September 3rd, 2012
This week is again loaded with TV on DVD releases, including several in the top best sellers according to Amazon.com. The best TV on DVD release in terms of comedy is 2 Broke Girls: Season One on DVD or Blu-ray, while Person of Interest: Season One on DVD or Blu-ray is the best TV on DVD release as far as the dramas are concerned. Both are contenders for Pick of the Week, but neither quite gets there. The Five-Year Engagement on Blu-ray Combo Pack comes a little close, but in the end I went with Headhunters on DVD or Blu-ray. Just keep an eye on the price of the Blu-ray.
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August 12th, 2011
It was a slow week on the home market, especially on Blu-ray, where it was a rare week suffering from year-over-year declines. But more on that in a bit. The number one selling Blu-ray was Source Code with 189,000 units. It was a little disappointing on DVD and its opening week Blu-ray ratio was just under 33%, acceptable, but not great. It was visual enough that upgrading to High Definition wasn't a bad choice, but second-tier enough that I would understand if a lot of people just didn't want to bother with the extra price.
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July 21st, 2011
With Harry Potter and the Deathly Hallows Part 2 off to a record-breaking start, the biggest-earning franchise at the worldwide box office is nearing its end. A few records are still to fall (notably, it will overtake Star Wars in a day or two to become the biggest domestic franchise), but we thought now would be good time to look back at how Harry Potter has shaped the movie industry, and the financial records it has broken along the way. For each film, we look at both the box office receipts and domestic spending on DVD, Blu-ray and video rentals. Warning: some readers may find the large numbers presented disturbing.
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June 2nd, 2004
It was a massive worldwide opening for
The Day After Tomorrow, which debuted in 9,276 theatres in 110 markets. It's $85.0 million over three days was almost the same has its four day domestic take. And with more than $150 million, it became the biggest worldwide debut this year. This is a great start, but the real test is yet to come. What will determine if this film is a blockbuster verses it being an elite film is how well it holds up to competition next weekend.
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November 18th, 2003
April 25th, 2003
February 26th, 2003
January 28th, 2003
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2020/07/17 |
8 |
$13,968 |
|
61 |
$229 |
$68,865,467 |
923 |
| 2020/07/24 |
- |
$7,238 |
-48% |
52 |
$139 |
$70,206,655 |
924 |
| 2020/07/31 |
- |
$5,070 |
-30% |
27 |
$188 |
$72,098,126 |
925 |
| 2020/08/07 |
- |
$3,374 |
-33% |
38 |
$89 |
$71,619,647 |
926 |
| 2020/08/14 |
- |
$3,909 |
+16% |
20 |
$195 |
$71,983,384 |
927 |
| 2020/08/21 |
- |
$7,621 |
+95% |
88 |
$87 |
$71,935,822 |
928 |
| 2020/08/28 |
- |
$1,219 |
-84% |
9 |
$135 |
$73,272,329 |
929 |
| 2020/10/02 |
- |
$21,571 |
|
90 |
$240 |
$71,034,478 |
934 |
| 2020/10/23 |
- |
$4,693 |
|
34 |
$138 |
$71,660,432 |
937 |
| 2020/11/06 |
- |
$305 |
|
1 |
$305 |
$72,331,654 |
939 |
| 2020/11/27 |
- |
$554 |
|
1 |
$554 |
$73,523,220 |
942 |
| 2021/11/19 |
- |
$26,331 |
|
71 |
$371 |
$74,075,659 |
993 |
| 2021/11/26 |
- |
$12,927 |
-51% |
83 |
$156 |
$73,259,602 |
994 |
| 2021/12/03 |
20 |
$54,583 |
+322% |
99 |
$551 |
$72,829,407 |
995 |
| 2022/10/28 |
7 |
$525,691 |
|
449 |
$1,171 |
$525,691 |
1,042 |
| 2022/11/04 |
- |
$62,054 |
-88% |
162 |
$383 |
$695,364 |
1,043 |
| 2022/11/11 |
- |
$8,140 |
-87% |
30 |
$271 |
$746,303 |
1,044 |
| 2022/11/18 |
- |
$3,181 |
-61% |
13 |
$245 |
$765,050 |
1,045 |
| 2023/09/01 |
- |
$20,904 |
|
255 |
$82 |
$832,154 |
1,086 |
| 2023/11/03 |
- |
$26,473 |
|
35 |
$756 |
$844,175 |
1,095 |
| 2024/02/23 |
- |
$3,268 |
|
1 |
$3,268 |
$868,098 |
1,111 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
