Spain Box Office for Border (2018)

← Go to main Gräns page

Gräns
Theatrical Performance (US$)
Spain Box Office $123,124Details
Worldwide Box Office $2,062,014Details
Home Market Performance
North America Blu-ray Sales $238,189 Details
Total North America Video Sales $238,189
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Tina is a border guard who has the ability to smell human emotions and catch smugglers. When she comes across a mysterious man with a smell that confounds her detection, she is forced to confront hugely disturbing insights about herself and humankind.

Metrics

Movie Details

Spain Releases: January 11th, 2019 (Wide), released as Border
Video Release: February 26th, 2019 by Universal Home Entertainment
MPAA Rating: R for some sexual content, graphic nudity, a bloody violent image, and language.
(Rating bulletin 2546 (Cert #51829), 9/26/2018)
Running Time: 108 minutes
Keywords: Romance, Supernatural, Child Abuse, Pedophilia, Psychological Horror
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Metafilms, Black Spark Film and TV, Karnfilm, Neon Films, MoviePass
Production Countries: Denmark, Sweden
Languages: Swedish

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

Theater Averages: Suspiria Surprises with Yearly Best Average

October 31st, 2018

Suspiria

Suspiria led the theater average chart both over the weekend and for the year earning just over $180,000 in two theaters for an average of $92,019. This tops the previous average of $73,572 by Free Solo, although that movie was playing in four theaters. Up next was Can You Ever Forgive Me? with an average of $14,255 in 25 theaters during its second weekend of release. A couple of foreign-language films were next with Burning earning an average of $13,066 in two theaters and Border earning an average of $10,529 in seven. More...

Limited and VOD Releases: Limited Releases are Leaving us in Suspense

October 26th, 2018

Suspiria

It is a little difficult to figure out which limited release has the best shot at box office success. Suspiria has the loudest buzz, but its reviews are only good and not great. Shirkersreviews are great, but it is playing on Netflix, so it likely won’t go anywhere in theaters. Life & Nothing More, Border, Burning, and others could pick up the slack, but none jump out as guaranteed hits. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/11 18 $56,491   28 $2,018   $56,491 1
2019/01/18 20 $35,281 -38% 33 $1,069   $123,124 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/1/2019 $14,919 18 18 18 $45,021 7/22/2019
Australia 2/15/2019 $5,820 6 6 20 $21,724 7/17/2023
Bulgaria 9/13/2019 $935 0 0 0 $3,144 9/24/2019
France 1/11/2019 $211,766 75 124 286 $516,277 2/1/2019
Italy 3/28/2019 $78,070 0 12 18 $229,314 5/10/2019
North America 10/26/2018 $73,700 7 74 304 $771,930
Portugal 3/8/2019 $754 3 3 10 $4,935 4/2/2019
Romania 8/2/2019 $0 0 0 0 $8,847 9/17/2019
Russia (CIS) 10/25/2018 $49,891 208 208 343 $87,294 1/15/2019
South Korea 10/24/2019 $25,080 48 48 134 $125,227 12/18/2019
Spain 1/11/2019 $56,491 28 33 61 $123,124 1/25/2019
Turkey 5/24/2019 $5,320 26 26 86 $23,136 6/20/2019
United Kingdom 3/8/2019 $102,041 49 49 49 $102,041 3/14/2019
 
Worldwide Total$2,062,014 7/17/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Eva Melander    Tina
Eero Milonoff    Vore

Supporting Cast

Jorgen Thorsson    Roland
Ann Petren    Agneta
Sten Ljunggren    Tina’s Father

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ali Abbasi    Director
John Ajvide Lindqvist    Screenwriter
Ali Abbasi    Screenwriter
Isabella Eklof    Screenwriter
John Ajvide Lindqvist    Based on the short story “Grans” by
Nina Bisgaard    Producer
Peter Gustafsson    Producer
Petra Jonsson    Producer
Meta Louise Foldager    Executive Producer
Tomas Eskilsson    Executive Producer
Louis Tisne    Executive Producer
Daniel Sachs    Executive Producer
Hakan Pettersson    Executive Producer
Anna Croneman    Executive Producer
Erika Wasserman    Executive Producer
Thomas Gammeltoft    Executive Producer
Peter Nyren    Executive Producer
Christoffer Berg    Composer
Martin Dirkov    Composer
Olivia Neergaard Holm    Editor
Anders Skov    Editor
Christian Holm    Sound Designer
Rune Sand    Sound Designer
Eva Akergren    Line Producer
Sara Tornkvist    Casting Director
Peter Hjorth    Visual Effects Supervisor
Mikael Windelin    Visual Effects Producer
Elsa Fischer    Costume Designer
Frida Hoas    Production Designer
Nadim Carlsen    Director of Photography
Göran Lundström    Make-up and Hair Designer
Pamela Goldammer    Make-up and Hair Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.