Follow us on

Andrew Lanham

Best known as a Screenwriter based on credits in that role in 3 films, with $114,755,281 worldwide aggregate box office (rank #1,245)
Best-known technical roles: The Shack (Screenwriter), The Glass Castle (Screenwriter)
Most productive collaborators: Sam Worthington, Stuart Hazeldine, Octavia Spencer, John Fusco, Destin Daniel Cretton

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter3$74,659,477$40,095,804$114,755,281

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,001-1,100) 1,068 $74,659,477
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) 1,459 $40,095,804
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,201-1,300) 1,245 $114,755,281

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

All Technical Credits


Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
8/11/2017 The Glass Castle Screenwriter $17,273,059 $543,603 $17,816,662
3/3/2017 The Shack Screenwriter $57,386,418 $39,552,201 $96,938,619
12/31/2016 Just Mercy: A Story of Justice … Screenwriter $0 $0 $0
Movies: 3Totals:$74,659,477$40,095,804$114,755,281
  Averages:$24,886,492$13,365,268$38,251,760



Writer Credits


Release
Date
TitleOpening
Weekend
Box Office
Max
Theater
Count
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
8/11/2017 The Glass Castle $4,678,548 1,461 $17,273,059 $17,816,662 96.9%
3/3/2017 The Shack $16,172,119 2,888 $57,386,418 $96,938,619 59.2%
12/31/2016 Just Mercy: A Story of Justice a… $0 0 $0 $0 0.0%
Movies: 3Totals:  $74,659,477$114,755,281 
 Averages:$6,950,2221,450$24,886,492$38,251,76078.1%


ProductionNext