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Umi yori mo mada fukaku (2016)

Umi yori mo mada fukaku
Theatrical Performance
Domestic Box Office $272,132Details
International Box Office $1,116,629Details
Worldwide Box Office $1,388,761
Home Market Performance
Est. Domestic DVD Sales $32,115 Details
Est. Domestic Blu-ray Sales $24,620 Details
Total Est. Domestic Video Sales $56,735
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 9,701-9,800) 9,741 $272,132
All Time International Box Office (Rank 6,501-6,600) 6,586 $1,116,629
All Time Worldwide Box Office (Rank 10,501-10,600) 10,534 $1,388,761
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,801-2,900) 2,892 $272,132

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 17th, 2017 (Limited) by Film Movement, released as After the Storm
International Releases: July 22nd, 2016 (Limited), released as After the Storm (South Korea)
July 27th, 2016 (Wide), released as After the Storm (South Korea)
November 11th, 2016 (Wide), released as Despues de la tormenta (Spain)
March 14th, 2017 (Limited), released as After the Storm (Netherlands)
April 28th, 2017 (Limited), released as After the Storm (New Zealand)
... Show all releases
Video Release: August 15th, 2017 by Film Movement Video, released as After the Storm
MPAA Rating: Not Rated
Running Time: 117 minutes
Comparisons: Create your own comparison chart…
Keywords: Writing and Writers, Dysfunctional Family, Private Investigator, Extreme Weather, Money Troubles, Gambling
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation
Production Countries: Japan

Leading Cast

   Ryota Shinoda
   Kyoko Shiraishi
   Shingo Shiraishi
   Yoshiko Shinoda

Supporting Cast

Lily Franky    Koichiro Yamabe
Satomi Kobayashi    Chinatsu Nakashima
Sosuke Ikematsu    Kento Machida
Isao Hashizume    Mitsuru Niida

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Hirokazu Kore-eda    Screenwriter
Hirokazu Kore-eda    Original Story by
Hirokazu Kore-eda    Editor
Hanaregumi    Composer
Yutaka Yamazaki    Director of Photography
Eiji Oshita    Lighting
Yutaka Tsurumaki    Sound Designer
Mitsumatsu Keiko    Production Designer
Takashi Ishihara    Chief Executive Producer
Kazumi Kawashiro    Chief Executive Producer
Tsugihiko Fujiwara    Chief Executive Producer
Tom Yoda    Chief Executive Producer
Yasushi Kuwata    Executive Producer
Kenji Hamada    Executive Producer
Yasuhito Nakae    Executive Producer
Tsuyoshi Matsushita    Executive Producer
Osawa Megumi    Associate Producer
Kaoru Matsuzaki    Producer
Akihiko Yose    Producer
Hijiri Taguchi    Producer

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/03/17 45 $27,880   6 $4,647   $27,880 1
2017/03/24 50 $23,500 -16% 10 $2,350   $72,692 2
2017/03/31 47 $23,999 +2% 16 $1,500   $109,474 3
2017/04/07 44 $36,379 +52% 35 $1,039   $158,408 4
2017/04/14 46 $25,477 -30% 38 $670   $201,713 5
2017/04/21 61 $10,337 -59% 21 $492   $224,207 6
2017/04/28 76 $2,273 -78% 8 $284   $235,281 7
2017/05/05 74 $2,791 +23% 7 $399   $241,276 8
2017/05/12 77 $3,625 +30% 8 $453   $246,528 9
2017/05/19 - $264 -93% 2 $132   $249,936 10
2017/05/26 80 $645 +144% 3 $215   $252,210 11
2017/06/02 83 $1,412 +119% 3 $471   $254,806 12
2017/06/09 91 $182 -87% 2 $91   $256,299 13
2017/06/16 95 $150 -18% 1 $150   $260,461 14
2017/06/23 71 $2,599 +1,633% 2 $1,300   $263,661 15
2017/07/07 87 $658   1 $658   $267,115 17
2017/07/28 99 $253   1 $253   $270,367 20

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/03/17 45 $49,192   6 $8,199   $49,192 1
2017/03/24 47 $36,283 -26% 11 $3,298   $86,464 2
2017/03/31 46 $35,565 -2% 19 $1,872   $122,029 3
2017/04/07 42 $52,997 +49% 35 $1,514   $176,236 4
2017/04/14 47 $37,716 -29% 38 $993   $213,952 5
2017/04/21 57 $19,056 -49% 21 $907   $233,008 6
2017/04/28 71 $5,477 -71% 8 $685   $238,485 7
2017/05/05 71 $4,620 -16% 7 $660   $243,105 8
2017/05/12 73 $6,567 +42% 11 $597   $249,672 9
2017/05/19 77 $1,893 -71% 2 $947   $251,565 10
2017/05/26 76 $1,717 -9% 3 $572   $253,882 11
2017/06/02 85 $2,235 +30% 3 $745   $256,117 12
2017/06/09 77 $1,988 -11% 2 $994   $258,105 13
2017/06/16 93 $358 -82% 1 $358   $258,975 14
2017/06/23 68 $5,934 +1,558% 2 $2,967   $264,909 15
2017/07/07 80 $2,341   2 $1,171   $270,114 17
2017/07/28 98 $149   1 $149   $270,516 20
2017/08/25 110 $238   1 $238   $272,132 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/19/2017 $1,204 2 2 4 $5,381 6/5/2017
Italy 5/25/2017 $49,894 0 0 0 $171,533 6/22/2017
Netherlands 3/14/2017 $20,342 19 19 55 $69,015 4/7/2017
New Zealand 4/28/2017 $3,215 12 14 72 $24,947 6/19/2017
South Korea 7/22/2016 $3,498 3 72 219 $678,338 4/19/2017
Spain 11/11/2016 $46,495 36 36 114 $139,126 12/29/2016
United Kingdom 6/2/2017 $28,289 20 20 20 $28,289 6/9/2017
 
International Total$1,116,629 6/22/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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