New Zealand Box Office for The Marksman (2021)

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The Marksman
Theatrical Performance (US$)
New Zealand Box Office $514,528Details
Worldwide Box Office $23,855,847Details
Home Market Performance
North America DVD Sales $3,351,032 Details
North America Blu-ray Sales $3,127,773 Details
Total North America Video Sales $6,478,805
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Hardened Arizona rancher Jim Hanson simply wants to be left alone as he fends off eviction notices and tries to make a living on an isolated stretch of borderland. But everything changes when Hanson, an ex-Marine, witnesses 11-year-old migrant Miguel fleeing with his mother Rosa from drug cartel assassins led by the ruthless Mauricio. After being caught in a shoot-out, an injured Rosa begs Jim to take her son to safety to her family in Chicago. Defying his step-daughter Sarah, Jim sneaks Miguel out of the local U.S. Customs and Border Patrol station and together, they hit the road with the group of killers in pursuit. Jim and Miguel slowly begin to overcome their differences and begin to forge an unlikely friendship, while Mauricio and his fellow assassins blaze a cold-blooded trail, hot on their heels.

Metrics

Movie Details

Production Budget:$23,000,000
New Zealand Releases: January 28th, 2021 (Wide)
Video Release: April 27th, 2021 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, some bloody images and brief strong language.
(Rating bulletin 2659 (cert #52659), 12/9/2020)
Running Time: 107 minutes
Keywords: Action Thriller, Texas, Border Town, Fugitive / On the Run, Drug Cartels, Life on a Farm, Road Trip
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Open Road Films, Briarcliff Entertainment, Voltage Pictures, Sculpter Media, Zero Gravity Management, Stonehouse Motion Pictures
Production Countries: United States
Languages: English

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Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

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Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

Weekend predictions: Marksman and Wonder Woman do battle for top spot

January 22nd, 2021

The Marksman

The box office race is overshadowed this weekend by a barrage of release date changes precipitated by the continued terrible situation with the pandemic across North America and a growing acceptance that movie theaters won’t all be open and operating under normal conditions for quite a while. The first domino to fall was No Time to Die, which has moved from April 2 to October 8. Our release schedule changes page has the gory details of all the changes announced by studios in the aftermath. The consensus seems to be that major releases definitely won’t be viable as theatrical-only releases until late April or early May, and the big guns are mostly settling in to the October through December timeframe. It might be a while before we see a tentpole come to theaters that isn’t also being quickly or simultaneously released for the home market, either on a streaming platform or as a PVOD release.

All that adds up to long theatrical runs by default for the films currently at the top of the box office chart. Here’s what our model thinks of them this weekend.

More...

Weekend estimates: Marksman topples Wonder Woman

January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

More...

January preview: 2021 starts with the quietest month since July

January 5th, 2021

The Little Things

There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.

The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January… More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/01/22 18 $4,881   7 $697   $4,881 1
2021/01/29 1 $139,304 +2,754% 72 $1,935   $145,466 1
2021/02/05 1 $106,441 -24% 78 $1,365   $298,521 2
2021/02/12 2 $80,427 -24% 78 $1,031   $423,111 3
2021/02/19 2 $34,380 -57% 74 $465   $474,506 4
2021/02/26 5 $27,944 -19% 73 $383   $508,188 5
2021/03/05 11 $9,303 -67% 41 $227   $515,040 6
2021/03/12 20 $4,511 -52% 30 $150   $525,379 7
2021/03/19 - $1,268 -72% 17 $75   $526,428 8
2021/03/26 - $241 -81% 7 $34   $514,528 9

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/21/2021 $654,684 279 279 1456 $2,657,684 10/20/2022
Mexico 3/18/2021 $419,572 0 0 0 $1,511,651 10/19/2022
New Zealand 1/28/2021 $4,881 7 78 477 $514,528 10/19/2022
North America 1/15/2021 $3,104,204 1,975 2,018 18,317 $15,566,093 10/24/2022
Portugal 6/11/2021 $9,328 24 26 58 $24,303 10/20/2022
Romania 5/28/2021 $66,858 64 64 158 $155,541 10/20/2022
Russia (CIS) 2/4/2021 $358,596 835 835 1583 $682,497 10/19/2022
South Korea 4/28/2021 $67,037 210 210 210 $106,178 5/6/2021
United Kingdom 1/15/2021 00$0
 
Rest of World $2,637,372
 
Worldwide Total$23,855,847 10/24/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Liam Neeson    Jim Hanson

Supporting Cast

Katheryn Winnick    Sarah Pennington
Juan Pablo Raba    Maurico
Teresa Ruiz    Rosa
Luce Rains    Everett Crawford
Dylan Kenin    Randall Brennan
Jacob Perez    Miguel
Lelia Symington    Tina
Grayson Berry    Customs Officer
Chase Mullins    Mark
Vic Browder    Highway Patrol Officer
David DeLao    Coyote
Cheo Tapia    Border Driver
Christopher Mele    Lee Hurst
Alex Knight    Carl Neeham
Esodie Geiger    K9 Officer
Sean Rosales    Hernando
Kellen Boyle    Dalton
Gonzalo Robles    Latino Thug
Jeremy Evitts    Tattooed Man
Elias Gallegos    Agent Diaz
Christian Hicks    Agent Denny
Richard Fike    Truck Driver
Charles David Richards    Gun Store Owner
Jared Corum    Deputy
Patricia Rodriguez    Aunt
Destiny Pearl Salgado    Child Playing Soccer
Roger Jerome    Otto
Scott Shirai    Asian Store Owner
Clark Sanchez    Migrant
Garrett Ielapi    Cartel Thug

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Robert Lorenz    Director
Robert Lorenz    Screenwriter
Chris Charles    Screenwriter
Danny Kravitz    Screenwriter
Tai Duncan    Producer
Mark Williams    Producer
Warren T. Goz    Producer
Daniel Eric Gold    Producer
Robert Lorenz    Producer
Mark Katchur    Executive Producer
James Masciello    Executive Producer
Matthew Sidari    Executive Producer
Nicolas Chartier    Executive Producer
Jonathan Deckter    Executive Producer
Mark Patten    Director of Photography
Charisse Cardenas    Production Designer
Luis Carballar    Editor
Peggy Stamper    Costume Designer
Sean Callery    Editor
Laura Katz    Music Supervisor
Marisol Roncali    Casting Director
Chelsea Ellis Bloch    Casting Director