The Space Between Us (2017)
| Theatrical Performance | ||
| Domestic Box Office | $7,885,294 | Details |
| International Box Office | $8,596,111 | Details |
| Worldwide Box Office | $16,481,405 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,222,170 | |
| Blu-ray Sales (estimated) | $679,735 | |
| Total | $1,901,905 | |
| OpusData ID: 237900100 More info... | ||
| Further financial details... | ||
Synopsis
A space shuttle embarks on the first mission to colonize Mars, only to discover after takeoff that one of the astronauts is pregnant. Shortly after landing, she dies from complications while giving birth to the first human born on the red planet—never revealing who the father is. Thus begins the extraordinary life of Gardner Elliot—an inquisitive, highly intelligent boy who reaches the age of 16 having only met 14 people in his very unconventional upbringing. While searching for clues about his father, and the home planet he’s never known, Gardner begins an online friendship with a street smart girl in Colorado named Tulsa. When he finally gets a chance to go to Earth, he’s eager to experience all of the wonders he could only read about on Mars – from the most simple to the extraordinary. But once his explorations begin, scientists discover that Gardner’s organs can’t withstand Earth’s atmosphere. Eager to find his father, Gardner escapes the team of scientists and joins with Tulsa on a race against time to unravel the mysteries of how he came to be, and where he belongs in the universe.
Metrics
| Opening Weekend: | $3,775,596 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 47.8% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,812 opening theaters/2,812 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,513,725 |
Movie Details
| Domestic Releases: | February 3rd, 2017 (Wide) by STX Entertainment |
| International Releases: | January 4th, 2017 (Wide) (South Korea)
February 3rd, 2017 (Wide) (Russia (CIS)) February 10th, 2017 (Wide) (United Kingdom) February 17th, 2017 (Wide), released as Tūkstančiai mylių iki Tavęs (Lithuania) February 23rd, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | May 2nd, 2017 by STX Entertainment |
| MPA Rating: | PG-13 for brief sensuality and language. (Rating bulletin 2425 (Cert #50466), 5/18/2016) |
| Running Time: | 121 minutes |
| Geographical setting: | Set on Mars |
| Plot point: | Coming of Age, Died During Childbirth, Medical and Hospitals, Romance, Troubled Pregnancy or Miscarriage, Young Child Dealing with the Death of a Parent |
| Social setting: | Space Program |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Los Angeles Media Fund, Southpaw Entertainment, Scarlet Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 9 | $3,775,596 | 2,812 | $1,343 | $3,775,596 | 1 | |
| Feb 10, 2017 | 11 | $1,686,364 | -55% | 2,758 | $611 | $6,511,522 | 2 |
| Feb 17, 2017 | 29 | $280,404 | -83% | 317 | $885 | $7,607,021 | 3 |
| Feb 24, 2017 | 39 | $86,319 | -69% | 107 | $807 | $7,829,766 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 6 | $1,393,625 | 2,812 | $496 | $1,393,625 | 1 | ||
| Feb 4, 2017 | 10 | $1,732,135 | +24% | 2,812 | $616 | $3,125,760 | 2 | |
| Feb 5, 2017 | 10 | $649,836 | -62% | 2,812 | $231 | $3,775,596 | 3 | |
| Feb 6, 2017 | 10 | $245,463 | -62% | 2,812 | $87 | $4,021,059 | 4 | |
| Feb 7, 2017 | 9 | $401,062 | +63% | 2,812 | $143 | $4,422,121 | 5 | |
| Feb 8, 2017 | 10 | $221,502 | -45% | 2,812 | $79 | $4,643,623 | 6 | |
| Feb 9, 2017 | 10 | $181,535 | -18% | 2,812 | $65 | $4,825,158 | 7 | |
| Feb 10, 2017 | 10 | $458,928 | +153% | -67% | 2,758 | $166 | $5,284,086 | 8 |
| Feb 11, 2017 | 11 | $811,734 | +77% | -53% | 2,758 | $294 | $6,095,820 | 9 |
| Feb 12, 2017 | 13 | $415,702 | -49% | -36% | 2,758 | $151 | $6,511,522 | 10 |
| Feb 13, 2017 | 12 | $138,863 | -67% | -43% | 2,758 | $50 | $6,650,385 | 11 |
| Feb 14, 2017 | 10 | $456,046 | +228% | +14% | 2,758 | $165 | $7,106,431 | 12 |
| Feb 15, 2017 | 13 | $123,398 | -73% | -44% | 2,758 | $45 | $7,229,829 | 13 |
| Feb 16, 2017 | 11 | $96,788 | -22% | -47% | 2,758 | $35 | $7,326,617 | 14 |
| Feb 17, 2017 | - | $78,588 | -19% | -83% | 317 | $248 | $7,405,205 | 15 |
| Feb 18, 2017 | - | $118,531 | +51% | -85% | 317 | $374 | $7,523,736 | 16 |
| Feb 19, 2017 | - | $83,285 | -30% | -80% | 317 | $263 | $7,607,021 | 17 |
| Feb 20, 2017 | - | $71,596 | -14% | -48% | 317 | $226 | $7,678,617 | 18 |
| Feb 21, 2017 | - | $31,773 | -56% | -93% | 317 | $100 | $7,710,390 | 19 |
| Feb 22, 2017 | - | $17,783 | -44% | -86% | 317 | $56 | $7,728,173 | 20 |
| Feb 23, 2017 | - | $15,274 | -14% | -84% | 317 | $48 | $7,743,447 | 21 |
| Feb 24, 2017 | - | $25,662 | +68% | -67% | 107 | $240 | $7,769,109 | 22 |
| Feb 25, 2017 | - | $38,281 | +49% | -68% | 107 | $358 | $7,807,390 | 23 |
| Feb 26, 2017 | - | $22,376 | -42% | -73% | 107 | $209 | $7,829,766 | 24 |
| Feb 27, 2017 | - | $9,220 | -59% | -87% | 107 | $86 | $7,838,986 | 25 |
| Feb 28, 2017 | - | $19,976 | +117% | -37% | 107 | $187 | $7,858,962 | 26 |
| Mar 1, 2017 | - | $13,648 | -32% | -23% | 107 | $128 | $7,872,610 | 27 |
| Mar 2, 2017 | - | $12,684 | -7% | -17% | 107 | $119 | $7,885,294 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 10 | $4,825,158 | 2,812 | $1,716 | $4,825,158 | 1 | |
| Feb 10, 2017 | 10 | $2,501,459 | -48% | 2,758 | $907 | $7,326,617 | 2 |
| Feb 17, 2017 | 30 | $416,830 | -83% | 317 | $1,315 | $7,743,447 | 3 |
| Feb 24, 2017 | 41 | $141,847 | -66% | 107 | $1,326 | $7,885,294 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2017 | $66,153 | 0 | 0 | 0 | $87,503 | 1/1/2019 | |||
| Australia | 3/17/2017 | $4,812 | 10 | 10 | 10 | $4,812 | 3/20/2017 | |||
| Brazil | 3/31/2017 | $118,526 | 0 | 0 | 0 | $118,526 | 6/26/2018 | |||
| China | 10/13/2017 | $1,140,000 | 20,180 | 20,180 | 20,180 | $1,437,867 | 8/16/2018 | |||
| Lithuania | 2/17/2017 | $13,344 | 63 | 63 | 83 | $28,521 | 3/8/2017 | |||
| Mexico | 3/3/2017 | $315,158 | 0 | 0 | 0 | $525,084 | 3/15/2017 | |||
| Netherlands | 2/23/2017 | $81,533 | 82 | 82 | 218 | $247,254 | 3/15/2017 | |||
| Portugal | 3/3/2017 | $28,730 | 27 | 27 | 63 | $47,940 | 3/22/2017 | |||
| Russia (CIS) | 2/3/2017 | $432,047 | 894 | 894 | 1,457 | $699,952 | 1/1/2019 | |||
| South Korea | 1/4/2017 | $0 | 0 | 370 | 370 | $189,128 | 4/4/2017 | |||
| Turkey | 3/17/2017 | $10,983 | 22 | 22 | 32 | $19,932 | 2/26/2019 | |||
| United Kingdom | 2/10/2017 | $323,042 | 270 | 270 | 270 | $323,042 | 2/15/2017 | |||
| Rest of World | $4,866,550 | |||||||||
| International Total | $8,596,111 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Gary Oldman | Nathaniel Shepherd |
Leading
| Asa Butterfield | Gardner Elliot |
Supporting
| Carla Gugino | Kendra Wyndham |
Leading
| Britt Robertson | Tulsa |
Supporting
| B.D. Wong | Genesis Director Tom Chen | |
| Scott Takeda | Dr. Gary Loh | |
| Janet Montgomery | Sarah Elliot | |
| Trey Tucker | Harrison Lane | |
| Adande Thorne | Scott Hubbard | |
| Sarah Minnich | Reporter | |
| Colin Egglesfield | Sarah’s brother | |
| Ryan Jason Cook | Control Room Tech | |
| Lauren Myers | Alice Myers | |
| Morse Bicknell | NASA Executive | |
| Beth Bailey | NASA Chief Director | |
| Anthony Jarvis | College Student | |
| Tim Janis | Chuck Woodruff | |
| William Sterchi | Debate Moderator | |
| Aurora Antonio | Young NASA Secretary | |
| Peter Chelsom | Centaur | |
| Zacciah Hanson | Little Bewley Brother | |
| Jesse Romero | Big Bewley Brother | |
| Kristen Rakes | Maid | |
| Eb Lottimer | Air Force Colonel | |
| Bernardo Saracino | Pilot | |
| Mia Stallard | Screaming Girl | |
| David House | Rolad | |
| Bruce McIntosh | NASA Scientist | |
| Lora Martinez-Cunningham* | NASA Guide | |
| Luce Rains | Homeless Man | |
| Travis Armstrong | Colorado State Trooper | |
| Matt Page | Colorado State Trooper | |
| Esodie Geiger | Mrs. Tupelo | |
| Paul Logan | Buff College Kid | |
| Charles Arnone | Mechanic | |
| Gil Birmingham | Shaman Neka | |
| David Devereaux | Teenage Boy | |
| Stafford Douglas | Entitled Teen | |
| Jacob Browne | New Mexico State Policeman | |
| Jenny Gabrielle | Havasupai Woman | |
| Eli Goodman | ER Doctor | |
| Nate Warren | ER Clerk | |
| Drago Sumonja | Social Services Man | |
| Ramona King | Reception Nurse | |
| Ramsey Scott | Foster Care Worker |
Production and Technical Credits
| Peter Chelsom | Director | |
| Allan Loeb | Screenwriter | |
| Stewart Schill | Story by | |
| Richard B. Lewis | Story by | |
| Allan Loeb | Story by | |
| Richard B. Lewis | Producer | |
| Jeffrey Soros | Executive Producer | |
| Simon Horsman | Executive Producer | |
| Allan Loeb | Executive Producer | |
| Steven Pearl | Executive Producer | |
| Kevin Halloran | Executive Producer | |
| Robbie Brenner | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Jerry Ye | Executive Producer | |
| Donald Tang | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Oren Aviv | Executive Producer | |
| Cathy Schulman | Executive Producer | |
| Jeffrey Soros | Director of Photography | |
| Kirk M. Petruccelli | Production Designer | |
| David Moritz | Editor | |
| Christopher Lawrence | Editor | |
| Andrew Lockington | Composer | |
| John Albanis | Co-Producer | |
| Gabrielle Jerou-Tabak | Co-Producer | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A space shuttle embarks on the first mission to colonize Mars, only to discover after takeoff that one of the astronauts is pregnant. Shortly after landing, she dies from complications while giving birth to the first human born on the red planet—never revealing who the father is. Thus begins the extraordinary life of Gardner Elliot—an inquisitive, highly intelligent boy who reaches the age of 16 having only met 14 people in his very unconventional upbringing. While searching for clues about his father, and the home planet he’s never known, Gardner begins an online friendship with a street smart girl in Colorado named Tulsa. When he finally gets a chance to go to Earth, he’s eager to experience all of the wonders he could only read about on Mars – from the most simple to the extraordinary. But once his explorations begin, scientists discover that Gardner’s organs can’t withstand Earth’s atmosphere. Eager to find his father, Gardner escapes the team of scientists and joins with Tulsa on a race against time to unravel the mysteries of how he came to be, and where he belongs in the universe.
Metrics
| Opening Weekend: | $3,775,596 (47.9% of total gross) |
| Legs: | 2.09 (domestic box office/biggest weekend) |
| Domestic Share: | 47.8% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,812 opening theaters/2,812 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,513,725 |
Movie Details
| Domestic Releases: | February 3rd, 2017 (Wide) by STX Entertainment |
| International Releases: | January 4th, 2017 (Wide) (South Korea)
February 3rd, 2017 (Wide) (Russia (CIS)) February 10th, 2017 (Wide) (United Kingdom) February 17th, 2017 (Wide), released as Tūkstančiai mylių iki Tavęs (Lithuania) February 23rd, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | May 2nd, 2017 by STX Entertainment |
| MPA Rating: | PG-13 for brief sensuality and language. (Rating bulletin 2425 (Cert #50466), 5/18/2016) |
| Running Time: | 121 minutes |
| Geographical setting: | Set on Mars |
| Plot point: | Coming of Age, Died During Childbirth, Medical and Hospitals, Romance, Troubled Pregnancy or Miscarriage, Young Child Dealing with the Death of a Parent |
| Social setting: | Space Program |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Los Angeles Media Fund, Southpaw Entertainment, Scarlet Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 9 | $3,775,596 | 2,812 | $1,343 | $3,775,596 | 1 | |
| Feb 10, 2017 | 11 | $1,686,364 | -55% | 2,758 | $611 | $6,511,522 | 2 |
| Feb 17, 2017 | 29 | $280,404 | -83% | 317 | $885 | $7,607,021 | 3 |
| Feb 24, 2017 | 39 | $86,319 | -69% | 107 | $807 | $7,829,766 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 6 | $1,393,625 | 2,812 | $496 | $1,393,625 | 1 | ||
| Feb 4, 2017 | 10 | $1,732,135 | +24% | 2,812 | $616 | $3,125,760 | 2 | |
| Feb 5, 2017 | 10 | $649,836 | -62% | 2,812 | $231 | $3,775,596 | 3 | |
| Feb 6, 2017 | 10 | $245,463 | -62% | 2,812 | $87 | $4,021,059 | 4 | |
| Feb 7, 2017 | 9 | $401,062 | +63% | 2,812 | $143 | $4,422,121 | 5 | |
| Feb 8, 2017 | 10 | $221,502 | -45% | 2,812 | $79 | $4,643,623 | 6 | |
| Feb 9, 2017 | 10 | $181,535 | -18% | 2,812 | $65 | $4,825,158 | 7 | |
| Feb 10, 2017 | 10 | $458,928 | +153% | -67% | 2,758 | $166 | $5,284,086 | 8 |
| Feb 11, 2017 | 11 | $811,734 | +77% | -53% | 2,758 | $294 | $6,095,820 | 9 |
| Feb 12, 2017 | 13 | $415,702 | -49% | -36% | 2,758 | $151 | $6,511,522 | 10 |
| Feb 13, 2017 | 12 | $138,863 | -67% | -43% | 2,758 | $50 | $6,650,385 | 11 |
| Feb 14, 2017 | 10 | $456,046 | +228% | +14% | 2,758 | $165 | $7,106,431 | 12 |
| Feb 15, 2017 | 13 | $123,398 | -73% | -44% | 2,758 | $45 | $7,229,829 | 13 |
| Feb 16, 2017 | 11 | $96,788 | -22% | -47% | 2,758 | $35 | $7,326,617 | 14 |
| Feb 17, 2017 | - | $78,588 | -19% | -83% | 317 | $248 | $7,405,205 | 15 |
| Feb 18, 2017 | - | $118,531 | +51% | -85% | 317 | $374 | $7,523,736 | 16 |
| Feb 19, 2017 | - | $83,285 | -30% | -80% | 317 | $263 | $7,607,021 | 17 |
| Feb 20, 2017 | - | $71,596 | -14% | -48% | 317 | $226 | $7,678,617 | 18 |
| Feb 21, 2017 | - | $31,773 | -56% | -93% | 317 | $100 | $7,710,390 | 19 |
| Feb 22, 2017 | - | $17,783 | -44% | -86% | 317 | $56 | $7,728,173 | 20 |
| Feb 23, 2017 | - | $15,274 | -14% | -84% | 317 | $48 | $7,743,447 | 21 |
| Feb 24, 2017 | - | $25,662 | +68% | -67% | 107 | $240 | $7,769,109 | 22 |
| Feb 25, 2017 | - | $38,281 | +49% | -68% | 107 | $358 | $7,807,390 | 23 |
| Feb 26, 2017 | - | $22,376 | -42% | -73% | 107 | $209 | $7,829,766 | 24 |
| Feb 27, 2017 | - | $9,220 | -59% | -87% | 107 | $86 | $7,838,986 | 25 |
| Feb 28, 2017 | - | $19,976 | +117% | -37% | 107 | $187 | $7,858,962 | 26 |
| Mar 1, 2017 | - | $13,648 | -32% | -23% | 107 | $128 | $7,872,610 | 27 |
| Mar 2, 2017 | - | $12,684 | -7% | -17% | 107 | $119 | $7,885,294 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 3, 2017 | 10 | $4,825,158 | 2,812 | $1,716 | $4,825,158 | 1 | |
| Feb 10, 2017 | 10 | $2,501,459 | -48% | 2,758 | $907 | $7,326,617 | 2 |
| Feb 17, 2017 | 30 | $416,830 | -83% | 317 | $1,315 | $7,743,447 | 3 |
| Feb 24, 2017 | 41 | $141,847 | -66% | 107 | $1,326 | $7,885,294 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2017 | $66,153 | 0 | 0 | 0 | $87,503 | 1/1/2019 | |||
| Australia | 3/17/2017 | $4,812 | 10 | 10 | 10 | $4,812 | 3/20/2017 | |||
| Brazil | 3/31/2017 | $118,526 | 0 | 0 | 0 | $118,526 | 6/26/2018 | |||
| China | 10/13/2017 | $1,140,000 | 20,180 | 20,180 | 20,180 | $1,437,867 | 8/16/2018 | |||
| Lithuania | 2/17/2017 | $13,344 | 63 | 63 | 83 | $28,521 | 3/8/2017 | |||
| Mexico | 3/3/2017 | $315,158 | 0 | 0 | 0 | $525,084 | 3/15/2017 | |||
| Netherlands | 2/23/2017 | $81,533 | 82 | 82 | 218 | $247,254 | 3/15/2017 | |||
| Portugal | 3/3/2017 | $28,730 | 27 | 27 | 63 | $47,940 | 3/22/2017 | |||
| Russia (CIS) | 2/3/2017 | $432,047 | 894 | 894 | 1,457 | $699,952 | 1/1/2019 | |||
| South Korea | 1/4/2017 | $0 | 0 | 370 | 370 | $189,128 | 4/4/2017 | |||
| Turkey | 3/17/2017 | $10,983 | 22 | 22 | 32 | $19,932 | 2/26/2019 | |||
| United Kingdom | 2/10/2017 | $323,042 | 270 | 270 | 270 | $323,042 | 2/15/2017 | |||
| Rest of World | $4,866,550 | |||||||||
| International Total | $8,596,111 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Gary Oldman | Nathaniel Shepherd |
Leading
| Asa Butterfield | Gardner Elliot |
Supporting
| Carla Gugino | Kendra Wyndham |
Leading
| Britt Robertson | Tulsa |
Supporting
| B.D. Wong | Genesis Director Tom Chen | |
| Scott Takeda | Dr. Gary Loh | |
| Janet Montgomery | Sarah Elliot | |
| Trey Tucker | Harrison Lane | |
| Adande Thorne | Scott Hubbard | |
| Sarah Minnich | Reporter | |
| Colin Egglesfield | Sarah’s brother | |
| Ryan Jason Cook | Control Room Tech | |
| Lauren Myers | Alice Myers | |
| Morse Bicknell | NASA Executive | |
| Beth Bailey | NASA Chief Director | |
| Anthony Jarvis | College Student | |
| Tim Janis | Chuck Woodruff | |
| William Sterchi | Debate Moderator | |
| Aurora Antonio | Young NASA Secretary | |
| Peter Chelsom | Centaur | |
| Zacciah Hanson | Little Bewley Brother | |
| Jesse Romero | Big Bewley Brother | |
| Kristen Rakes | Maid | |
| Eb Lottimer | Air Force Colonel | |
| Bernardo Saracino | Pilot | |
| Mia Stallard | Screaming Girl | |
| David House | Rolad | |
| Bruce McIntosh | NASA Scientist | |
| Lora Martinez-Cunningham* | NASA Guide | |
| Luce Rains | Homeless Man | |
| Travis Armstrong | Colorado State Trooper | |
| Matt Page | Colorado State Trooper | |
| Esodie Geiger | Mrs. Tupelo | |
| Paul Logan | Buff College Kid | |
| Charles Arnone | Mechanic | |
| Gil Birmingham | Shaman Neka | |
| David Devereaux | Teenage Boy | |
| Stafford Douglas | Entitled Teen | |
| Jacob Browne | New Mexico State Policeman | |
| Jenny Gabrielle | Havasupai Woman | |
| Eli Goodman | ER Doctor | |
| Nate Warren | ER Clerk | |
| Drago Sumonja | Social Services Man | |
| Ramona King | Reception Nurse | |
| Ramsey Scott | Foster Care Worker |
Production and Technical Credits
| Peter Chelsom | Director | |
| Allan Loeb | Screenwriter | |
| Stewart Schill | Story by | |
| Richard B. Lewis | Story by | |
| Allan Loeb | Story by | |
| Richard B. Lewis | Producer | |
| Jeffrey Soros | Executive Producer | |
| Simon Horsman | Executive Producer | |
| Allan Loeb | Executive Producer | |
| Steven Pearl | Executive Producer | |
| Kevin Halloran | Executive Producer | |
| Robbie Brenner | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Jerry Ye | Executive Producer | |
| Donald Tang | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Oren Aviv | Executive Producer | |
| Cathy Schulman | Executive Producer | |
| Jeffrey Soros | Director of Photography | |
| Kirk M. Petruccelli | Production Designer | |
| David Moritz | Editor | |
| Christopher Lawrence | Editor | |
| Andrew Lockington | Composer | |
| John Albanis | Co-Producer | |
| Gabrielle Jerou-Tabak | Co-Producer | |
| Cathy Sandrich Gelfond* | Casting Director | |
| Amanda Mackey | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.