Filmed with the startling immediacy of unfolding history, Academy Award®-winning director Alex Gibney’s WE STEAL SECRETS: THE STORY OF WIKILEAKS details the creation of Julian Assange’s controversial website, which facilitated the largest security breach in U.S. history. Hailed by some as a free-speech hero and others as a traitor and terrorist, the enigmatic Assange’s rise and fall are paralleled with that of Pfc. Bradley Manning, the brilliant, troubled young soldier who downloaded hundreds of thousands of documents from classified U.S. military and diplomatic servers, revealing the behind-the-scenes workings of the government’s international diplomacy and military strategy. In seeking to expose abuse in the corridors of power, Assange and Manning were undermined by forces within and without, as well as by their own human failings. WE STEAL SECRETS: THE STORY OF WIKILEAKS is a riveting, multi-layered tale about transparency in the information age and our ever-elusive search for the truth.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 10,301-10,400)
|All Time International Box Office (Rank 7,101-7,200)
|All Time Worldwide Box Office (Rank 11,501-11,600)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 3,301-3,400)
|All Time Domestic Box Office for R Movies (Rank 3,401-3,500)
|All Time International Box Office for R Movies (Rank 2,001-2,100)
|All Time Worldwide Box Office for R Movies (Rank 3,301-3,400)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||May 24th, 2013 (Limited) by Focus Features|
||November 21st, 2013 (Wide) (Peru)
December 12th, 2013 (Wide) (Uruguay)
||September 10th, 2013 by Universal Home Entertainment|
||R for some disturbing violent images, language and sexual material.|
(Rating bulletin 2265, 3/27/2013)
||Create your own comparison chart…|
||Internet, Political, Whistleblowers, Investigative Journalist, News|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||Jigsaw Productions, Global Produce|
January 20th, 2014
Producers Guild of America handed out their awards last night and while there were no real upsets, there was certainly a surprise for the top prize.
January 19th, 2014
Producers Guild of America announce the winners tonight, but it seems I forgot to upload the story when they announced their nominations. In my defense, they announced them on January 2nd. You don't make an announcement on January 2nd, not unless you are trying to bury a story. As for the actual nominations, there are very few differences between this group and others, except when it comes to documentaries. Then again, that's been the norm this year. No one seems to agree on what the best documentaries were.
January 5th, 2014
WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year.
May 29th, 2013
As expected, Before Midnight led the way on the per theater chart with an average $49,383. This is the third best per theater average so far this year, behind just The Place Beyond the Pines and Spring Breakers. The overall box office leader, Fast and Furious 6, was next with an average of $26,620. Fill the Void was relatively close behind with an average of $19,721 in three theaters. The final film in the $10,000 club was The Hangover 3 with an average of $11,722.
May 24th, 2013
It is a rather short list for limited releases this week, but there is at least one, Before Midnight, that has a really good shot at earning some mainstream success. It is not the only film earning great reviews, but not every film that earns great reviews thrives in limited release and films like Fill the Void and We Steal Secrets will likely find more limited success.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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