February 1st, 2020
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We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others.
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December 21st, 2013
PANIC! If you haven't finished your Christmas shopping yet, it is officially time to panic. Personally, I got the last of my shopping done on Wednesday, although I don't think the gift will arrive in time for Christmas. For those still looking for a last minute gift, Part IV of our Holiday Gift Guide focuses on books, CDs, and of course anything else I missed the first time around, beginning with...
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November 15th, 2013
The Way Way Back is written by Nat Faxon and Jim Rash. For most of their careers, they have been actors. However, they wrote the script for The Descendants, which won them an Oscar. This time around, they not only co-wrote the screenplay, but co-directed the film as well. Was The Descendants a fluke? Or do they have another critical darling on their hands?
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July 5th, 2013
It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for.
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All Acting Credits
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Leading or Lead Ensemble Roles
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Supporting Roles
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Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 2,801-2,900) |
2,824 |
$430,605,571 |
| Top Live Action Stars at the Domestic Box Office (Rank 3,001-3,100) |
3,089 |
$430,605,571 |
| Top Above the Line Stars at the Domestic Box Office (Rank 10,101-10,200) |
10,165 |
$1,018,532 |
| Top Below the Line Stars at the Domestic Box Office (Rank 1,801-1,900) |
1,836 |
$429,587,039 |
| Top Stars at the Domestic Box Office (Rank 3,601-3,700) |
3,616 |
$430,605,571 |
| Top 100 Stars in Supporting Roles at the International Box Office (Rank 2,101-2,200) |
2,121 |
$749,166,357 |
| Top Live Action Stars at the International Box Office (Rank 2,101-2,200) |
2,186 |
$749,166,357 |
| Top Below the Line Stars at the International Box Office (Rank 1,401-1,500) |
1,431 |
$749,166,357 |
| Top Stars at the International Box Office (Rank 2,601-2,700) |
2,691 |
$749,166,357 |
| Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 2,201-2,300) |
2,253 |
$1,179,771,928 |
| Top Live Action Stars at the Worldwide Box Office (Rank 2,401-2,500) |
2,416 |
$1,179,771,928 |
| Top Above the Line Stars at the Wordwide Box Office (Rank 13,701-13,800) |
13,798 |
$1,018,532 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 1,401-1,500) |
1,473 |
$1,178,753,396 |
| Top Stars at the Worldwide Box Office (Rank 2,901-3,000) |
2,927 |
$1,179,771,928 |
All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) |
1,403 |
$29,789,751 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,201-3,300) |
3,247 |
$21,502,690 |
| Top Grossing Producer at the Domestic Box Office (Rank 4,101-4,200) |
4,160 |
$3,072,605 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,001-1,100) |
1,091 |
$112,414,712 |
| Top Grossing Director at the International Box Office (Rank 2,901-3,000) |
2,977 |
$6,223,442 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,401-4,500) |
4,453 |
$5,351,120 |
| Top Grossing Producer at the International Box Office (Rank 6,301-6,400) |
6,310 |
$401,616 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,201-1,300) |
1,243 |
$99,106,281 |
| Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) |
1,988 |
$36,013,193 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,801-3,900) |
3,809 |
$26,853,810 |
| Top Grossing Producer at the Worldwide Box Office (Rank 5,401-5,500) |
5,449 |
$3,474,221 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) |
1,164 |
$211,520,993 |
