Bulgaria Box Office for Манифест (2017)

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Manifesto
Theatrical Performance (US$)
Bulgaria Box Office $6,546Details
Worldwide Box Office $432,337Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.

Metrics

Movie Details

Bulgaria Releases: September 28th, 2018 (Wide), released as Манифест
MPAA Rating: Not Rated
Running Time: 95 minutes
Keywords: Homeless, Segments, Same Actor, Multiple Roles, Widow/Widower, Teachers, Puppeteers, Punk Rock, Choreography
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale
Production Countries: Germany
Languages: English

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/09/28 20 $440   0     $6,546 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Bulgaria 9/28/2018 $440 0 0 0 $6,546 2/26/2019
Lithuania 3/2/2018 $0 0 1 1 $4,688 11/22/2018
North America 5/10/2017 $9,628 1 10 61 $161,101
Portugal 1/5/2018 $0 0 11 25 $15,527 4/23/2018
Russia (CIS) 6/8/2017 $36,147 94 94 162 $147,664 1/1/2019
South Korea 5/22/2017 $0 0 0 0 $877 6/5/2017
Turkey 8/11/2017 $13,225 18 18 50 $42,281 2/26/2019
United Kingdom 11/10/2017 $0 0 3 8 $53,653 2/14/2023
 
Worldwide Total$432,337 2/14/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cate Blanchett    Various Characters

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Julian Rosefeldt    Director
Julian Rosefeldt    Screenwriter
Julian Rosefeldt    Producer
Christoph Krauss    Director of Photography
Erwin Prib    Production Designer
Bina Daigeler    Costume Designer
David Hilgers    Sound Recordist
Bobby Good    Editor
Nils Frahm    Composer
Ben Lukas Boysen    Composer
Jan Schoningh    Post-Production Supervisor
Markus Stemler    Supervising Sound Editor
Fabian Schmidt    Supervising Sound Editor
Tschangis Chahrokh-Zadeh*    Re-recording Mixer
Wassili Zygouris    Executive Producer
Marcos Kantis    Executive Producer
Martin Lehwald    Executive Producer