Slovakia Box Office for Zranené srdcia (2019)

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The Aftermath
Theatrical Performance (US$)
Slovakia Box Office $23,742Details
Worldwide Box Office $8,242,415Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

Metrics

Movie Details

Slovakia Releases: March 29th, 2019 (Wide), released as Zranené srdcia
Video Release: June 11th, 2019 by Fox Home Entertainment
MPAA Rating: R for sexual content/nudity, and violence including some disturbing images.
(Rating bulletin 2499 (Cert #51288), 10/25/2017)
Running Time: 109 minutes
Keywords: Post War, 1940s, Set in Germany, Betrayal, Infidelity, Relationships Gone Wrong, Death of a Son or Daughter, World War II, Assassination
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Fox Searchlight Pictures, BBC Films, Deutscher Filmfoerderfonds, Filmforderung Hamburg Schleswig-Holstein, Scott Free Films, Amusement Park, TSG Entertainment
Production Countries: Germany, United Kingdom
Languages: English

Home Market Releases for June 25th, 2019

June 26th, 2019

Captain Marvel

It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release. More...

Theater Averages: High Life Reaches High Heights

April 12th, 2019

High Life

High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688. More...

Theater Averages: Real Horse Race on Top of the Chart

March 21st, 2019

The Mustang

The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters. More...

Limited and VOD Releases: Which Limited Releases Will Crack the Case of the Box Office?

March 15th, 2019

Nancy Drew and the Hidden Staircase

It’s a good week for limited releases with a lot of different films. This includes some made for mainstream appeal (Nancy Drew and the Hidden Staircase and No Manches Frida 2) as well as more art house fair (The Mustang and Starfish). There are even some documentaries (Combat Obscura and The Eyes of Orson Welles) and foreign-language films (Ash is Purest White and Iceman). I just hope the competition isn’t too much and at least some of these films thrive in theaters. More...

The Aftermath Trailer

October 19th, 2018

Historical drama starring Keira Knightley and Alexander Skarsgård opens April 26, 2019 ... Full Movie Details.

Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/29 10 $12,599   53 $238   $12,809 1
2019/04/05 14 $3,528 -72% 18 $196   $20,938 2
2019/04/12 20 $1,671 -53% 4 $418   $23,742 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $36,963 58 58 80 $63,154 5/18/2019
Australia 4/12/2019 $354,276 108 150 746 $1,445,105 6/4/2019
Czech Republic 3/29/2019 $19,888 84 84 95 $31,046 4/9/2019
France 5/3/2019 $335,864 157 157 471 $715,591 5/24/2019
Italy 3/21/2019 $176,368 0 19 26 $296,539 4/19/2019
Lithuania 5/3/2019 $11,974 62 62 74 $22,951 5/14/2019
Mexico 5/17/2019 $94,051 0 0 0 $94,051 5/20/2019
Netherlands 3/29/2019 $66,446 67 68 194 $192,442 4/15/2019
North America 3/15/2019 $56,419 5 344 883 $1,618,497
Portugal 4/19/2019 $50,166 34 34 98 $157,864 5/28/2019
Russia (CIS) 4/25/2019 $168,962 389 389 902 $401,476 5/18/2019
Slovakia 3/29/2019 $12,599 53 53 75 $23,742 4/16/2019
Spain 4/12/2019 $240,899 183 199 490 $664,579 5/9/2019
United Kingdom 3/1/2019 $787,594 562 562 1688 $2,515,378 5/8/2019
 
Worldwide Total$8,242,415 6/4/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Keira Knightley    Rachael Morgan
Alexander Skarsgård    Stefan Lubert
Jason Clarke    Lewis Morgan

Supporting Cast

Ned Wills    Boy on Train
Pandora Colin    Mother on Train
Anna Schimrigk    Heike
Jack Laskey    Wilkins
Fionn O’Shea    Barker
Kate Phillips    Susan
Martin Compston    Burnham
Mirco Kuball    Soldier
Rosa Enskat    Greta
Frederick Preston    Michael Morgan
Flora Li Thiemann*    Freda Lubert
Monika Foris    German Woman
Logan Hillier    British Captain
Jannik Schumann    Albert
Jim High    British Soldier
Roman Vejdovec    Dentist
Halka Jerabek Tresnakova    Hausfrau
Henry Pettigrew    Donnell
Tom Bell    Captain Eliot
Joseph Arkley    Captain Thompson
Abigail Rice    Pamela
Naomi Frederick    Celia
Ivan Shvedoff    Colonel Kutov
Alexander Scheer    Siegfried Leitmann
Pip Torrens    General Brook

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Kent    Director
Joe Shrapnel    Screenwriter
Anna Waterhouse    Screenwriter
Rhidian Brook    Screenwriter
Rhidian Brook    Story based on the novel ‘The Aftermath’ by
Jack Arbuthnott    Producer
Malte Grunert    Producer
Ridley Scott    Executive Producer
Joe Oppenheimer    Executive Producer
Beth Pattinson    Executive Producer
Carlo Dusi    Executive Producer
Sarah-Jane Wheale    Line Producer
Franz Lustig    Director of Photography
Sonja Klaus    Production Designer
Beverley Mills    Editor
Bojana Nikitovic    Costume Designer
Martin Phipps    Composer
Nina Gold    Casting Director
Jan Brandt    Unit Production Manager
Susanna Lenton    Script Supervisor
Klaus Dohle    Associate Producer
Roland Winke    Sound Mixer
Danny Sheehan    Sound Supervisor
Matthew Collinge    Sound Supervisor
Jack Arbuthnott    Second Unit Director
Lucienne Suren    Supervising Art Director
Jiri Matura    Art Director
Monica Alberte    Set Decorator
Marketa Prochazkova    Costume Supervisor
Charlie Thorne    First Assistant Editor
William Blunden    First Assistant Editor
Simone Bar    Casting Director
Arwa Salmanova    Casting Director
Paul Cotterell    Re-recording Mixer
Matthew Collinge    Re-recording Mixer
Keith Partridge    Foley Mixer
Rob Turner    Foley Editor
Peter Wiemker    Special Effects Supervisor
Michael Reuter    Visual Effects Executive Producer
Sebastian Barker    Visual Effects Supervisor
John Lockwood    Visual Effects Supervisor
Olga Fitzroy    Score Recordist
Olga Fitzroy    Score Mixer
Martin Phipps    Score Producer
Al Green    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.