
Dec 15, 2019 - $1,071 -9% -71% 25 $43   $5,975,192 52
Dec 16, 2019 - $494 -54% -63% 25 $20   $5,975,686 53
Dec 17, 2019 - $693 +40% -77% 25 $28   $5,976,379 54
Dec 18, 2019 - $534 -23% -67% 25 $21   $5,976,913 55
Dec 19, 2019 - $574 +7% -64% 25 $23   $5,977,487 56
Dec 20, 2019 - $238 -59% -67% 10 $24   $5,977,725 57
Dec 21, 2019 - $655 +175% -45% 10 $66   $5,978,380 58
Dec 22, 2019 - $293 -55% -73% 10 $29   $5,978,673 59

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 2019 9 $3,745,203   1,022 $3,665   $3,745,203 1
Nov 1, 2019 15 $1,739,106 -54% 1,082 $1,607   $5,484,309 2
Nov 8, 2019 27 $349,693 -80% 403 $868   $5,834,002 3
Nov 15, 2019 37 $71,360 -80% 143 $499   $5,905,362 4
Nov 22, 2019 48 $24,487 -66% 35 $700   $5,929,849 5
Nov 29, 2019 42 $22,581 -8% 48 $470   $5,952,430 6
Dec 6, 2019 46 $19,795 -12% 60 $330   $5,972,225 7
Dec 13, 2019 57 $5,262 -73% 25 $210   $5,977,487 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/20/2020 $85,587 209 209 679 $308,409 10/20/2020
China 8/29/2020 $490,000 14,878 14,878 15,322 $720,000 9/15/2020
Germany 7/23/2020 $87,861 0 260 475 $371,048 8/18/2020
Italy 7/17/2019 $431,093 0 11 21 $1,122,401 10/19/2022
Japan 6/19/2020 $159,859 0 0 0 $448,146 7/3/2020
Lithuania 12/6/2019 $7,394 12 12 23 $14,025 1/8/2020
New Zealand 2/27/2020 $25,805 71 71 208 $82,574 10/19/2022
Portugal 10/11/2019 $11,885 21 21 46 $28,156 10/19/2022
Russia (CIS) 12/5/2019 $276,561 767 767 1,576 $446,521 10/19/2022
South Korea 8/22/2019 $729,294 276 276 533 $1,522,399 9/18/2019
Spain 1/10/2020 $94,606 94 94 178 $160,908 1/23/2020
Turkey 9/13/2019 $136,679 197 203 705 $543,016 10/19/2022
United Kingdom 7/26/2019 $563,207 487 487 813 $1,123,479 8/7/2019
 
International Total$6,891,082 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 5, 2020205,465 5,465$109,019$109,0191

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Benedict Cumberbatch    Thomas Edison
Michael Shannon    George Westinghouse
Nicholas Hoult    Nikola Tesla
Tom Holland    Samuel Insull
Tuppence Middleton    Mary Edison
Katherine Waterston    Marguerite Westinghouse

Supporting Cast

Matthew MacFadyen    J.P. Morgan
Stanley Townsend    Franklin Pope
Conor MacNeill    William Kemmler
Simon Manyonda    Lewis Latimer
Damien Molony    Bourke Cockran
John Schwab    Rudolph Young
Louis Ashbourne Serkis    Older Dash

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alfonso Gomez-Rejon    Director
Michael Mitnick    Screenwriter
Basil Iwanyk    Producer
Timur Bekmambetov    Producer
Steven Zaillian    Executive Producer
Martin Scorsese    Executive Producer
Garrett Basch    Executive Producer
Michael Mitnick    Executive Producer
Ann Ruark    Executive Producer
Michele Wolkoff    Executive Producer
Benedict Cumberbatch    Executive Producer
Adam Ackland    Executive Producer
Adam Sidman    Executive Producer
Matthew Patnick    Line Producer
Chung-Hoon Chung    Director of Photography
Jan Roelfs    Production Designer
David Trachtenberg    Editor
Justin Krohn    Editor
Michael Wilkinson    Costume Designer
Justin Ball    Visual Effects Supervisor
Randall Poster    Music Supervisor
Danny Bensi    Composer
Saunder Jurriaans    Composer
Ellen Lewis    Casting Director
Theo Park    Casting Director
Thomas Woods    Supervising Location Manager

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

DVD and Blu-ray Releases for March 31st, 2020

April 2nd, 2020

Star Wars: The Rise of Skywalker

This week Star Wars: The Rise of Skywalker comes out on Blu-ray and 4K Ultra HD and if you think that will scare away most of the competition, you will be correct. This isn’t the worst week I’ve see on the home market, but it is close. Unfortunately, not only is the list rather short, there’s nothing here that jumps out as a Pick of the Week contender. On a side note, Amazon is having... issues, which not only delayed this column, but it means if you want to buy most new releases here right away, you will have to deal with third-party sellers or go somewhere else. More...

Weekend Predictions: Halloween Gives Way to the Holiday Season

October 31st, 2019

Terminator: Dark Fate

It’s the first weekend of November, which is the unofficial start of both the Christmas blockbuster season and of Awards Season. There are four films hoping to take advantage of time of year to create some box office success. Of these, only Terminator: Dark Fate is expected to be a true box office hit. It will likely earn more during its opening weekend than any of the rest of the new releases earn in total. I think Harriet will do okay and could even crack $10 million during the weekend. On the other hand, Arctic Dogs still has no reviews and that’s a really bad sign. Finally there’s Motherless Brooklyn, which is opening in well under 2,000 theaters. This weekend last year, Bohemian Rhapsody opened with more than $50 million and even the high end predictions don’t have Terminator: Dark Fate earning that much. It’s going to be another bad week for 2019 in the year-over-year competition. More...

Weekend Wrap-Up: Maleficent Holds Off Joker for Top Spot

October 28th, 2019

Maleficent: Mistress of Evil

It was a super close race for top spot on the weekend box office chart with Maleficent: Mistress of Evil and Joker neck-and-neck. In fact, they changed positions over the weekend and even reversed positions from the weekend estimates. Both of these films topped expectations by a small degree, as did most of the new releases. Unfortunately, this wasn’t enough, as the box office fell 24% from last weekend to $105 million. This is also lower than the same weekend last year, but by a tiny 0.7% margin. I’m not going to get upset about a decline this small, but it does mean 2019 has fallen further behind 2018’s pace with the deficit growing to $520 million / 5.4% at $9.00 billion to $9.52 billion. More...

Weekend Estimates: Joker Wrestles First Place from Maleficent, Probably

October 27th, 2019

Joker

Joker is returning to first place on the weekend chart with $18.9 million, which is a tiny bit ahead of expectations. However, it is in a close enough race with Maleficent: Mistress of Evil that the pair could switch places when the final numbers show up tomorrow and I wouldn’t be too surprised. Internationally, the film is earning an estimated $47.8 million on 14,000 screens in 79 markets for totals of $571.5 million internationally and $849.1 million worldwide. It is now the highest-grossing R-rated film of all time worldwide, and is on pace to become the first R-rated film to reach $1 billion globally. More...

Friday Estimates: Joker Returns to the Top

October 26th, 2019

Joker

Joker wasn’t gone from top spot for long, as it earned first place on Friday with $5.46 million, putting it on pace for close to $19 million over the weekend. This is very close to our prediction, but it is ranking better, due to marginally-weaker-than-expected competition. It also reportedly became the highest grossing R-rated movie of all time, at least worldwide. It is not going to catch up to The Passion of the Christ domestically. More...

Thursday Night Previews: Black and Blue in the Green

October 25th, 2019

Black and Blue

Black and Blue had the best previews on Thursday with $675,000. I was not expecting the film to have the best previews last night, nor was I expecting it to earn this much. Additionally, its reviews are have improved and are now mixed, in fact, they are currently exactly 50% positive, so it could surprise and top $10 million during its opening weekend. Just over $8 million is more likely, but this is still a solid debut for this time of year. More...

Weekend Predictions: Halloween Scares Away Wide Releases

October 25th, 2019

Black and Blue

The final weekend before Halloween is rarely a good time to release a film and the paltry selection of new releases on this list shows this year will be no different. The Current War: Director’s Cut is the only film earning good reviews, but it is opening in the fewest theaters by far. Countdown has the worst reviews, but it is a horror film opening just before Halloween, so its opening weekend could be okay. Black and Blue is in the middle in terms of reviews, theater count, and box office chances. Sadly, it is very likely all three films will open below $10 million over the weekend. There’s a slim chance none of them open in the top five. By comparison, this weekend last year saw only one wide release, Hunter Killer, which bombed. This year will be much better in terms of new releases, but none of the holdovers will match Halloween on top. 2019 does have much better depth, so I think we will get a small win in the year-over-year comparison. More...

2019 Preview: October

October 1st, 2019

Joker

September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit. More...

The Current War Trailer

June 26th, 2019

Historical real-life drama starring Benedict Cumberbatch, Michael Shannon, Nicholas Hoult, and Katherine Waterston opens October 4 ... Full Movie Details.

Three brilliant visionaries set off in a charged battle for the future in the story of the cutthroat competition that literally lit up the modern world. Thomas Edison is the celebrity inventor on the verge of bringing electricity to Manhattan with his radical new DC technology. On the eve of triumph, his plans are upended by charismatic businessman George Westinghouse, who believes he and his partner, the upstart genius Nikolai Tesla, have a superior idea for how to rapidly electrify America: with AC current. As Edison and Westinghouse grapple for who will power the nation, they spark one of the first and greatest corporate feuds in American history, establishing for future Titans of Industry the need to break all the rules. More...

The Current War Trailer

September 8th, 2017

Historical real-life drama starring Benedict Cumberbatch, Michael Shannon, Nicholar Hoult, and Katherine Waterston opens November 24 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Three brilliant visionaries set off in a charged battle for the future in the story of the cutthroat competition that literally lit up the modern world. Thomas Edison is the celebrity inventor on the verge of bringing electricity to Manhattan with his radical new DC technology. On the eve of triumph, his plans are upended by charismatic businessman George Westinghouse, who believes he and his partner, the upstart genius Nikolai Tesla, have a superior idea for how to rapidly electrify America: with AC current. As Edison and Westinghouse grapple for who will power the nation, they spark one of the first and greatest corporate feuds in American history, establishing for future Titans of Industry the need to break all the rules.

Metrics

Opening Weekend:$2,633,717 (44.1% of total gross)
Legs:2.27 (domestic box office/biggest weekend)
Domestic Share:46.5% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,022 opening theaters/1,082 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $7,036,031

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,301-6,400) 6,301 $5,978,673
All Time International Box Office (Rank 5,701-5,800) 5,706 $6,891,082
All Time Worldwide Box Office (Rank 6,801-6,900) 6,816 $12,869,755

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: October 25th, 2019 (Wide) by 101 Studios
International Releases: July 17th, 2019 (Wide), released as Edison - L'uomo che illuminò il mondo (Italy)
July 26th, 2019 (Wide), released as The Current War (United Kingdom)
August 22nd, 2019 (Wide), released as The Current War (South Korea)
September 13th, 2019 (Wide), released as Elektrik Savaşları (Turkey)
October 11th, 2019 (Wide), released as Guerra das Correntes (Portugal)
... Show all releases
Video Release: March 31st, 2020 by Universal Home Entertainment
MPAA Rating: PG-13 for some violent content and thematic elements. NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PG-13 RATED VERSION, BULLETIN NO. 2554 (11/21/18). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTION ONLY.
(Rating bulletin 2587 (Cert #51884), 7/17/2019)
Running Time: 105 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Inventor, Biography, Docufiction, Development Hell, Delayed Release, 1890s, Professional Rivalry, Historical Drama, 1880s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Lantern Entertainment, SunnyMarch, Filmrights, Thunder Road Film, Bazelevs Company
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (Opening, 3-Day) 75 $2,633,717 Oct 25, 2019 3
Halloween (Opening, 3-Day, Inflation Adjusted) 91 $3,416,532 Oct 25, 2019 3

Lead Ensemble Members

Benedict Cumberbatch    Thomas Edison
Michael Shannon    George Westinghouse
Nicholas Hoult    Nikola Tesla
Tom Holland    Samuel Insull
Tuppence Middleton    Mary Edison
Katherine Waterston    Marguerite Westinghouse

Supporting Cast

Matthew MacFadyen    J.P. Morgan
Stanley Townsend    Franklin Pope
Conor MacNeill    William Kemmler
Simon Manyonda    Lewis Latimer
Damien Molony    Bourke Cockran
John Schwab    Rudolph Young
Louis Ashbourne Serkis    Older Dash

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alfonso Gomez-Rejon    Director
Michael Mitnick    Screenwriter
Basil Iwanyk    Producer
Timur Bekmambetov    Producer
Steven Zaillian    Executive Producer
Martin Scorsese    Executive Producer
Garrett Basch    Executive Producer
Michael Mitnick    Executive Producer
Ann Ruark    Executive Producer
Michele Wolkoff    Executive Producer
Benedict Cumberbatch    Executive Producer
Adam Ackland    Executive Producer
Adam Sidman    Executive Producer
Matthew Patnick    Line Producer
Chung-Hoon Chung    Director of Photography
Jan Roelfs    Production Designer
David Trachtenberg    Editor
Justin Krohn    Editor
Michael Wilkinson    Costume Designer
Justin Ball    Visual Effects Supervisor
Randall Poster    Music Supervisor
Danny Bensi    Composer
Saunder Jurriaans    Composer
Ellen Lewis    Casting Director
Theo Park    Casting Director
Thomas Woods    Supervising Location Manager

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

DVD and Blu-ray Releases for March 31st, 2020

April 2nd, 2020

Star Wars: The Rise of Skywalker

This week Star Wars: The Rise of Skywalker comes out on Blu-ray and 4K Ultra HD and if you think that will scare away most of the competition, you will be correct. This isn’t the worst week I’ve see on the home market, but it is close. Unfortunately, not only is the list rather short, there’s nothing here that jumps out as a Pick of the Week contender. On a side note, Amazon is having... issues, which not only delayed this column, but it means if you want to buy most new releases here right away, you will have to deal with third-party sellers or go somewhere else. More...

Weekend Predictions: Halloween Gives Way to the Holiday Season

October 31st, 2019

Terminator: Dark Fate

It’s the first weekend of November, which is the unofficial start of both the Christmas blockbuster season and of Awards Season. There are four films hoping to take advantage of time of year to create some box office success. Of these, only Terminator: Dark Fate is expected to be a true box office hit. It will likely earn more during its opening weekend than any of the rest of the new releases earn in total. I think Harriet will do okay and could even crack $10 million during the weekend. On the other hand, Arctic Dogs still has no reviews and that’s a really bad sign. Finally there’s Motherless Brooklyn, which is opening in well under 2,000 theaters. This weekend last year, Bohemian Rhapsody opened with more than $50 million and even the high end predictions don’t have Terminator: Dark Fate earning that much. It’s going to be another bad week for 2019 in the year-over-year competition. More...

Weekend Wrap-Up: Maleficent Holds Off Joker for Top Spot

October 28th, 2019

Maleficent: Mistress of Evil

It was a super close race for top spot on the weekend box office chart with Maleficent: Mistress of Evil and Joker neck-and-neck. In fact, they changed positions over the weekend and even reversed positions from the weekend estimates. Both of these films topped expectations by a small degree, as did most of the new releases. Unfortunately, this wasn’t enough, as the box office fell 24% from last weekend to $105 million. This is also lower than the same weekend last year, but by a tiny 0.7% margin. I’m not going to get upset about a decline this small, but it does mean 2019 has fallen further behind 2018’s pace with the deficit growing to $520 million / 5.4% at $9.00 billion to $9.52 billion. More...

Weekend Estimates: Joker Wrestles First Place from Maleficent, Probably

October 27th, 2019

Joker

Joker is returning to first place on the weekend chart with $18.9 million, which is a tiny bit ahead of expectations. However, it is in a close enough race with Maleficent: Mistress of Evil that the pair could switch places when the final numbers show up tomorrow and I wouldn’t be too surprised. Internationally, the film is earning an estimated $47.8 million on 14,000 screens in 79 markets for totals of $571.5 million internationally and $849.1 million worldwide. It is now the highest-grossing R-rated film of all time worldwide, and is on pace to become the first R-rated film to reach $1 billion globally. More...

Friday Estimates: Joker Returns to the Top

October 26th, 2019

Joker

Joker wasn’t gone from top spot for long, as it earned first place on Friday with $5.46 million, putting it on pace for close to $19 million over the weekend. This is very close to our prediction, but it is ranking better, due to marginally-weaker-than-expected competition. It also reportedly became the highest grossing R-rated movie of all time, at least worldwide. It is not going to catch up to The Passion of the Christ domestically. More...

Thursday Night Previews: Black and Blue in the Green

October 25th, 2019

Black and Blue

Black and Blue had the best previews on Thursday with $675,000. I was not expecting the film to have the best previews last night, nor was I expecting it to earn this much. Additionally, its reviews are have improved and are now mixed, in fact, they are currently exactly 50% positive, so it could surprise and top $10 million during its opening weekend. Just over $8 million is more likely, but this is still a solid debut for this time of year. More...

Weekend Predictions: Halloween Scares Away Wide Releases

October 25th, 2019

Black and Blue

The final weekend before Halloween is rarely a good time to release a film and the paltry selection of new releases on this list shows this year will be no different. The Current War: Director’s Cut is the only film earning good reviews, but it is opening in the fewest theaters by far. Countdown has the worst reviews, but it is a horror film opening just before Halloween, so its opening weekend could be okay. Black and Blue is in the middle in terms of reviews, theater count, and box office chances. Sadly, it is very likely all three films will open below $10 million over the weekend. There’s a slim chance none of them open in the top five. By comparison, this weekend last year saw only one wide release, Hunter Killer, which bombed. This year will be much better in terms of new releases, but none of the holdovers will match Halloween on top. 2019 does have much better depth, so I think we will get a small win in the year-over-year comparison. More...

2019 Preview: October

October 1st, 2019

Joker

September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit. More...

The Current War Trailer

June 26th, 2019

Historical real-life drama starring Benedict Cumberbatch, Michael Shannon, Nicholas Hoult, and Katherine Waterston opens October 4 ... Full Movie Details.

Three brilliant visionaries set off in a charged battle for the future in the story of the cutthroat competition that literally lit up the modern world. Thomas Edison is the celebrity inventor on the verge of bringing electricity to Manhattan with his radical new DC technology. On the eve of triumph, his plans are upended by charismatic businessman George Westinghouse, who believes he and his partner, the upstart genius Nikolai Tesla, have a superior idea for how to rapidly electrify America: with AC current. As Edison and Westinghouse grapple for who will power the nation, they spark one of the first and greatest corporate feuds in American history, establishing for future Titans of Industry the need to break all the rules. More...

The Current War Trailer

September 8th, 2017

Historical real-life drama starring Benedict Cumberbatch, Michael Shannon, Nicholar Hoult, and Katherine Waterston opens November 24 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 2019 9 $2,633,717   1,022 $2,577   $2,633,717 1
Nov 1, 2019 13 $1,203,702 -54% 1,082 $1,112   $4,948,905 2
Nov 8, 2019 24 $235,526 -80% 403 $584   $5,719,835 3
Nov 15, 2019 37 $45,085 -81% 143 $315   $5,879,087 4
Nov 22, 2019 49 $13,465 -70% 35 $385   $5,918,827 5
Nov 29, 2019 43 $15,123 +12% 48 $315   $5,944,972 6
Dec 6, 2019 46 $12,246 -19% 60 $204   $5,964,676 7
Dec 13, 2019 60 $2,967 -76% 25 $119   $5,975,192 8
Dec 20, 2019 54 $1,186 -60% 10 $119   $5,978,673 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 25, 2019 9 $950,027     1,022 $930   $950,027 1
Oct 26, 2019 8 $1,021,295 +8%   1,022 $999   $1,971,322 2
Oct 27, 2019 10 $662,395 -35%   1,022 $648   $2,633,717 3
Oct 28, 2019 9 $239,755 -64%   1,022 $235   $2,873,472 4
Oct 29, 2019 9 $390,336 +63%   1,022 $382   $3,263,808 5
Oct 30, 2019 10 $228,760 -41%   1,022 $224   $3,492,568 6
Oct 31, 2019 10 $252,635 +10%   1,022 $247   $3,745,203 7
Nov 1, 2019 15 $360,341 +43% -62% 1,082 $333   $4,105,544 8
Nov 2, 2019 15 $530,717 +47% -48% 1,082 $490   $4,636,261 9
Nov 3, 2019 - $312,644 -41% -53% 1,082 $289   $4,948,905 10
Nov 4, 2019 - $115,140 -63% -52% 1,082 $106   $5,064,045 11
Nov 5, 2019 15 $199,228 +73% -49% 1,082 $184   $5,263,303 12
Nov 6, 2019 - $129,504 -35% -43% 1,082 $120   $5,392,807 13
Nov 7, 2019 - $91,502 -29% -64% 1,082 $85   $5,484,309 14
Nov 8, 2019 - $66,106 -28% -82% 403 $164   $5,550,415 15
Nov 9, 2019 - $100,180 +52% -81% 403 $249   $5,650,595 16
Nov 10, 2019 - $69,240 -31% -78% 403 $172   $5,719,835 17
Nov 11, 2019 - $38,395 -45% -67% 403 $95   $5,758,230 18
Nov 12, 2019 - $33,557 -13% -83% 403 $83   $5,791,787 19
Nov 13, 2019 - $21,656 -35% -83% 403 $54   $5,813,443 20
Nov 14, 2019 - $20,559 -5% -78% 403 $51   $5,834,002 21
Nov 15, 2019 - $12,568 -39% -81% 143 $88   $5,846,570 22
Nov 16, 2019 - $19,927 +59% -80% 143 $139   $5,866,497 23
Nov 17, 2019 - $12,590 -37% -82% 143 $88   $5,879,087 24
Nov 18, 2019 - $5,011 -60% -87% 143 $35   $5,884,098 25
Nov 19, 2019 - $8,781 +75% -74% 143 $61   $5,892,879 26
Nov 20, 2019 - $7,054 -20% -67% 143 $49   $5,899,933 27
Nov 21, 2019 - $5,429 -23% -74% 143 $38   $5,905,362 28
Nov 22, 2019 - $4,486 -17% -64% 35 $128   $5,909,848 29
Nov 23, 2019 - $5,668 +26% -72% 35 $162   $5,915,516 30
Nov 24, 2019 - $3,311 -42% -74% 35 $95   $5,918,827 31
Nov 25, 2019 - $4,563 +38% -9% 35 $130   $5,923,390 32
Nov 26, 2019 - $2,783 -39% -68% 35 $80   $5,926,173 33
Nov 27, 2019 - $1,964 -29% -72% 35 $56   $5,928,137 34
Nov 28, 2019 - $1,712 -13% -68% 35 $49   $5,929,849 35
Nov 29, 2019 - $5,762 +237% +28% 48 $120   $5,935,611 36
Nov 30, 2019 - $6,173 +7% +9% 48 $129   $5,941,784 37
Dec 1, 2019 - $3,188 -48% -4% 48 $66   $5,944,972 38
Dec 2, 2019 - $1,560 -51% -66% 48 $33   $5,946,532 39
Dec 3, 2019 - $2,538 +63% -9% 48 $53   $5,949,070 40
Dec 4, 2019 - $1,665 -34% -15% 48 $35   $5,950,735 41
Dec 5, 2019 - $1,695 +2% -1% 48 $35   $5,952,430 42
Dec 6, 2019 - $4,027 +138% -30% 60 $67   $5,956,457 43
Dec 7, 2019 - $4,580 +14% -26% 60 $76   $5,961,037 44
Dec 8, 2019 - $3,639 -21% +14% 60 $61   $5,964,676 45
Dec 9, 2019 - $1,331 -63% -15% 60 $22   $5,966,007 46
Dec 10, 2019 - $2,997 +125% +18% 60 $50   $5,969,004 47
Dec 11, 2019 - $1,637 -45% -2% 60 $27   $5,970,641 48
Dec 12, 2019 - $1,584 -3% -7% 60 $26   $5,972,225 49
Dec 13, 2019 - $715 -55% -82% 25 $29   $5,972,940 50
Dec 14, 2019 - $1,181 +65% -74% 25 $47   $5,974,121 51
Dec 15, 2019 - $1,071 -9% -71% 25 $43   $5,975,192 52
Dec 16, 2019 - $494 -54% -63% 25 $20   $5,975,686 53
Dec 17, 2019 - $693 +40% -77% 25 $28   $5,976,379 54
Dec 18, 2019 - $534 -23% -67% 25 $21   $5,976,913 55
Dec 19, 2019 - $574 +7% -64% 25 $23   $5,977,487 56
Dec 20, 2019 - $238 -59% -67% 10 $24   $5,977,725 57
Dec 21, 2019 - $655 +175% -45% 10 $66   $5,978,380 58
Dec 22, 2019 - $293 -55% -73% 10 $29   $5,978,673 59

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 2019 9 $3,745,203   1,022 $3,665   $3,745,203 1
Nov 1, 2019 15 $1,739,106 -54% 1,082 $1,607   $5,484,309 2
Nov 8, 2019 27 $349,693 -80% 403 $868   $5,834,002 3
Nov 15, 2019 37 $71,360 -80% 143 $499   $5,905,362 4
Nov 22, 2019 48 $24,487 -66% 35 $700   $5,929,849 5
Nov 29, 2019 42 $22,581 -8% 48 $470   $5,952,430 6
Dec 6, 2019 46 $19,795 -12% 60 $330   $5,972,225 7
Dec 13, 2019 57 $5,262 -73% 25 $210   $5,977,487 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/20/2020 $85,587 209 209 679 $308,409 10/20/2020
China 8/29/2020 $490,000 14,878 14,878 15,322 $720,000 9/15/2020
Germany 7/23/2020 $87,861 0 260 475 $371,048 8/18/2020
Italy 7/17/2019 $431,093 0 11 21 $1,122,401 10/19/2022
Japan 6/19/2020 $159,859 0 0 0 $448,146 7/3/2020
Lithuania 12/6/2019 $7,394 12 12 23 $14,025 1/8/2020
New Zealand 2/27/2020 $25,805 71 71 208 $82,574 10/19/2022
Portugal 10/11/2019 $11,885 21 21 46 $28,156 10/19/2022
Russia (CIS) 12/5/2019 $276,561 767 767 1,576 $446,521 10/19/2022
South Korea 8/22/2019 $729,294 276 276 533 $1,522,399 9/18/2019
Spain 1/10/2020 $94,606 94 94 178 $160,908 1/23/2020
Turkey 9/13/2019 $136,679 197 203 705 $543,016 10/19/2022
United Kingdom 7/26/2019 $563,207 487 487 813 $1,123,479 8/7/2019
 
International Total$6,891,082 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Apr 5, 2020205,465 5,465$109,019$109,0191

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.