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A Dog’s Purpose (2017)

A Dog’s Purpose
Theatrical Performance
Domestic Box Office $64,321,890Details
International Box Office $125,600,693Details
Worldwide Box Office $189,922,583
Home Market Performance
Est. Domestic DVD Sales $5,672,892 Details
Est. Domestic Blu-ray Sales $4,707,460 Details
Total Est. Domestic Video Sales $10,380,352
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The soulful and surprising story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,101-1,200) 1,195 $64,321,890
All Time International Box Office (Rank 601-700) 628 $125,600,693
All Time Worldwide Box Office (Rank 701-800) 749 $189,922,583

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$25,000,000
Domestic Releases: January 27th, 2017 (Wide) by Universal
International Releases: January 20th, 2017 (Wide), released as Qua la zampa! (Italy)
January 26th, 2017 (Wide) (Brazil)
January 26th, 2017 (Wide) (Chile)
January 26th, 2017 (Wide) (Peru)
January 27th, 2017 (Wide), released as Psí poslání (Czech Republic)
... Show all releases
Video Release: April 18th, 2017 by Universal Home Entertainment
MPAA Rating: PG for thematic elements and some peril.
(Rating bulletin 2446 (Cert #50725), 10/12/2016)
Running Time: 100 minutes
Comparisons: vs. Marley & Me
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Death of a Pet, Reincarnation, Relationships Gone Wrong, Exes in Love, Romance, Police life, Coming of Age, Voiceover/Narration, 1960s, 1980s, 2010s, 1990s, 1970s, Same Role, Multiple Actors
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Amblin Entertainment, Reliance Entertainment, Walden Media, Pariah Productions
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $50m 1,088 $50,829,285 Feb 17, 2017 24
Washington's Birthday (All Movies, 3-Day) 194 $5,713,775 Feb 17, 2017 24
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 304 $5,590,968 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 136 $7,472,185 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 160 $7,311,584 Feb 17, 2017 24
Super Bowl (All Movies, 3-Day) 32 $10,509,170 Feb 3, 2017 10
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 77 $10,283,294 Feb 3, 2017 10
Biggest Domestic January Weekend 100 $18,222,810 Jan 27, 2017 3

Cast

Britt Robertson    Teen Hannah
K.J. Apa    Teen Ethan
John Ortiz    Carlos
Dennis Quaid    Adult Ethan
   Bailey/Buddy/Tino/Ellie
Peggy Lipton    Adult Hannah
Bryce Gheisar    Ethan (8 Years Old)
Juliet Rylance    Ethan’s Mom
Luke Kirby    Ethan’s Dad
Gabrielle Rose    Grandma Fran
Michael Bofshever    Grandpa Bill
Logan Miller    Todd
Kirby Howell-Baptiste    Maya
Pooch Hall    Al
Nicole Laplaca    Wendi
Primo Allon    Victor
Peter Kelamis    Dad’s Boss
Caroline Cave    Boss’ Wife
Jane McGregor    Rachel
Robert Mann    Delivery Workman
Ron Verwymeren    Delivery Workman
David J. Lyle    Country Vet
Kelly-Ruth Mercier    Atlanta Vet
Cory Wojcik    Puppy Mill Owner
Ross Douglas Noble    Puppy Mill Customer
Andrew W. Nolan    Football Coach
Jordan Butterill    Teammate
John C. McDonald    Teammate
Kwesi Ameyaw    Cop
Dean Monroe McKenzie    Detective
Michael Patric    Sam
Brent Holtzman    Police Captain
Paul Jarrett    Police Lieutenant
Christopher Pearce    Policeman
Violet Haas    Elderly Woman
Darcy Higginbotham    Farmhand
Denesha Lee    Animal Control Officer
Kalyn Bomback    Animal Control Yolanda
Dan De Jaeger    Father at Shelter
Anita Daher    Mother at Shelter
Reine Lecuyer    Daughter at Shelter
Rayna Ens-Armstrong    Daughter at Shelter
Mackenzie Thornton    Tweener Girl
Avery Thompson    Tweener Girl
Aidan Ritchie    Ambulance Attendant
Brooke Warrington    Bree (7 Years Old)
Kenyan Alexander Walcott    Ty (5 Years Old)
Treyton Augustus Walcott    Richie (4 Years Old)
John Bluethner    Professor
James Janssens    Alzheimer’s Patient
Paul Griggs    Hot Dog Vendor
Grant Burr    Hardware Store Clerk
Tom Young    Hardware Store Employee
Ronald Boyd Johnson    Neighbor
Alicia Johnston    Hysterical Mother
Chris Webb    Kidnapper
Naomi Frenette    Kidnapped Girl

Production and Technical Credits

Director   
Screenwriter    Bruce W. Cameron
Screenwriter    Cathryn Michon
Screenwriter    Audrey Wells
Screenwriter    Maya Forbes
Screenwriter    Wally Wolodarsky
Story based on the Novel by    Bruce W. Cameron
Producer    Gavin Polone
Executive Producer    Alan C. Blomquist
Executive Producer    Mark Sourian
Executive Producer    Lauren Pfeiffer
Production Designer    Michael Carlin
Editor    Robert Leighton
Composer    Rachel Portman
Director of Photography    Terry Stacey
Costume Designer    Shay Cunliffe
Music Supervisor    Liza Richardson
Casting Director    John Papsidera
Unit Production Manager    Alan C. Blomquist
Unit Production Manager    Lesley Oswald
First Assistant Director    Stephen Dunn
Second Assistant Director    Martin Ellis
Co-Producer    Holly Bario
Co-Producer    Kim Todd
Co-Producer    Lesley Oswald
Visual Effects Supervisor    Brendan Taylor
Re-recording Mixer    Skip Lievsay
Re-recording Mixer    Lawrence Zipf
Additional Sound Re-recording Mixer    Michael Barry
Supervising Sound Editor    Eliza Paley
Supervising Art Director    Rejean Labrie
Art Director    Larry Spittle
Set Decorator    Craig Sandells
Sound Mixer    Leon Johnson
Special Effects Coordinator    Tony Kenny
Special Effects Coordinator    Tim Freestone
Costume Supervisor    Valerie Laven-Cooper
Make up    Doug Morrow
Hairstylist    Pina Robinson
Script Supervisor    Alanna Mills
Location Manager    Cathie Edgar
Location Manager    Cliff Sumter
Additional Casting-Casting Executive    Leslee Feldman
Additional Casting-Casting Associate    Kim Winther
Additional Casting-Casting Assistant    Deanna Brigidi-Stewart
Second Unit Director    Brendan Taylor
Post-Production Executive    Mark Graziano
Post-Production Supervisor    Alison Beckett
Post-Production Supervisor    Brad Rohrer
First Assistant Editor    Corinne Villa
Assistant Editor    Danny Miller
Assistant Editor    Timothy Feeley
Additional Editor    Gregg London
Sound Designer    Mariusz Glabinski
Sound Editor    Lidia Tamplenizza
Sound Editor    Michael Feuser
Sound Editor    Heather Gross

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

Home Market Releases for April 18th, 2017

April 18th, 2017

MST3K

We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now. More...

International Box Office: Beast Mode Engaged as Beauty earns $180.0 million

March 22nd, 2017

Beauty and the Beast

Beauty and the Beast dominated the international chart even more than it dominated the domestic one earning $180.0 million in 44 markets. The film’s worldwide opening was the second best for March, behind only Batman v Superman: Dawn of Justice; however, BvS opened truly worldwide, while Beauty and the Beast only opened in about two thirds of the international market. Unsurprisingly, the film’s biggest single market was China, where it pulled in $44.72 million over the weekend, $45.01 million including Thursday’s previews. It was also a monster hit in the U.K., where it earned $24.37 million in 567 theaters, which was the biggest March opening of all time in that market. The next biggest market was South Korea with $10.68 million on 1,625 screens over the weekend and $11.88 million in total. It also cracked $10 million in Mexico ($11.6 million); Germany ($10.7 million), and Brazil ($10.4 million). At this point, getting to $1 billion worldwide seems like a safe bet, especially with openings in France, Australia, Japan, and other markets left to go. We will of course track its progress there. More...

International Box Office: Kong Just as Tall on the International Chart with $81.6 million

March 16th, 2017

Kong: Skull Island

Kong: Skull Island opened in first place on the international chart with $85.1 million in 65 markets, which is more than $3 million higher than Sunday’s estimates. The film’s biggest market was the U.K., where it earned $7.58 million in 567 theaters. It also did well in Mexico ($5.58 million); in Russia ($4.87 million on 1,283 screens); and in Australia ($3.55 million on 523). Impressively, the film broke the record for biggest opening in Vietnam with $2.2 million on 377 screens. More...

International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend

March 8th, 2017

Logan

Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then. More...

Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million

February 7th, 2017

Split

As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps. More...

Weekend Estimates: Split Wins Third Weekend

February 5th, 2017

Split

Rings managed to win on Friday, but the weekend as a whole will belong to Split, which is expected to top the chart with $14.6 million, according to Universal’s Sunday morning projection. Rings will finish second with $13 million or so, and A Dog’s Purpose will win Sunday (making this a rare weekend where three different films will top the daily chart) to finish the weekend with $10.8 million, and $32.9 million to date. More...

Weekend Predictions: Will Split Be Separated from the Top Spot?

February 2nd, 2017

Rings

The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Contest: Prizes, Evil Prizes

January 20th, 2017

Resident Evil: The Final Chapter

I thought A Dog’s Purpose would have a real shot at first place next weekend, but ... oh boy. If you haven’t seen the video supposed taken on the set yet, it’s tough to watch. It is also by PETA and released by TMZ, so I’m not 100% convinced it is legit. Those are two organizations I don’t trust. (Personally, I give to the local branch of the SPCA. Also, when you donate to charities like this, do NOT tell them what to do with the money. A lot of people do and they have to follow these requests and this results in popular programs being over-funded and less glamorous programs going under-funded.) Because of this video, there is talk of a boycott and that could really hurt its box office numbers. This leaves Resident Evil: The Final Chapter as the safe choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Resident Evil: The Final Chapter.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

A Dog’s Purpose Trailer

January 2nd, 2017

Drama starring Josh Gad, directed by Lasse Hallström opens January 27 ... Full Movie Details. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/01/27 2 $18,222,810   3,059 $5,957   $18,222,810 3
2017/02/03 3 $10,509,170 -42% 3,178 $3,307   $32,610,435 10
2017/02/10 6 $7,271,430 -31% 3,025 $2,404   $42,501,105 17
2017/02/17 8 $5,713,775 -21% 2,400 $2,381   $50,829,285 24
2017/02/24 12 $3,572,435 -37% 2,089 $1,710   $57,581,040 31
2017/03/03 16 $1,760,665 -51% 1,494 $1,178   $60,218,235 38
2017/03/10 15 $1,095,500 -38% 1,022 $1,072   $61,795,515 45
2017/03/17 16 $477,890 -56% 594 $805   $62,932,920 52
2017/03/24 22 $258,310 -46% 299 $864   $63,397,540 59
2017/03/31 25 $132,295 -49% 189 $700   $63,665,480 66
2017/04/07 28 $131,170 -1% 175 $750   $63,868,405 73
2017/04/14 31 $93,325 -29% 149 $626   $64,014,900 80
2017/04/21 35 $75,605 -19% 122 $620   $64,134,655 87
2017/04/28 37 $74,130 -2% 123 $603   $64,230,845 94
2017/05/05 40 $54,745 -26% 103 $532   $64,304,940 101

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/01/27 2 $5,281,695   3,059 $1,727   $5,281,695 1
2017/01/28 2 $7,717,150 +46% 3,059 $2,523   $12,998,845 2
2017/01/29 2 $5,223,965 -32% 3,059 $1,708   $18,222,810 3
2017/01/30 5 $904,835 -83% 3,059 $296   $19,127,645 4
2017/01/31 3 $1,360,520 +50% 3,059 $445   $20,488,165 5
2017/02/01 4 $808,360 -41% 3,059 $264   $21,296,525 6
2017/02/02 4 $804,740 n/c 3,059 $263   $22,101,265 7
2017/02/03 4 $2,827,570 +251% 3,178 $890   $24,928,835 8
2017/02/04 3 $5,509,210 +95% 3,178 $1,734   $30,438,045 9
2017/02/05 1 $2,172,390 -61% 3,178 $684   $32,610,435 10
2017/02/06 5 $605,945 -72% 3,178 $191   $33,216,380 11
2017/02/07 4 $906,765 +50% 3,178 $285   $34,123,145 12
2017/02/08 4 $577,805 -36% 3,178 $182   $34,700,950 13
2017/02/09 4 $528,725 -8% 3,178 $166   $35,229,675 14
2017/02/10 6 $1,742,790 +230% 3,025 $576   $36,972,465 15
2017/02/11 6 $3,414,045 +96% 3,025 $1,129   $40,386,510 16
2017/02/12 6 $2,114,595 -38% 3,025 $699   $42,501,105 17
2017/02/13 7 $504,465 -76% 3,025 $167   $43,005,570 18
2017/02/14 7 $1,252,740 +148% 3,025 $414   $44,258,310 19
2017/02/15 7 $427,355 -66% 3,025 $141   $44,685,665 20
2017/02/16 7 $429,845 +1% 3,025 $142   $45,115,510 21
2017/02/17 9 $1,397,020 +225% 2,400 $582   $46,512,530 22
2017/02/18 8 $2,389,945 +71% 2,400 $996   $48,902,475 23
2017/02/19 8 $1,926,810 -19% 2,400 $803   $50,829,285 24
2017/02/20 7 $1,758,410 -9% 2,400 $733   $52,587,695 25
2017/02/21 8 $620,935 -65% 2,400 $259   $53,208,630 26
2017/02/22 10 $437,160 -30% 2,400 $182   $53,645,790 27
2017/02/23 11 $362,815 -17% 2,400 $151   $54,008,605 28
2017/02/24 12 $862,315 +138% 2,089 $413   $54,870,920 29
2017/02/25 12 $1,662,250 +93% 2,089 $796   $56,533,170 30
2017/02/26 10 $1,047,870 -37% 2,089 $502   $57,581,040 31
2017/02/27 11 $197,135 -81% 2,089 $94   $57,778,175 32
2017/02/28 11 $294,010 +49% 2,089 $141   $58,072,185 33
2017/03/01 11 $207,555 -29% 2,089 $99   $58,279,740 34
2017/03/02 12 $177,830 -14% 2,089 $85   $58,457,570 35
2017/03/03 - $381,430 +114% 1,494 $255   $58,839,000 36
2017/03/04 - $826,175 +117% 1,494 $553   $59,665,175 37
2017/03/05 15 $553,060 -33% 1,494 $370   $60,218,235 38
2017/03/06 - $112,915 -80% 1,494 $76   $60,331,150 39
2017/03/07 - $144,180 +28% 1,494 $97   $60,475,330 40
2017/03/08 - $110,055 -24% 1,494 $74   $60,585,385 41
2017/03/09 - $114,630 +4% 1,494 $77   $60,700,015 42
2017/03/10 - $245,905 +115% 1,022 $241   $60,945,920 43
2017/03/11 15 $501,280 +104% 1,022 $490   $61,447,200 44
2017/03/12 15 $348,315 -31% 1,022 $341   $61,795,515 45
2017/03/13 10 $161,405 -54% 1,022 $158   $61,956,920 46
2017/03/14 11 $193,905 +20% 1,022 $190   $62,150,825 47
2017/03/15 10 $171,165 -12% 1,022 $167   $62,321,990 48
2017/03/16 10 $133,040 -22% 1,022 $130   $62,455,030 49
2017/03/17 - $131,670 -1% 594 $222   $62,586,700 50
2017/03/18 - $212,490 +61% 594 $358   $62,799,190 51
2017/03/19 - $133,730 -37% 594 $225   $62,932,920 52
2017/03/20 - $44,570 -67% 594 $75   $62,977,490 53
2017/03/21 - $63,040 +41% 594 $106   $63,040,530 54
2017/03/22 - $50,795 -19% 594 $86   $63,091,325 55
2017/03/23 - $47,905 -6% 594 $81   $63,139,230 56
2017/03/24 - $64,665 +35% 299 $216   $63,203,895 57
2017/03/25 - $112,845 +75% 299 $377   $63,316,740 58
2017/03/26 - $80,800 -28% 299 $270   $63,397,540 59
2017/03/27 - $32,050 -60% 299 $107   $63,429,590 60
2017/03/28 - $36,700 +15% 299 $123   $63,466,290 61
2017/03/29 - $32,890 -10% 299 $110   $63,499,180 62
2017/03/30 - $34,005 +3% 299 $114   $63,533,185 63
2017/03/31 - $40,035 +18% 189 $212   $63,573,220 64
2017/04/01 - $55,100 +38% 189 $292   $63,628,320 65
2017/04/02 - $37,160 -33% 189 $197   $63,665,480 66
2017/04/03 - $17,890 -52% 189 $95   $63,683,370 67
2017/04/04 - $19,520 +9% 189 $103   $63,702,890 68
2017/04/05 - $16,805 -14% 189 $89   $63,719,695 69
2017/04/06 - $17,540 +4% 189 $93   $63,737,235 70
2017/04/07 - $35,455 +102% 175 $203   $63,772,690 71
2017/04/08 - $58,740 +66% 175 $336   $63,831,430 72
2017/04/09 - $36,975 -37% 175 $211   $63,868,405 73
2017/04/10 - $10,290 -72% 175 $59   $63,878,695 74
2017/04/11 - $14,550 +41% 175 $83   $63,893,245 75
2017/04/12 - $12,015 -17% 175 $69   $63,905,260 76
2017/04/13 - $16,315 +36% 175 $93   $63,921,575 77
2017/04/14 - $37,970 +133% 149 $255   $63,959,545 78
2017/04/15 - $36,705 -3% 149 $246   $63,996,250 79
2017/04/16 - $18,650 -49% 149 $125   $64,014,900 80
2017/04/17 - $14,435 -23% 149 $97   $64,029,335 81
2017/04/18 - $10,365 -28% 149 $70   $64,039,700 82
2017/04/19 - $10,020 -3% 149 $67   $64,049,720 83
2017/04/20 - $9,330 -7% 149 $63   $64,059,050 84
2017/04/21 - $18,530 +99% 122 $152   $64,077,580 85
2017/04/22 - $35,015 +89% 122 $287   $64,112,595 86
2017/04/23 - $22,060 -37% 122 $181   $64,134,655 87
2017/04/24 - $4,865 -78% 122 $40   $64,139,520 88
2017/04/25 - $6,785 +39% 122 $56   $64,146,305 89
2017/04/26 - $4,940 -27% 122 $40   $64,151,245 90
2017/04/27 - $5,470 +11% 122 $45   $64,156,715 91
2017/04/28 - $17,785 +225% 123 $145   $64,174,500 92
2017/04/29 - $34,125 +92% 123 $277   $64,208,625 93
2017/04/30 - $22,220 -35% 123 $181   $64,230,845 94
2017/05/01 - $4,735 -79% 123 $38   $64,235,580 95
2017/05/02 - $5,120 +8% 123 $42   $64,240,700 96
2017/05/03 - $4,640 -9% 123 $38   $64,245,340 97
2017/05/04 - $4,855 +5% 123 $39   $64,250,195 98
2017/05/05 - $12,425 +156% 103 $121   $64,262,620 99
2017/05/06 - $25,350 +104% 103 $246   $64,287,970 100
2017/05/07 - $16,970 -33% 103 $165   $64,304,940 101
2017/05/08 - $3,550 -79% 103 $34   $64,308,490 102
2017/05/09 - $4,895 +38% 103 $48   $64,313,385 103
2017/05/10 - $3,720 -24% 103 $36   $64,317,105 104
2017/05/11 - $4,785 +29% 103 $46   $64,321,890 105

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/01/27 2 $22,101,265   3,059 $7,225   $22,101,265 7
2017/02/03 4 $13,128,410 -41% 3,178 $4,131   $35,229,675 14
2017/02/10 6 $9,885,835 -25% 3,025 $3,268   $45,115,510 21
2017/02/17 8 $8,893,095 -10% 2,400 $3,705   $54,008,605 28
2017/02/24 11 $4,448,965 -50% 2,089 $2,130   $58,457,570 35
2017/03/03 16 $2,242,445 -50% 1,494 $1,501   $60,700,015 42
2017/03/10 14 $1,755,015 -22% 1,022 $1,717   $62,455,030 49
2017/03/17 15 $684,200 -61% 594 $1,152   $63,139,230 56
2017/03/24 20 $393,955 -42% 299 $1,318   $63,533,185 63
2017/03/31 23 $204,050 -48% 189 $1,080   $63,737,235 70
2017/04/07 28 $184,340 -10% 175 $1,053   $63,921,575 77
2017/04/14 32 $137,475 -25% 149 $923   $64,059,050 84
2017/04/21 36 $97,665 -29% 122 $801   $64,156,715 91
2017/04/28 37 $93,480 -4% 123 $760   $64,250,195 98
2017/05/05 39 $71,695 -23% 103 $696   $64,321,890 105

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/2/2017 $364,217 84 94 321 $1,198,048 4/5/2017
Australia 5/5/2017 $893,180 271 271 1469 $3,826,565 7/31/2017
Brazil 1/26/2017 $0 0 354 656 $2,166,627 3/28/2017
Bulgaria 2/3/2017 $14,090 0 0 0 $97,027 4/14/2017
Chile 1/26/2017 $0 0 43 236 $1,304,318 3/28/2017
China 2/25/2017 $17,320,000 49049 64169 186768 $88,730,000 4/26/2017
Colombia 3/9/2017 $301,605 130 130 384 $975,134 4/27/2017
Czech Republic 1/27/2017 $94,436 83 85 498 $686,479 7/5/2017
Italy 1/20/2017 $656,076 0 0 0 $1,607,040 2/15/2017
Lithuania 2/17/2017 $3,735 6 124 436 $158,627 4/27/2017
Malaysia 2/23/2017 $133,039 40 40 151 $306,625 3/28/2017
Mexico 1/27/2017 $1,822,160 0 260 500 $6,121,126 4/12/2017
Netherlands 5/16/2017 $98,305 54 54 288 $359,937 7/4/2017
New Zealand 5/5/2017 $89,275 76 76 344 $338,609 6/26/2017
Panama 2/2/2017 $253,752 108 108 262 $652,766 3/21/2017
Peru 1/26/2017 $0 0 76 276 $2,425,329 3/28/2017
Philippines 3/1/2017 $348,888 137 137 159 $489,481 3/21/2017
Portugal 4/7/2017 $52,661 39 40 126 $167,967 5/18/2017
Russia (CIS) 3/31/2017 $805,486 454 454 1415 $1,909,395 5/22/2017
Singapore 3/2/2017 $228,386 28 28 95 $502,889 5/4/2017
Slovakia 2/3/2017 $96,750 66 66 221 $323,082 6/12/2017
Taiwan 2/24/2017 $716,838 81 87 316 $2,236,101 4/12/2017
Thailand 3/2/2017 $67,980 43 43 98 $149,199 3/28/2017
United Kingdom 5/5/2017 $1,683,627 502 502 2364 $3,931,150 8/2/2017
Venezuela 2/3/2017 $54,648 56 62 471 $677,887 5/12/2017
 
Rest of World $4,259,285
 
International Total$125,600,693 8/2/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/7/20171158,137 158,137$2,840,141$2,840,1413
5/14/2017284,594-47% 242,731$1,519,308$4,359,4494
5/21/2017439,267-54% 281,998$699,738$5,059,1875
5/28/2017917,471-56% 299,469$297,182$5,356,3686
6/4/20171118,630+7% 318,099$316,524$5,672,8927

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/7/20171122,924 122,924$2,453,563$2,453,5633
5/14/2017362,230-49% 185,154$1,242,735$3,696,2984
5/21/2017625,170-60% 210,324$502,640$4,198,9385
5/28/20171112,074-52% 222,398$240,992$4,439,9306
6/4/20171213,403+11% 235,801$267,530$4,707,4607

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.